Harry Ransom CenterThe University of Texas at Austin

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Fall 2014

Gone With The Wind (1939) SCREENING MONDAY, DECEMBER 15, 7 P.M. SOLD OUT

THE PARAMOUNT THEATRE, 713 CONGRESS AVENUE

The Paramount Theatre commemorates the 75th anniversary of the December 15, 1939, premiere of Gone With The Wind. Tickets are no longer available.


The Wizard of Oz (1939) FILMS OF 1939 THURSDAY, DECEMBER 4, 7 P.M.

Judy Garland stars in The Wizard of Oz, an early Technicolor classic directed by Victor Fleming. Having completed color photography on The Wizard of Oz, Fleming took over as director of Gone With The Wind after George Cukor left the production. 102 minutes.


Poetry on the Plaza: Fantasy READING DECEMBER 3, NOON

Poetry on the Plaza: Fantasy


Caring for the Gone With The Wind Costumes DISCUSSION TUESDAY, DECEMBER 2, 7 P.M.

How do you care for some of the most iconic costumes in film history? Ransom Center Curator of Film Steve Wilson leads a discussion on the preservation of Gone With The Wind costumes, including the green curtain dress and burgundy ball gown, with independent textile conservator Cara Varnell, Ransom Center Assistant Curator of Costumes and Personal Effects Jill Morena, and independent scholar Nicole Villarreal. Enjoy a closer look at the Gone With The Wind costumes with extended gallery hours until 9 p.m.


Member Monday MEMBER EVENT MONDAY, DECEMBER 1, 5–8 P.M.

On the first Monday of each month, join us for a members-only program from 5–8 p.m. featuring extended gallery hours and engaging presentations about Gone With The Wind.

Professor Kathryn Fuller-Seeley, from the University's Department of Radio-Television-Film, discusses Gone With The Wind and its influence on American film and media history. Fuller-Seeley is the author of At the Picture Show: Small Town Audiences and the Creation of Movie Fan Culture and One Thousand Nights at the Movies: An Illustrated History of Motion Pictures 1895–1915.

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LaToya Ruby Frazier LECTURE FRIDAY, NOVEMBER 21, 7 P.M.

Award-winning artist LaToya Ruby Frazier speaks about her ongoing documentation of the impact of deindustrialization on her hometown of Braddock, Pennsylvania. Best known for her black-and-white photographic series Notion of Family, Frazier's work explores identity, place, legacies of industrialization, complex familial relationships, and illness. Co-sponsored by the University's Visual Arts Center, John L. Warfield Center for African and African American Studies, CAAD: Center for Art of Africa and its Diasporas, and the Humanities Institute.


Molly Haskell LECTURE WEDNESDAY, NOVEMBER 19, 7 P.M.

Molly Haskell, film critic and author of Frankly, My Dear: Gone with the Wind Revisited, explores the popularity and influence of both the book and film, from their first appearance to the present. Haskell's writing has appeared in The New York Times, The Guardian, Esquire, and The Nation.


Behind-the-Scenes Building Tour MEMBER EVENT SATURDAY, NOVEMBER 15, 11 A.M.

Cathy Henderson, Associate Director of Exhibitions, and James Stroud, Associate Director for Conservation and Building Management, lead a behind-the-scenes, top-to-bottom tour of the Ransom Center, including collection storage and the cataloging, technology, and conservation departments, discussing the past and future of collection development and stewardship. Open to Guild-level members and above; limited capacity; RSVP required.

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Rebecca Solnit LECTURE THURSDAY, NOVEMBER 13, 7 P.M.

Writer Rebecca Solnit speaks about her new book, The Encyclopedia of Trouble and Spaciousness, a collection of iconic and little-known essays that characteristically travel across disciplines and around the world to discuss issues of place, family, the environment, revolution, and the power of stories. Presented by the University's Department of American Studies and co-sponsored by the Harry Ransom Center, the Department of English, the Department of Art and Art History, the Humanities Institute, and Austin Center for Photography. Books will be for sale before and after the event with a book signing to follow.


New Member Open House MEMBER EVENT WEDNESDAY, NOVEMBER 12, 7 P.M.

Enjoy a night of special access to the Ransom Center with behind-the-scenes presentations from curators, light bites and wine, and welcoming remarks with a champagne toast by Ransom Center Director Stephen Enniss. The galleries will be open for a private viewing of The Making of Gone With The Wind.

Members will have the opportunity to view literary materials relating to the Vietnam War alongside works by significant photographers of the era and visit the Director's Suite with Dr. Enniss for a conversation about the Ransom Center's future plans.

If you plan to attend, please RSVP by Wednesday, November 5 to 512-232-3666 or rsvp@hrc.utexas.edu. Space is limited. This event is open to new members.

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Idiot's Delight (1939) FILMS OF 1939 THURSDAY, NOVEMBER 6, 7 P.M.

In Idiot's Delight, their third film together, Clark Gable and Norma Shearer are stranded at an Alpine hotel with war imminent. MGM hoped to reunite Gable and Shearer as Rhett and Scarlett, but the negative public response to rumors of Shearer's casting ensured that it would not happen. 107 minutes.


Views & Brews: The Legacy of Gone With The Wind DISCUSSION TUESDAY, NOVEMBER 4, 6 P.M. CACTUS CAFE, TEXAS UNION

Join Ransom Center Curator of Film Steve Wilson, University of Texas faculty Daina Ramey Berry and Coleman Hutchison, and KUT Producer Rebecca McInroy for a "Views and Brews" discussion of Gone With The Wind and the film's legacy.


Member Monday MEMBER EVENT MONDAY, NOVEMBER 3, 5–8 P.M.

On the first Monday of each month, join us for a members-only program from 5–8 p.m. featuring extended gallery hours and engaging presentations about Gone With The Wind.

Film Curatorial Assistant Albert Palacios discusses fan mail in the David O. Selznick collection. Over the course of the production, Selznick's company received thousands of letters, as individuals sought auditions, solicited employment, and protested the production. Selected correspondence is featured in the galleries, as well as in the complementary web exhibition.

