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The next day, Brown sends another message:

May 21, 1936


TO DOS FROM KB
I WENT OVER SYNOPSIS OF "GONE WITH THE WIND" AGAIN LAST NIGHT VERY
CAREFULLY AND I THINK THIS IS AN ABSOLUTELY MAGNIFICENT STORY AND IT
BELONGS TO US STOP I AM FEARFUL THAT MY YESTERDAYS WIRE MAY HAVE GIVEN
YOU THE IDEA THAT THIS IS PRIMARILY A CIVIL WAR STORY STOP THIS IS NOT
SO STOP THERE ARE FOUR MAIN CHARACTERS AND THE TITLE ROLE OF SCZ XXX
SCARLET IS MADE TO ORDER FOR MIRIAM HOPKINS OR BETTE DAVIS STOP
MELANIE SHOULD BE PLAYED BY JANET GAYNOR STOP BRET BY CLARK GALBLE STOP
IT IS TOO BAD COLMAN IS ENGLISH OTHERWISE WE WOULD BE PERFECT AS TO
DESCRIPTION STOP ASHLEY SHOULD BE PLAYED BY FRANSHOT TONE STOP I HAVE
GOT AN AD VANCE COPY FOR MR WHITNEY AND ONE FOR MYSELF AND I HAVE ALSO
AIRMAILED A COPY TO YOU STOP I HAVE HAD THE AGENT IN THIS MORNING AND
SEEN HER BEFORE ANY OTHER PEOPLE AND IT IS MY FEELING THAT THE PRICE
ON THIS BOOK WILL BE 50,000 STOP THE AGENT HAPPENS TO BE A SWEET LITTLE
PERSON WHO DOESNT KNOW A NYTHING ABOUT RACKETEERING PRICES ON A BOOK
LIKE THIS AND IN THE HANDS OF SEVERAL OTHER AGENTS IN TOWN I BET MY
LAST CENT THAT IT WOULD BRING BETWEEN 75,000 AND 100,000 DOLLARS STOP
METRO IS REPORTED TO HAVE PAID 40,000 FOR SPARKENBROKE AND THE AGENT
POINTED THIS OUT TO ME THIS MORNING BUT I TOLD HER BY GUESS WAS THAT
SPARKENBROKE WAS BOUGHT UNDEROPTION AND NOT OUTRIGHT AND THAT I THOUGHT
50,000 A VERY SUBSTANTIAL FIGURE FOR THIS BOOK STOP AS I TOLD YOU
YESTERDAY THEY HAVE REJCTED AN OUTRIGHT OFFER FOR 25,000 STOP IN THE
LINE OF MY DUAL CAPACITY I HAVE INFORMED MR COOPER OF MY LIKING FOR
THIS BOOK STOP YOU CAN SEE FROM THE ABOVE THAT I AM ABSOLUTELY OFF MY
NUT ABOUT THIS BOOK AND I WOULD APPRE CIATE IT IF SYLVIA WOULD NOTIFY
ME THE MINUTE THE SYNOPSIS ARRIVES AND WHEN I CAN EXPECT TO HEAR FROM
YOU EITHER BY TELETYPE OR TELEPHONE SO I CAN LEAVE NUMBER WHERE I CAN
BE REACHED LATE TONIGHT
END KB


Merian Cooper, Jock Whitney and Selznick
Merian Cooper, Jock Whitney (seated), and Selznick

John Hay (Jock) Whitney was Chairman of the Board of SIP. He was also president of his own independent production company, Pioneer Pictures, which specialized in making films in color, a relatively new and unproven process at that time. Whitney was a wealthy New York socialite who was attracted to the excitement and glamor of the motion picture business but his friendship with Selznick was close and genuine. His support of Selznick and of Gone With The Wind would later prove to be essential to the completion of the picture.

Selznick was also close friends with Merian Cooper whom he had met at RKO when Cooper was directing King Kong. Cooper was Vice President at SIP and was also associated with Pioneer.

Brown's job involved aquiring properties for Pioneer as well as for SIP.

Miriam Hopkins
Miriam Hopkins

Brown again suggests Miriam Hopkins for the role of Scarlett. But now she adds Bette Davis to the list. Davis's forceful personality showed in the roles she was playing at Warners, notably in Of Human Bondage, 1934, Dangerous, which won her her first Oscar in 1935, and The Petrified Forest, 1936. She won her second Academy Award in 1938 for Jezebel, a Civil War story, which was released while Gone With The Wind was still in production. Selznick worried that Jezebel would damage Gone With The Wind's chances for success.

