Photographs of Children
Dymphna Ellis, 25 July 1865. His subject
later recalled that Carroll "came to
our country house to photograph the children.
I feel sure I was a favourite.He made every
child that. He developed the photographs
in our cellar.
I remember the mess and
the mystery.
We cried when he went away.
We were absolutely fearless with him. We
felt he was one of us, and on our side
against all the grown-ups."
In an 1877 letter, Carroll tells his correspondent that he considers himself "an amateur-photographer whose special line is children." He then encourages the recipient to bring the children by to meet him "not [to] be photographed then and there (I never succeed with strangers), but to make acquaintance with the place and the artist, and to see how they relished the idea of coming, another day, to be photographed."
Carrolls photographic style evolved from the straightforward work of his early family albums into a more adventurous and interpretive one. In an almost magical fashion, Carrolls photography allowed the natural child and the fanciful artist to combine in the production of memorable images. In fact, Carroll has left us with some of the most profound portraits of children ever created.