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Jayne Anne Phillips HARRY RANSOM LECTURE THURSDAY, OCTOBER 23, 7 P.M.

Jayne Anne Phillips reads from Quiet Dell, a novel based on the true story of a murderous West Virginia con man who preyed on widows. Phillips is the author of Lark and Termite, a National Book Award finalist, and her papers reside at the Ransom Center. A reception and book signing follow. Presented by the University Co-op.

Ransom Center members receive complimentary parking and priority entry at this program. Doors open at 6:20 p.m. for members and at 6:30 p.m. for the general public. Members must present their membership cards for priority entrance; one seat per membership card. Members arriving after 6:30 p.m. will join the general queue. Complimentary parking for members is available at the University Co-op garage at 23rd and San Antonio streets.

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Poetry on the Plaza: Actors from the London Stage READING WEDNESDAY, OCTOBER 22, NOON

Poetry on the Plaza: Actors from the London Stage


Brunch inspired by Gone With The Wind - SOLD OUT COOKING CLASS SUNDAY, OCTOBER 19, 11 A.M.

Central Market, 4001 North Lamar

Enjoy a Southern-style brunch inspired by Gone With The Wind. During the class, Central Market Chef Louis Ortiz demonstrates how to create each dish and provides recipes to take home.

The menu includes Aunt Pittypat's cream scones with lemon verbena-infused butter and madeira jelly, Charleston deviled crab cakes, Twelve Oaks barbecued pork ribs, field pea, ham hock, and mustard green soup with cornbread croutons and pickled radish, and Peachtree Street gingerbread cake. Representatives from the Ransom Center will be on hand to discuss the exhibition as you enjoy the cooking class.

After the class, join us for a docent-led public tour of the exhibition at 2 p.m. at the Ransom Center.

The class is at capacity; pre-registration was required and no on-site registration will be available.

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"Selznick's March: Hollywood Comes to White Atlanta" LECTURE THURSDAY, OCTOBER 16, 7 P.M.

The world premiere of Gone With The Wind in Atlanta was the culmination of months of anxious and complicated negotiations between producer David O. Selznick, distributor MGM, their staffs, and the city of Atlanta. Matthew H. Bernstein, Professor of Film and Media Studies at Emory University, offers an in-depth look at the challenges of staging the 1939 premiere in a segregated southern city in "Selznick's March: Hollywood Comes to White Atlanta."


Alejandro Cartagena LECTURE TUESDAY, OCTOBER 7, 7 P.M.

For nearly ten years, Mexican photographer Alejandro Cartagena has explored the relationship between Mexico's urban centers and the suburbs built around them, examining the ways in which explosive growth has altered the landscape and affected the lives of residents. Cartagena discusses his work, including Suburbia Mexicana, Carpoolers, and Systematic Landscapes. Co-sponsored by the Blanton Museum of Art.


Member Monday MEMBER EVENT MONDAY, OCTOBER 6, 5–8 P.M.

On the first Monday of each month, join us for a members-only program from 5–8 p.m. featuring extended gallery hours and engaging presentations about Gone With The Wind.

On Monday, October 6 at 6 p.m., Curator of Film Steve Wilson leads a private members-only tour of the exhibition The Making of Gone With The Wind, sharing surprising stories about the film's production that were discovered as he organized the exhibition. Space on the tour is limited.

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The Adventures of Huckleberry Finn (1939) FILMS OF 1939 THURSDAY, OCTOBER 2, 7 P.M.

Mickey Rooney and Rex Ingram star as Huck and Jim in this adaptation of the Mark Twain classic The Adventures of Huckleberry Finn. Ingram turned down the role of Big Sam in Gone With The Wind to play Jim. 91 minutes.


Gone With The Wind: Still Relevant? DISCUSSION WEDNESDAY, OCTOBER 1, 4 P.M.

Seventy-five years after its premiere, is Gone With The Wind still relevant? University of Texas faculty from the departments of American Studies, English, History, and Radio, Television, and Film discuss Gone With The Wind, the controversy surrounding the film, and its value as a touchstone for the understanding of race, gender, sectionalism, and the Civil War in America.


Poetry on the Plaza: Dylan Thomas READING WEDNESDAY, OCTOBER 1, NOON

Poetry on the Plaza: Dylan Thomas


Curator Tour of The Making of Gone With The Wind Tour THURSDAY, SEPTEMBER 25, 7 P.M.

Join Ransom Center Curator of Film Steve Wilson for an inside look at the exhibition The Making of Gone With The Wind. To ensure the best experience for attendees, the tour is limited to 60 people. Free tickets for the program can be picked up from the Center's visitor desk starting at 6 p.m.


Austin Museum Day TOUR SUNDAY, SEPTEMBER 21, NOON–5 P.M.

Celebrate Austin Museum Day with a visit to The Making of Gone With The Wind. Docent-led tours begin at noon, 1 p.m., 2 p.m., 3 p.m., and 4 p.m.


Cultural Life During Wartime, 1861–1865 FLAIR SYMPOSIUM THURSDAY, SEPTEMBER 18–SATURDAY, SEPTEMBER 20

Discover the cultural world of Union and Confederate painters, photographers, musicians, theater companies, and writers. Historians, literary critics, musicologists, and art historians will engage in lively conversation to offer a more nuanced understanding of the Civil War through the lens of its cultural productions. Pre-payment and registration required.   Learn more


Deborah Willis LECTURE THURSDAY, SEPTEMBER 18, 6:30 P.M.

JESSEN AUDITORIUM IN HOMER RAINEY HALL

New York University professor Deborah Willis weaves together a narrative of the early years of American photography with a reading of iconic moments in Gone With The Wind and examines the role black history played in producing such a controversial and celebrated cultural phenomenon. Co-sponsored by the University's John L. Warfield Center for African and African American Studies.

Registrants of the Flair Symposium, Cultural Life During Wartime, 1861-1865, will have reserved seating at this program, which serves as the symposium's keynote address.