Ronald Colman was a firmly established and very popular leading man in 1936. His films included Arrowsmith, 1931, Bulldog Drummond Strikes Back, 1934, The Man Who Broke the Bank at Monte Carlo, and Selznick's A Tale of Two Cities, 1935. Selznick also cast Colman in The Prisoner of Zenda in 1937.

Bette Davis
Bette Davis
Clark Gable
Clark Gable

Clark Gable was MGM's top leading man. He had been a proven box office draw for several years, starring in such films as Red Dust and Strange Interlude 1932. In 1934, Louis B. Mayer, Selznick's father-in-law, loaned Gable to Columbia for It Happened One Night as a disciplinary action for Gable's complaining about being typecast. He reluctantly took the part then went on to win the Academy Award. Gable was also reluctant to take the part of Rhett in Gone With The Wind though it proved to be the most important role of his career. Other recent films were Mutiny on the Bounty,1935, San Francisco, 1936, and Saratoga, 1937.

Janet Gaynor won the first Academy Award in the Best Actress category for her cumulative work in the masterpiece Sunrise,1927, Seventh Heaven also 1927, and Street Angel 1928. By 1934, her wholesome appeal made her Hollywood's top boxoffice draw. She starred in two Selznick films, A Star Is Born, 1937, and The Young in Heart, 1938, then suddenly retired from films.

Franchot Tone
Franchot Tone
Ronald Colman
Ronald Colman
Janet Gaynor
Janet Gaynor

Franchot Tone was under contract to MGM at the time and was rising in popularity. He was nominated for Best Actor in Mutiny on the Bounty,1935, in which he starred with Clark Gable. He was also in Dangerous, with Bette Davis, and Lives of a Bengal Lancer in 1935.



Later that day, Thursday, May 21, Brown sends another message:

May 21,1936

TO SS FROM KB
MR WHITNEY IS READING GONE WITH THE WIND TONIGHT AND IF MR SELZNICK
WANTS ME BEFORE ELEVEN OCLOCK OUR TIME I WILL BE AT ATWATER 9-3659
AFTER THAT AT HOME AND I HAVE NO OBJECTIONS AT ALL TO BEING
WAKENED ON THIS STORY AT ANY TIME


The "Sylvia" mentioned in the previous message and the "SS" to whom this message is directed is Sylvia Schulman, Selznick's secretary at the time. She would later play an important role in this process as she carried Brown's frantic messages to Selznick who was busy on the set of his film The Garden of Allah. Schulman later married Ring Lardner, Jr., a writer at SIP who worked on another Selznick picture, A Star is Born.

Selznick replies the next day, Friday, May 22, 1936:

May 22, 1936


TO KB FROM DOS
WILL CERTAINLY READ "GONE WITH THE WIND" SYNOPSIS MINUTE IT ARRIVES.
YOUR CAST LOOKS SWELL EXCEPT ARE THERE ROLES FOR GARBO AND CHAPLIN
WHOSE NAMES I THINK WOULD HELP BOLSTER IT DONT YOU.
I THINK WE OUGHT TO ALSO BE ABLE TO FIND A PART FOR THAT "SWEET LITTLE
PERSON" WHO DOES NOT KNOW ANYTHING ABOUT PRICES AND IS SO NAIVE AS TO
ASK ONLY FIFTY THOUSAND DOLLARS. I THINK WE OUGHT TO USE HER TO SELL
OUR PICTURES.


Brown's reply:

MAY 22, 1936


TO DOS FROM KB
I THINK YOURE SLIPPING I CAN THINK OF LOTS MORE NAMES TO BOLSTER
UP THAZZZ MY PICTURE OF GONE WITH THE WIND I KNEW ID GET AN AWFUL
BLAST ON THAT PRICE QUOTATION
I TAKE IT THAT THE SYNOPSIS OF GONE WITH THE WIND HAS NOT YET ARRIVED
IT WAS SENT SEVEN OCLOCK PLANE WEDNESDAY NIGHT
END KB PLS ANS LAST QUESTION
MIN PLS
THE SYNOPSIS HAS NOT YET REACHED US


PLEASE ADVISE US BEFORE OUR CLOSING TIME OF SI X OCLOCK IF IT HAS NOT
YET ARRIVED
END KB
WILL DO SO
END LS


The teletype operator here is Lydia Schiller who was secretary to William H. Wright, Selznick's production assistant. She would later be pressed into service keeping track of continuity during the filming of the "Burning of Atlanta" scene.

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