Box Folder Description
ANOTHER PART OF THE FOREST (1946) 1 1 Loose notes (A6a); spiral bound notebook 2 Three acts, composite manuscript (A6b) 3 Three acts, composite manuscript (A6c) 4 Act 3, carbon; five copies (A6d) 5 "Play six," acts 1 and 3 (A6e) 6 Act 2, p. 1-10, 13-27 (A6f) 7 Act 2, p. 23-43 (A6g) 8 Miscellaneous typescript and carbons, 69 p. total (A6h) 9 "Play six" carbon and typescript, with corrections 10 "Revised Oct 14 [and] 27," with corrections (A6i) 11 Complete carbon, with corrections (A6j) Mimeo, in binder; "copyright by Lillian Hellman" 2 1-3 Three copies (A6k) 4 Disbound copy, with revisions (A6l) 5 "Another Part--Viking copy," complete carbon with revisions (A6m) Film adaptation (1948) 6 "Final shooting script ... July 28, 1947" by Vladimir Pozner, with notations THE AUTUMN GARDEN (1951) 7 Notes 8 Act 1, incomplete (A8a) 9 Act 1 "1st draft ... retyped," with corrections (A8b) 10 Act 1 "early drafts," with corrections (A8c) 11 Act 2, scenes 1 and 2, with corrections (A8d and A8e) 3 1 Complete draft, with corrections (A8f) 2 Act 3, with corrections (A8g) 3 "Last version" of act 2, scenes l and 2; with corrections (A8h) 4 Complete draft (A8i) 5 "Original script ... My 1st copy" (A8j) 6 "Corrected version final draft" carbon (A8k) 7 Complete draft; carbon with corrections (A8l) 8 Complete draft; carbon (A8m) Complete mimeo 4 1 With corrections (A8n) 2 With leaves inserted (A8o) 3 Marked for printer (A8p) 4 Last 3 pages in typescript (A8q) 5 Final mimeo, "copyright by the author" (A8r) 6 "Author's duplicate" page proofs 7 Act 1, detached from THEATER ARTS, Sept. 1951 CANDIDE (1956) 8 Collaborators' correspondence, 1955-56 (including A10at, in part) 5 1 Research notes 2* Songs and verse [*oversize removed to 120.1] 3-4 Notes and outlines (A10a and A10b) 5 "First draft" with corrections (A10c) 6 "First typed script" carbon (A10d) 7 Variant of first typed script, carbon 8 Complete version carbon, with corrections (A10e) 9 Act 1, scene 1; inserts and script ideas, with corrections (A10f) Complete version, no lyrics 6 1 With corrections (A10g) 2 Carbon, "corrected Feb. 1969 for Avon Books" 3 Act 1, 2 composite manuscript versions, May 1956 (A10h) 4 Act 1, scenes 1, 1A, 2A, 4, complete, composite manuscript (A10i) 5 Act 1, composite manuscript, incomplete (A10j) 6 Act 1, scene 3A, with corrections (A10k) 7 Act 1, scene 1, mimeo; 3 copies (A10l) 8 Mimeo with corrections, complete early version (A10m) 9 "Script sent to Geoffrey," carbon with corrections (A10n) 10 Complete version, heavily corrected (A10p) 11 Revised songs, carbon (A10q) 12 Act 1, scene 3, incomplete (A10r) 13 Various drafts, 13 p. total (A10s) 7 1 Act 2, scene 1, early version, with corrections (A10t) 2 Act 1, scenes 3A and 4; act 2, scene 1; 2 carbon copies of each (A10u) 3 Act 2, scene 1, two versions, both corrected (A10v) 4 Act 2, composite manuscript, incomplete (A10w) 5 "Travels from Buenos Aires to Venice," few corrections (A10x) 6 Act 2, scene 2, complete carbon (A10y) 7 Act 2, scene 2, mimeo, 3 copies (A10z) 8 Act 2, scene 2, enlarged version, with corrections (A10aa) 9 Complete mimeo, uncorrected (A10ab) 10 "Travel scenes from Venice toWestphalia," corrections and handwritten lyrics (A10ac) 11 Act 2, scene 3, with corrections, no lyrics (A10ad) 12 Act 2, scene 3 (A10ae) 13 Act 2, scene 3, mimeo, 3 copies (A10af) 14 Complete, no lyrics (A10ag) 15 Acts 1 and 2, carbon, incomplete (A10ah) 16 Act 1 composite manuscript, with music cues (A10ai) 8 1 "Lyric script" of act 1, scenes 1-4, 2 carbon copies (A10aj) 2 Act 1, scenes 1-4; act 2, scenes 1-2 (A10ak) 3 Act 1, scene 1, 2 carbon copies (A10al) 4 Mimeo, with corrections and carbon pages 5 Mimeo, with extensive manuscript and carbon revisions 6 "Final" mimeo acting edition (A10am) 7-8 Miscellaneous pages (A10an and A10ao) 9 Incomplete version, with corrections (A10ap) 10 Acts 1 and 2, incomplete carbon, with corrections (A10aq) 11 Audition precis; carbon (A10ar) 12 Lyrics by Mike Stewart and Richard Wilbur; composite manuscript (A10as) 13 "Concert version ... by Mike Stewart"; composite manuscript (A10au) 9 1 Rehearsal notes; composite manuscript (A10av) 2 Notes; carbon (A10aw) 3 "Notes on CANDIDE for London production" (A10ax) 4 Theatre Group (UCLA) script, 1966 5 "Concert version ... copyright 1968" mimeo 6 "Second draft" mimeo of Hugh Wheeler version, 1973 THE CHILDREN'S HOUR (1934; revival 1952) 7 "Old versions" of acts 1 and 2; notes (A1a) 8 Acts 1-3, incomplete (A1b) 9 "First full early version" carbon, with corrections (A1c) 10 Carbon marked for printer; character descriptions (A1d and A1e) Galley proofs * With corrections (A1f) [*removed to galley files] * With editorial corrections dated 11/6/34 (A1g) [*removed to galley files] Revival, 1952 11 Revised pages, with corrections 12 Complete version, carbon, with corrections 13 Script for 1971 BBC radio performance, based on 1953 acting edition, mimeo 10 1 LA CALUNNIA, Italian translation by Laura del Bono (A1h) Film adaptations THESE THREE (1936) 2 "2nd outline" carbon (A1i) 3 Script, carbon, with corrections, 8 Oct. 1935 (A1j) 4 "Final script," mimeo, 23 Nov. 1935 5 "Final script," mimeo, 23 Nov. 1935, with revisions (A1k) THE CHILDREN'S HOUR (1961) 6 LH's "Notes for outline and old pages" 7 "First draft screenplay," by John Michael Hayes, mimeo, 18 Apr. 1961 (A1l) 11 1 "First revised screenplay" by Hayes, mimeo, 23 May 1961, with LH's notes DAYS TO COME (1936) 2 Notes in composition book (A2a); loose notes (A2b) 3 "First draft," with corrections (A2c) 4 Complete; with corrections (A2d) 5 Marked for printer, "12/19/36" (A2e) 6 Title page layout and drafts of forematter (A2f) Galley proofs * Early, with corrections (A2g) [*removed to galley files] * Final, with corrections incorporated (A2h) [*removed to galley files] THE LARK (1955 adaptation of Anouilh's L'ALOUETTE) 7 Notes (A9a and A9b); Father Rover's answers to LH's questions (C21); additional research notes 8 Precis and quotes (A9c) 9 Interview with Jean Anouilh Anouilh's L'ALOUETTE in English 10 Act 1, translator unknown 11 Lucienne Hill's complete translation, 2 carbon copies (A9d) 12 Jane Hinton's complete translation, with revisions (A9e) 13 Jane Hinton's partial translation (A9f) 12 1 LH's "First draft," complete carbon, with revisions (A9g) 2 Revised draft, with revisions (A9h) 3 Act 1, incomplete carbon, and act 2 mimeo (A9i) 4 Act 1 mimeo, revised throughout, incomplete (A9j) 5 Act 2 with revisions, incomplete (A9k) 6 Acts 1-2, carbon with revisions, incomplete (A9l) 7 Complete, with revisions (A9m) 8 Music titles and cues (A9n) 9 Set designs by Jo Mielziner (photostats) 10 Mimeo, complete, 2 copies (A9o) 11 Mimeo, complete, revised throughout (A9p) 12 Acts 1 and 2, incomplete typescript and carbon (A9q) 13 Complete carbon, with revisions (A9r) THE LITTLE