Ransom Center members receive priority entry at this program. Doors open at 5:50 p.m. for members and at 6 p.m. for the general public. Members must present their membership cards for priority entrance; one seat per membership card. Members arriving after 6 p.m. will join the general queue.


Ian McEwan READING WEDNESDAY, SEPTEMBER 10, 7 P.M.

JESSEN AUDITORIUM IN HOMER RAINEY HALL

Acclaimed writer Ian McEwan reads from his new novel, The Children Act. A reception and book signing with the Booker Prize–winning author of Atonement, On Chesil Beach, and Solar follow. McEwan's archive resides at the Ransom Center. Jointly presented with the Michener Center for Writers.

Ransom Center members receive complimentary parking and priority entry at this program. Doors open at 6:20 p.m. for members and at 6:30 p.m. for the general public. Members must present their membership cards for priority entrance; one seat per membership card. Members arriving after 6:30 p.m. will join the general queue. Complimentary parking for members is available at the University Co-op garage at 23rd and San Antonio streets.

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Members-only Preview Party MEMBER EVENT FRIDAY, SEPTEMBER 5, 7 P.M.

The members-only preview party for The Making of Gone With The Wind has reached capacity. Space was limited; memberships and tickets will not be on sale at the door. Please join us at one of the many member events scheduled this fall in conjunction with the exhibition.

Become a member today


Spring 2014

Lawrence of Arabia (1962) WWI FILM SERIES SUNDAY, JULY 13, 7 P.M.

THE PARAMOUNT THEATRE, 713 CONGRESS AVENUE

Peter O'Toole portrays historical figure T.E. Lawrence, who struggled with deeply felt, often opposing allegiances to both his homeland of Great Britain and the Arabian tribes who befriend him during WWI. O'Toole wrote himself into the history books with one of the most riveting performances ever to grace the screen.

Held in conjunction with the Ransom Center's current exhibition The World at War, 1914–1918, the series is hosted by the Ransom Center, Paramount Theatre, and Austin Film Society. Screenings take place at multiple locations in April, May, June, and July and feature 12 World War I films, including All Quiet on the Western Front, Lawrence of Arabia, and Paths of Glory.

Learn more about the film series

Tickets required and may be purchased online, by phone 512-474-1221, or at the box office.


Lawrence of Arabia (1962) WWI FILM SERIES SUNDAY, JULY 13, 2 P.M.

THE PARAMOUNT THEATRE, 713 CONGRESS AVENUE

Peter O'Toole portrays historical figure T.E. Lawrence, who struggled with deeply felt, often opposing allegiances to both his homeland of Great Britain and the Arabian tribes who befriend him during WWI. O'Toole wrote himself into the history books with one of the most riveting performances ever to grace the screen.

Held in conjunction with the Ransom Center's current exhibition The World at War, 1914–1918, the series is hosted by the Ransom Center, Paramount Theatre, and Austin Film Society. Screenings take place at multiple locations in April, May, June, and July and feature 12 World War I films, including All Quiet on the Western Front, Lawrence of Arabia, and Paths of Glory.

Learn more about the film series

Tickets required and may be purchased online, by phone 512-474-1221, or at the box office.


Lawrence of Arabia (1962) WWI FILM SERIES SATURDAY, JULY 12, 7 P.M.

THE PARAMOUNT THEATRE, 713 CONGRESS AVENUE

Peter O'Toole portrays historical figure T.E. Lawrence, who struggled with deeply felt, often opposing allegiances to both his homeland of Great Britain and the Arabian tribes who befriend him during WWI. O'Toole wrote himself into the history books with one of the most riveting performances ever to grace the screen.

Held in conjunction with the Ransom Center's current exhibition The World at War, 1914–1918, the series is hosted by the Ransom Center, Paramount Theatre, and Austin Film Society. Screenings take place at multiple locations in April, May, June, and July and feature 12 World War I films, including All Quiet on the Western Front, Lawrence of Arabia, and Paths of Glory.

Learn more about the film series

Tickets required and may be purchased online, by phone 512-474-1221, or at the box office.


The Big Parade (1925) WWI FILM SERIES FRIDAY, JULY 11, 7 P.M.

STATESIDE AT THE PARAMOUNT THEATRE, 719 CONGRESS AVENUE

King Vidor's poignant and humanizing silent film follows the spoiled, lazy son of a wealthy family as he joins the army during WWI and proceeds to make a few friends and fall in love amidst the hardships of war. In other words, he finally grows up.

Held in conjunction with the Ransom Center's current exhibition The World at War, 1914–1918, the series is hosted by the Ransom Center, Paramount Theatre, and Austin Film Society. Screenings take place at multiple locations in April, May, June, and July and feature 12 World War I films, including All Quiet on the Western Front, Lawrence of Arabia, and Paths of Glory.

Learn more about the film series

Tickets required and may be purchased online, by phone 512-474-1221, or at the box office.


Gallipoli (1981) WWI FILM SERIES THURSDAY, JULY 10, 9 P.M.

THE PARAMOUNT THEATRE, 713 CONGRESS AVENUE

Two young Australian sprinters join the army and find themselves embroiled in the bloody and ultimately tragic Gallipoli Campaign, which robbed the soldiers, and the country, of their innocence. An early highpoint in the careers of director Peter Weir and star Mel Gibson.

Held in conjunction with the Ransom Center's current exhibition The World at War, 1914–1918, the series is hosted by the Ransom Center, Paramount Theatre, and Austin Film Society. Screenings take place at multiple locations in April, May, June, and July and feature 12 World War I films, including All Quiet on the Western Front, Lawrence of Arabia, and Paths of Glory.

Learn more about the film series

Tickets required and may be purchased online, by phone 512-474-1221, or at the box office.


The African Queen (1951) WWI FILM SERIES THURSDAY, JULY 10, 7 P.M.

THE PARAMOUNT THEATRE, 713 CONGRESS AVENUE

Humphrey Bogart is once again conflicted about getting involved in a world war, this time in East Africa during WWI. It's up to Katharine Hepburn's determined missionary to convince Bogie to sail the titular riverboat into the fray in one of legendary director John Huston's best films.

