Primitivism Going into the Twenties, many American
artists and writers felt that modern American culture and society were
inadequate. They felt the refined traditions of the literary and artistic
production of previous generations were no longer interesting and lacked
spiritual depth, due in part to the rise of mass consumption and
materialism. Some found a solution in "primitive" societies,
especially the Native American Pueblo societies of the Southwest, who
seemed to live deeply spiritual lives that involved communal relationships
with other people and closeness to the natural world. To the
artists and writers who idealized these societies, Native Americans seemed
completely removed from the problems of modern society, particularly from
troubles in increasingly crowded urban areas. Some 1920s intellectuals
adopted primitivism—the belief in the superiority of ways of life
that
seemed simpler than modern ones. The artists and writers who embraced
primitivism believed that imitating the practices of Native Americans
would guide them and the American people as a whole toward more active
spiritual lives and more harmonious relationships with each other and the
world, ultimately resulting in better creative output. Many intellectuals
who subscribed to primitivism "played Indian," adopting Native
American dress, behaviors, and language.
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Photograph of a pueblo and Native American dancers
Frederick A. Williams
Photographer and collector Frederick A. Williams, who, like many intellectuals of the 1920s, observed, romanticized, and sometimes imitated Native American lifeways, gathered these pictures of Pueblo architecture and life.
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