Held in conjunction with the Ransom Center's current exhibition The World at War, 1914–1918, the series is hosted by the Ransom Center, Paramount Theatre, and Austin Film Society. Screenings take place at multiple locations in April, May, June, and July and feature 12 World War I films, including All Quiet on the Western Front, Lawrence of Arabia, and Paths of Glory.

Learn more about the film series

Tickets required and may be purchased online, by phone 512-474-1221, or at the box office.


J'accuse! (1919) WWI FILM SERIES THURSDAY, JUNE 26, 7:30 P.M.

AUSTIN FILM SOCIETY AT THE MARCHESA, 6226 MIDDLE FISKVILLE ROAD

Initially eager to fight the German army, two men soon discover the horrors, destruction, and loss brought by war and forge a close friendship, despite their earlier jealousies back home in France. Directed by Abel Gance.

Held in conjunction with the Ransom Center's current exhibition The World at War, 1914–1918, the series is hosted by the Ransom Center, Paramount Theatre, and Austin Film Society. Screenings take place at multiple locations in April, May, June, and July and feature 12 World War I films, including All Quiet on the Western Front, Lawrence of Arabia, and Paths of Glory.

Learn more about the film series

Tickets required and may be purchased online or at the box office.


Jules and Jim (1962) WWI FILM SERIES THURSDAY, JUNE 19, 7:30 P.M.

AUSTIN FILM SOCIETY AT THE MARCHESA, 6226 MIDDLE FISKVILLE ROAD

A pre-war romance and friendship between two men and a woman gets turned upside down by World War I and its aftermath. Directed by Francois Truffaut.

Held in conjunction with the Ransom Center's current exhibition The World at War, 1914–1918, the series is hosted by the Ransom Center, Paramount Theatre, and Austin Film Society. Screenings take place at multiple locations in April, May, June, and July and feature 12 World War I films, including All Quiet on the Western Front, Lawrence of Arabia, and Paths of Glory.

Learn more about the film series

Tickets required and may be purchased online or at the box office.


Paths of Glory (1957) WWI FILM SERIES THURSDAY, JUNE 12, 7:30 P.M.

AUSTIN FILM SOCIETY AT THE MARCHESA, 6226 MIDDLE FISKVILLE ROAD

In Stanley Kubrick's relentlessly anti-war film, French officers are determined to make examples of their rebellious soldiers finally refusing to sacrifice themselves in senseless attacks.

Held in conjunction with the Ransom Center's current exhibition The World at War, 1914–1918, the series is hosted by the Ransom Center, Paramount Theatre, and Austin Film Society. Screenings take place at multiple locations in April, May, June, and July and feature 12 World War I films, including All Quiet on the Western Front, Lawrence of Arabia, and Paths of Glory.

Learn more about the film series

Tickets required and may be purchased online or at the box office.


The Life and Death of Colonel Blimp (1943) WWI FILM SERIES THURSDAY, JUNE 5, 7:30 P.M.

AUSTIN FILM SOCIETY AT THE MARCHESA, 6226 MIDDLE FISKVILLE ROAD

Major General Clive Wynne-Candy (called Colonel Blimp behind his back) has fought for Britain in the Boer War, World War I, and now World War II, but ideas about the proper conduct of war have dramatically changed during his career. Directed by Michael Powell and Emeric Pressburger.

Held in conjunction with the Ransom Center's current exhibition The World at War, 1914–1918, the series is hosted by the Ransom Center, Paramount Theatre, and Austin Film Society. Screenings take place at multiple locations in April, May, June, and July and feature 12 World War I films, including All Quiet on the Western Front, Lawrence of Arabia, and Paths of Glory.

Learn more about the film series

Tickets required and may be purchased online or at the box office.


Sergeant York (1941) WWI FILM SERIES THURSDAY, MAY 29, 7 P.M.

The World War I Film Series continues at the Harry Ransom Center with Sergeant York (1941) on Thursday, May 29, at 7 p.m.

Starring Gary Cooper and directed by Howard Hawks, the film tells the true story of one of World War I's most decorated soldiers, Alvin York. The film's runtime is 134 minutes.

Held in conjunction with the Ransom Center's current exhibition The World at War, 1914–1918, the series is hosted by the Ransom Center, Paramount Theatre, and Austin Film Society. Screenings take place at multiple locations in April, May, June, and July and feature 12 World War I films, including All Quiet on the Western Front, Lawrence of Arabia, and Paths of Glory.

Learn more about the film series

The screening is free and open to the public, but donations are welcome. Seating is first-come, first-served, and doors open at 6:30 p.m.

Attendees may enter to win a Lawrence of Arabia DVD, the book World War One British Poets, and a set of exhibition postcards.


A Farewell to Arms (1932) WWI FILM SERIES THURSDAY, MAY 22, 7 P.M.

The World War I Film Series continues at the Harry Ransom Center with A Farewell to Arms (1932) on Thursday, May 22, at 7 p.m.

This film adaptation of Ernest Hemingway's novel stars Gary Cooper and Helen Hayes. The film's runtime is 80 minutes.

Held in conjunction with the Ransom Center's current exhibition The World at War, 1914–1918, the series is hosted by the Ransom Center, Paramount Theatre, and Austin Film Society. Screenings take place at multiple locations in April, May, June, and July and feature 12 World War I films, including All Quiet on the Western Front, Lawrence of Arabia, and Paths of Glory.

Learn more about the film series

The screening is free and open to the public, but donations are welcome. Seating is first-come, first-served, and doors open at 6:30 p.m.

Attendees may enter to win a copy of Geoff Dyer's The Missing of the Somme, Ernest Hemingway's A Farewell to Arms, and a set of exhibition postcards.


All Quiet on the Western Front (1930) WWI FILM SERIES THURSDAY, MAY 15, 7 P.M.

The World War I Film Series continues at the Harry Ransom Center with All Quiet on the Western Front (1930) on Thursday, May 15, at 7 p.m.

Directed  by Lewis Milestone, the film is an adaptation of Erich Maria Remarque's landmark World War I novel. The film's runtime is 136 minutes.

Held in conjunction with the Ransom Center's current exhibition The World at War, 1914–1918, the series is hosted by the Ransom Center, Paramount Theatre, and Austin Film Society. Screenings take place at multiple locations in April, May, June, and July and feature 12 World War I films, including Lawrence of Arabia and Paths of Glory.

Learn more about the film series

The screening is free and open to the public, but donations are welcome. Seating is first-come, first-served, and doors open at 6:30 p.m.

Attendees may enter to win a copy of Erich Maria Remarque's All Quiet on the Western Front, the book World War One British Poets, and a set of exhibition postcards.


Shoulder Arms (1918) WWI FILM SERIES THURSDAY, MAY 8, 7 P.M.

The Harry Ransom Center kicks off the World War I Film Series with Shoulder Arms (1918) on Thursday, May 8, at 7 p.m. at the Ransom Center.

Charlie Chaplin directs and stars in the film, the story of a soldier who dreams of being a hero. The film's runtime is 45 minutes.

Held in conjunction with the Ransom Center's current exhibition The World at War, 1914–1918, the series is hosted by the Ransom Center, Paramount Theatre, and Austin Film Society. Screenings take place at multiple locations in April, May, June, and July and feature 12 World War I films, including All Quiet on the Western Front, Lawrence of Arabia, and Paths of Glory.

Learn more about the film series

The screening is free and open to the public, but donations are welcome. Seating is first-come, first-served, and doors open at 6:30 p.m.

Attendees may enter to win a copy of The Essential Charlie Chaplin collection DVD, the book World War One British Poets, and a set of exhibition postcards.


War Horse MEMBER EVENT TUESDAY, MAY 6, 7 P.M.

BASS CONCERT HALL

Join fellow members for the opening night of Broadway in Austin's presentation of War Horse, the 2011 Tony Award–winner for Best Play based on the novel by Michael Morpurgo. Ransom Center members receive a discount on tickets for any performance date, May 6 through 11. Members attending the May 6 performance are invited to a pre-show reception at 6:30 p.m. To receive the discount code or for more details, please contact mburke@austin.utexas.edu or 512-232-3669. Purchase tickets online or by phone at 1-877-275-3804.

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© Brinkhoff/Mögenburg


Grand Illusion (1937) WWI FILM SERIES MONDAY, MAY 5, 7 P.M.

STATESIDE AT THE PARAMOUNT THEATRE, 719 CONGRESS AVENUE

Two French aviators are shot down in German territory and placed in a POW camp in this French masterpiece about class and prejudice during wartime, directed by and starring a pair of Jeans (Renoir and Gabin, respectively).

Held in conjunction with the Ransom Center's current exhibition The World at War, 1914–1918, the series is hosted by the Ransom Center, Paramount Theatre, and Austin Film Society. Screenings take place at multiple locations in April, May, June, and July and feature 12 World War I films, including All Quiet on the Western Front, Lawrence of Arabia, and Paths of Glory.

Learn more about the film series

Tickets required and may be purchased online, by phone 512-474-1221, or at the box office.

Attendees may enter to win a Lawrence of Arabia DVD, the book World War One British Poets, and a set of exhibition postcards.


James Shapiro LECTURE THURSDAY, MAY 1, 7 P.M.

From the time of the American Revolution, Shakespeare has figured prominently in American literary and political culture. James Shapiro, Columbia University professor and noted Shakespearian, considers the alternative history of our nation contained in poems, speeches, parodies, essays, reviews, stories, and letters that respond to Shakespeare's work in a lecture on Thursday, May 1, at 7 p.m. A book signing and reception follow.

Shapiro is Larry Miller Professor of English and Comparative Literature at Columbia University, where he has taught since 1985. His books include 1599: A Year in the Life of William Shakespeare (2005), and Contested Will: Who Wrote Shakespeare? (2010). In 2012 he co-authored and presented a 3-part BBC documentary, Shakespeare: The King's Man. He is currently at work on Shakespeare in 1606: The Year of Lear.

The Ransom Center holds three copies of the Shakespeare First Folio and several quarto editions of the plays, along with prompt books, costume designs, and many other materials relating to productions of the plays from the eighteenth century to the modern era.

The program is free and open to the public, but donations are welcome. Line forms upon arrival of the first person, and doors open at 6:30 p.m.

Attendees may enter to win copies of James Shapiro's 1599: A Year in the Life of William Shakespeare and From Gutenberg to Gone With The Wind: Treasures of the Ransom Center.


Martha Hanna LECTURE TUESDAY, APRIL 29, 4 P.M.

Professor Martha Hanna, University of Colorado, Bolder, presents "'Somewhere in Belgium or France it don't matter which': What Can the Canadian Expeditionary Force Tell Us about Consent and Coercion in the Great War?." This talk will examine Canadian soldiers' perceptions of France and how those perceptions shaped their attitude toward the Great War. Sponsored by the Center for European Studies/European Union Center of Excellence, the Cultural Service at the Consulate General of France in Houston, the Department of History, the Institute for Historical Studies, the France-UT Institute, the Harry Ransom Center, and the French Embassy in Washington D.C.


Matthew Hollis HARRY RANSOM LECTURE THURSDAY, APRIL 24, 7 P.M.

Award-winning poet, biographer, and editor Matthew Hollis speaks about the friendship between poets Robert Frost and Edward Thomas and its fatal consequences in the midst of the Great War on Thursday, April 24, at 7 p.m. Material related to Edward Thomas is featured in the Ransom Center's current exhibition The World at War, 1914–1918.

Hollis's book Ground Water (Bloodaxe, 2004) was shortlisted for the Guardian First Book Award, the Whitbread Prize for Poetry, and the Forward Prize for Best First Collection. He is co-editor of Strong Words: Modern Poets on Modern Poetry (Bloodaxe, 2000) and 101 Poems Against War (Faber, 2003), and editor of Selected Poems of Edward Thomas (Faber, 2011). Now All Roads Lead to France: The Last Years of Edward Thomas (Faber, 2011; Norton, 2012) won the Costa Biography Award and the H. W. Fisher Biography Prize and was Sunday Times Biography of the Year.

Ransom Center members receive complimentary parking and priority entry at this program. Doors open at 6:20 p.m. for members and at 6:30 p.m. for the general public. Members must present their membership cards for priority entrance; one seat per membership card. Members arriving after 6:30 p.m. will join the general queue. Complimentary parking for members is available at the University Co-op garage at 23rd and San Antonio streets.

Attendees may enter to win a copy of Robert Frost's The Road Not Taken and Other Poems and a copy of Matthew Hollis's book Now All Roads Lead to France: A Life of Edward Thomas.

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La France (2007) WWI FILM SERIES SATURDAY, APRIL 19, 3 P.M.

Winner of the Prix Jean Vigo in 2007, Serge Bozon's La France is a film about the search for a new homeland. Camille, dressed as a 17-year- old boy, sets off with a group of vagabond soldiers in her journey to find her husband at the front. A visually stunning example of the recent French pop-art cinema, Bozon highlights the materiality of the film by setting live recorded pop songs amidst the backdrop of the Great War. In this film, Bozon reinvents "the last classical American genre," using Bertohld Brecht's performance device of distancing effect to alienate the spectator and to generate a critically engaged viewer who cannot remain passive in front of the big screen. Introduced by University of Texas graduate student Meredith Lehman. Runtime 102 minutes. Sponsored by the Center for European Studies/European Union Center of Excellence, the Cultural Service at the Consulate General of France in Houston, the Department of French and Italian, and the French Embassy in Washington, D.C.

Held in conjunction with the Ransom Center's current exhibition The World at War, 1914–1918, the series is hosted by the Ransom Center, Paramount Theatre, and Austin Film Society. Screenings take place at multiple locations in April, May, June, and July and feature 12 World War I films, including All Quiet on the Western Front, Lawrence of Arabia, and Paths of Glory.

Learn more about the film series

The screening is free and open to the public, but donations are welcome. Seating is first-come, first-served, and doors open at 2:30 p.m.

Attendees may enter to win a Lawrence of Arabia DVD, the book World War One British Poets, and a set of exhibition postcards.


Enzo Traverso LECTURE FRIDAY, APRIL 18, 4 P.M.

1914 marked the beginning of a new Thirty Years' War in Europe. The meaning of modernity changed: it no longer designated material and human progress but industrial killing and anonymous mass death. Between 1914 and 1945, "hot," extreme, passionate and uncontrolled violence merged with the "cold" and rationally planned violence of modernity, carried on by technological and industrial means. Both literature and visual arts mirrored this peculiar disruptive tension. Distinguished scholar and Cornell University professor Enzo Traverso reassesses the concept of "European civil war," discussing its virtues and limits, its uses and abuses. Sponsored by the Center for European Studies/European Union Center of Excellence, the Cultural Service at the Consulate General of France in Houston, the Department of History, the Institute for Historical Studies, the France-UT Institute, the Harry Ransom Center, and the French Embassy in Washington D.C.


Trois soldats allemands (2001) WWI FILM SERIES SATURDAY, APRIL 12, 3 P.M.

Directed in 2001 by François Caillat, Trois soldats allemands is a documentary that explores the identity of the Lorraine region through the destiny of both civilians and soldiers living in Sarrebourg at the time of the three Franco-German wars. Starting from Le Haut-G'hor estate where the corpse of a German soldier was exhumed in 1951, Trois soldats allemands traces the link between characters who were tied to the house and whose lives were torn between France and Germany. Introduced by University of Texas Assistant Instructor of French, Clemence Ozel. Runtime 75 minutes. Sponsored by the Center for European Studies/European Union Center of Excellence, the Cultural Service at the Consulate General of France in Houston, the Department of French and Italian, and the French Embassy in Washington, D.C.

Held in conjunction with the Ransom Center's current exhibition The World at War, 1914–1918, the series is hosted by the Ransom Center, Paramount Theatre, and Austin Film Society. Screenings take place at multiple locations in April, May, June, and July and feature 12 World War I films, including All Quiet on the Western Front, Lawrence of Arabia, and Paths of Glory.

Learn more about the film series

The screening is free and open to the public, but donations are welcome. Seating is first-come, first-served, and doors open at 2:30 p.m.

Attendees may enter to win a Lawrence of Arabia DVD, the book World War One British Poets, and a set of exhibition postcards.


Denis Johnson READING THURSDAY, APRIL 10, 7:30 P.M.

AVAYA AUDITORIUM IN THE ACES BUILDING

The Michener Center for Writers at The University of Texas at Austin hosts a reading by National Book Award–winner Denis Johnson, author of Jesus' Son and Tree of Smoke. Johnson's archive resides at the Ransom Center.


"World War I: An Inconsistent Memory?" LECTURE TUESDAY, APRIL 8, 7 P.M.

Pulitzer Prize–winning art and architecture critic Philip Kennicott presents "World War I: An Inconsistent Memory?" for the Amon Carter Lecture on Tuesday, April 8, at 7 p.m. at the Harry Ransom Center.

The aesthetics, purpose, and politics of memorialization has changed radically since the First World War, when Americans deployed a wild diversity of monuments small and large to honor the more than 100,000 dead. From mass-produced statues to the reconfiguration of whole urban districts, the aftermath of the First World War introduced the basic conflicts that still dog the designers of memorials today, conflicts between representation and abstraction, individual memory and collective loss, and fundamental disagreements about the necessity and desirability of memorials in a fluid, democratic culture. This talk examines how those conflicts played out on the nation's most symbolically contested landscape, the National Mall in Washington, D.C., where today the First World War is almost an afterthought, lost in the grandiose clutter of other wars, and other strategies for preserving memory.

Kennicott is the art and architecture critic for The Washington Post. He is also a contributing editor at The New Republic, a reviewer for Gramophone, and a regular contributor to Opera News.

The lecture is organized in conjunction with the Ransom Center's current exhibition The World at War, 1914–1918, on view through August 3.

The program is free and open to the public, but donations are welcome. Seating is first-come, first-served, and doors open at 6:30 p.m.

Guild and Director's Circle members are invited to a private wine reception with Kennicott prior to the lecture. Invitation-only: RSVP required. Join or upgrade your membership.

Attendees may enter to win a signed copy of Tim O'Brien's The Things They Carried, a DVD of the documentary WWI: The War to End All Wars, and a set of exhibition postcards.

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Concert Crawl, Austin's Cultural Campus PERFORMANCE SUNDAY, APRIL 6, 1-4 P.M.

The Sarah and Ernest Butler School of Music and Austin's Cultural Campus present a Cultural Campus Concert Crawl. On April 6, students from the Butler School of Music perform short, informal chamber music concerts at the Ransom Center, Blanton Museum of Art, Bullock Texas State History Museum, and Mark di Suvero's "Clock Knot," part of the Landmarks public art collection. Each mini-concert features a variety of music masterworks specifically chosen to respond to the art and collections exhibited at the museums. Concerts begin at 1 p.m. and repeat continuously with the last performance starting at 3 p.m. Travel to each location to hear all four music programs and enjoy an inspiring afternoon of music, history, and art. Free and open to the public; museum admission is free for all three museums on this day.   Learn more


J'accuse! (1919) WWI FILM SERIES SATURDAY, APRIL 5, 3 P.M.

At once a denunciation of the Great War and a monument to those who fought in it, Abel Gance's 1919 epic J'accuse! explores the cataclysmic changes brought about by this conflict—from the age-old traditions of life before the war, to the unifying patriotism experienced at its outbreak, and finally to the immeasurable scope of its destruction. Combing a fictional narrative with authentic footage from the front, Gance's silent masterpiece remains as troubling today as it did almost 100 years ago. Introduced by University of Texas Assistant Professor Herve Picherit. Runtime 166 minutes. Sponsored by the Center for European Studies/European Union Center of Excellence, the Cultural Service at the Consulate General of France in Houston, the Department of French and Italian, and the French Embassy in Washington, D.C.

Held in conjunction with the Ransom Center's current exhibition The World at War, 1914–1918, the series is hosted by the Ransom Center, Paramount Theatre, and Austin Film Society. Screenings take place at multiple locations in April, May, June, and July and feature 12 World War I films, including All Quiet on the Western Front, Lawrence of Arabia, and Paths of Glory.

Learn more about the film series

The screening is free and open to the public, but donations are welcome. Seating is first-come, first-served, and doors open at 2:30 p.m.

Attendees may enter to win a Lawrence of Arabia DVD, the book World War One British Poets, and a set of exhibition postcards.


Poetry on the Plaza: Singers and Songwriters READING WEDNESDAY, APRIL 2, NOON

The Harry Ransom Center presents the Poetry on the Plaza event Singers and Songwriters on Wednesday, April 2, at noon.

Performers include guitar and harmonica musician Jane Gillman, guitarist Mike Hall, keyboardist Paula Maya, and vocalist Natalie Zoe. These Austin-based singer-songwriters will perform and discuss the creative processes of their songwriting.


Julia Alvarez HARRY RANSOM LECTURE MONDAY, MARCH 31, 7 P.M.

JESSEN AUDITORIUM IN HOMER RAINEY HALL

Acclaimed novelist, poet, and essayist Julia Alvarez speaks about her life and work with University of Texas at Austin professor Jennifer M. Wilks in a Harry Ransom Lecture on Monday, March 31, at 7 p.m. in Jessen Auditorium at Homer Rainey Hall. A book signing and reception follow at the Ransom Center.

Alvarez was born in New York City but raised in the Dominican Republic until she was 10. In 1960 her family was forced to flee the Dominican Republic when it was discovered that her father was involved in a plot to overthrow dictator Rafael Trujillo. Much of Alvarez's work is considered semi-autobiographical, drawing on her experiences as an immigrant and her bicultural identity. Alvarez's unique experiences have shaped and infused her writing—from such award-winning novels as How the Garcia Girls Lost Their Accents and In the Time of the Butterflies to her poetry. Alvarez's archive resides at the Ransom Center.

Ransom Center members receive complimentary parking and priority entry. Doors open at 6:20 p.m. for members and at 6:30 p.m. for the general public. Members must present their membership cards for priority entrance; one seat per membership card. Members arriving after 6:30 p.m. will join the general queue. Complimentary parking for members is available at the University Co-op garage at 23rd and San Antonio streets.

This lecture is presented by the University Co-op and co-sponsored by the 2013–2014 Texas Institute for Literary and Textual Studies (TILTS) Symposia: Reading Race in Literature and Film.

Attendees will have the opportunity to win signed copies of T. C. Boyle's Tortilla Curtain and Russell Banks's Continental Drift, and Jayne Anne Phillips's Lark & Termite. The archives of Boyle, Banks, and Phillips reside at the Ransom Center.

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Reception for New Members MEMBER EVENT WEDNESDAY, MARCH 26, 7 P.M.

Enjoy a night of special access to the Ransom Center at this reception for new members. This exclusive evening features behind-the-scenes presentations from curators, welcoming remarks by Ransom Center Director Stephen Enniss, and light bites and wine.

Archivist Amy Armstrong shares a sneak peek at materials from the archive of McSweeney's publishing house, one of the Ransom Center's newest acquisitions. Heather Hamilton, Head of Paper Conservation, discusses the conservation of World War I posters currently on display in the spring 2014 exhibition, The World at War, 1914–1918. Members will have the opportunity to view recent acquisitions to the photography collection, and Dr. Enniss holds a meet and greet in his office where members can join the conversation about the Ransom Center's future plans.

If you plan to attend, please RSVP by Friday, March 21 to 512-232-3666 or rsvp@hrc.utexas.edu. Space is limited. This event is open to new and upgraded members.

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Curators' Tour of The World at War, 1914–1918 Tour THURSDAY, MARCH 20, 7 P.M.

Join exhibition co-curators Jean M. Cannon and Elizabeth L. Garver for a tour of The World at War, 1914–1918 on Thursday, March 20, at 7 p.m.

This exhibition marks the centenary of the start of World War I, a war that lasted four long years and killed ten million servicemen. The geo-political causes, the war's global expansion, and the outcomes of the war are well documented. The collective personal and national trauma inflicted on all who experienced the war, however, remains relevant for a contemporary world still embroiled in conflict.

Drawing on the Ransom Center's extensive collections, this exhibition illuminates the experience of the war from the point of view of its participants and observers, preserved through letters, drafts, and diaries; memoirs and novels; and photographs and propaganda posters. Visitors will have the opportunity to better understand the history of the war through the archives of those who witnessed it first-hand. The exhibition is on view through August 3, and the exhibition catalog and exhibition postcards will be on sale at the tour.

The tour is free and open to the public, but donations are welcome. If you cannot attend the curator's tour, docent-led tours of the exhibition are offered Tuesdays at noon, Thursdays at 6 p.m., and Saturdays and Sundays at 2 p.m.

Attendees may enter to win a signed copy of Sebastian Barry's A Long Long Way, the DVD documentary the Last Voices of WWI: A Generation Lost, and a set of World War I exhibition postcards.


Poetry on the Plaza: Poetry of World War I READING WEDNESDAY, MARCH 5, NOON

In conjunction with the Ransom Center's current exhibition The World at War, 1914–1918, the March Poetry on the Plaza event highlights the Poetry of World War I on Wednesday, March 5, at noon.

Readers include exhibition co-curator Jean Cannon, Senior Lecturer Steve Isenberg, French Professor Emeritus Jean-Pierre Cauvin, and writers Don Graham and Steve Harrigan. They will share poems such as John McCrae's "In Flanders Field," one of the best remembered and most often-quoted poems of the First World War.

The exhibition runs through August 3. Join us for the next Poetry on the Plaza event Singers and Songwriters on Wednesday, April 2 at noon.

This event is free and open to the public, but donations are accepted.


Cooking Demonstration COOKING CLASS SUNDAY, MARCH 2, 11 A.M.

Central Market, 4001 North Lamar

Enjoy a brunch-themed cooking demonstrations inspired by the World War I era and Downton Abbey on Sunday, March 2, at 11 a.m. at Central Market at 4001 North Lamar, in conjunction with the exhibition The World at War, 1914–1918.

The menu includes figs in port wine reduction atop mixed field greens, baked oysters with champagne mignonette, poached salmon topped with poached egg & potato hash, and raspberry meringue pudding. Representatives from the Ransom Center will be on hand to discuss the exhibition as you enjoy the cooking class.

After the class, enjoy a docent-led public tour of the exhibition at 2 p.m. at the Ransom Center.

Pre-payment and registration required online or by calling 512-206-1051. The cost of the class is $50, and Ransom Center members receive a 10 percent discount.

We recommend that you register early as the class size is limited. Attendees may enter to win a signed copy of James and Kay Salter's Life is Meals: A Food Lover's Book of Days, a copy of From Gutenberg to Gone With The Wind: Treasures of the Ransom Center, and a set of exhibition postcards.

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"Secularizing Sacrifice in the Prose Fiction of the First World War" LECTURE THURSDAY, FEBRUARY 27, 7 P.M.

Vincent Sherry, editor of The Cambridge Companion to the Literature of the First World War and a Ransom Center fellow, speaks about the trench experience and its impact on social and political thought during World War I on Thursday, February 27, at 7 p.m.

Sherry addresses the figure of soldier sacrifice—variously as hero and victim—in the literature of the First World War.  While the official work of the war effort sought to consecrate the massive deaths in battle with the ethos of sacrifice, the record left in the prose fiction of the war provides a searching interrogation of this practice. Not simply an objection to the government's efforts, the novels of the war tell the more profound story of the value of sacrifice in everyday life, as framed by customary attitudes and practices in prewar Europe and show how this received understanding is so catastrophically altered in the experience of mass war.

The program is held in conjunction with the current exhibition The World at War, 1914–1918, on display through August 3.

The program is free and open to the public, but donations are welcome. Seating is first-come, first-served, and doors open at 6:30 p.m.

Attendees may enter to win a signed copy of Tim O'Brien's If I Die in a Combat Zone, a copy of the exhibition catalog for The World at War, 1914–1918, and a set of exhibition postcards.


Views and Brews: First World War DISCUSSION TUESDAY, FEBRUARY 25, 6 P.M.

Cactus Café, Texas Union Building

The Harry Ransom Center and KUT 90.5 present a "Views and Brews" event. In conjunction with the Ransom Center's current exhibition, The World at War, 1914–1918, KUT producer Rebecca McInroy, Jean Cannon, Ransom Center Literary Collections Research Associate, and Elizabeth Garver, French Collections Research Associate, delve into the stories and history of the First World War.


"Love and War" OPENING FRIDAY, FEBRUARY 14, 7 P.M.

Join us for "Love and War," the opening reception for the exhibition The World at War, 1914–1918.

Free for Ransom Center members; $20 for non-members.

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Poetry on the Plaza: Love READING WEDNESDAY, FEBRUARY 5, NOON

Poetry on the Plaza: Love


"The Case that Must be Made: Research Libraries, Historical Literacy, and the Future of Brown America" LECTURE TUESDAY, FEBRUARY 4, 7 P.M.

Dr. Khalil Gibran Muhammad, Director of the Schomburg Center for Research in Black Culture at the New York Public Library, presents "The Case that Must be Made: Research Libraries, Historical Literacy, and the Future of Brown America" for the annual Pforzheimer Lecture.


Tiffany Stern LECTURE THURSDAY, JANUARY 16, 4 P.M.

Distinguished Oxford theater professor Tiffany Stern will be giving the English Department's 2014 Thomas Cranfill Lecture at the Ransom Center. She will be discussing Der Bestrafte Brudermord, a German adaptation of Hamlet that is being staged as a puppet show by director Beth Burns at the Hidden Room in Austin. The lecture is co-sponsored by the Ransom Center and is open to the public.



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