FOXES (1939; revivals, 1967, 1981) 13 1 Research notes (A3a) 2 Story ideas in spiral bound notebook (A3b) 3 "First typed script," acts 1 and 2 (A3c) 4 Complete carbon, uncorrected (A3d) 5 Complete, with revisions (A3e) 6 Complete carbon, with revisions in act 3 (A3f) 7 Complete "3rd set 12/10/38" (A3g) 8 Complete carbon, "final as of 1/9/39" (A3h) 9 Complete, with notes laid in (A3i) 10 Mimeo (A3j) Revival, 1967 Saint Subber mimeo 14 1 Copy no. 7 2 Copy no. 19, with revisions in act 3 3-4 "Revised & cut" as in preceding entry; copies 5 and 6 Revival, 1981 5 Viking Press 1967 printing, photocopy with revisions throughout "for Elizabeth Taylor production," 1981 6 "Theatre Now, Inc. ... copyright 1967" mimeo Other versions 7 French translation by Simone Signoret, 1961 8 Screenplay carbon with note "My handwriting; director's notes" (A3k) REGINA (Marc Blitzstein's opera, 1949) 15 1 Libretto (A3l) 2-3 LH's "connective narration" for 1964 memorial concert performance of scenes from REGINA MONTSERRAT (1949 adaptation of Roblès's play) 4 Research notes, set design sketch, correspondence 5 Roblès's original play in English translation (A7a) 6 "First copy" of first complete version (A7b) 7 Complete version, carbon; five copies of acts 1 and 2 (A7c and A7d) 8 Act 1 mimeo "first version"; 3 copies in wrappers (A7e, A7f, and A7h) 9 Act 1 mimeo as preceding, but with extras of p. 1-22; no wrappers (A7g) 16 1 "Corrected 1st version ... [carbon] 1/14/49" (A7i); original of that text (A7j) 2 Act 1 mimeo and typescript (A7k) 3 Act 1 carbon (A7l) 4 Act 1 mimeo and typescript (A7m) 5 Act 2 carbon (A7n) 6 Act 2 mimeo; 3 copies in binders, 1 unbound (A7o) 7 Complete play, composite manuscript (A7p) 8 "1st working copy" mimeo, with rehearsal notes and revised p. 8 and 26 laid in, 14 Sept. 1949 (A7q) 9 Mimeo as preceding entry, with extensive notes and material laid in (A7r) 10 Mimeo inscribed "final 6/11/49" (A7s) 11 Mimeo as preceding, but with illegible note on t.p. 17 1-5 Mimeos as preceding, but lacking t.p. inscriptions 6 "Corrected working copy" carbon, dated 18 Sept. 1949; material laid in (A7t) 7 "Rehearsal script Sept. 1949," interleaved (A7u) 8 Incomplete carbon; text as preceding entry (A7v) 9 "Prompt script as produced as produced 10/29/49 NY," mimeo (A7w) MY MOTHER, MY FATHER AND ME (1963) 18 1 "Odd notes" (A12a) 2 Acts 1 and 2 "original ... working folder" (A12b) Act 2 (the 42p. mimeo); no title-page 3 Text revised on p.34 4-5 Unrevised text 6 Act 2 (the 42p. mimeo, heavily revised); "copy from which final typewritten [copy] was made" (A12c) 7 "Act 1+2 corrected" (A12d) 8 Act 1 carbon of A12d; act 2 is mimeo inscribed "1st draft"; both in folder inscribed "original & mimeo Dec 29" Act 1 "first mimeo, Nov. 23, 1962" 9 Copy 20 10 Unnumbered; with LH's corrections "from which mss was typed on Dec 29" 11 Act 1 carbon "2nd draft" 19 1 Acts 1 and 2 "second mimeo, Dec. 29, 1962" (A12e) Act 1 "second mimeo, Dec. 29, 1962" 2 Copy 27; uncorrected 3 Copy 4; p. 44 a typescript revision 4 Copy 5; act 1 altered throughout; act 2 (carbon of A12d) laid in 5 Copy 11; act 1 "old script" altered throughout; act 2 (the 42p. mimeo) added 6 Acts 1 and 2 "second mimeo, Dec. 29, 1962"; act 1 is 55p.; act 2 is 50p. 7 Act 1 of preceding entry extensively revised (A12f) 8 Acts 1 and 2 composite manuscript Acts 1 and 2 in mimeo; act 1 is 52p., act 2 is 39p. 9 All of act 1 after p. 46 wanting 20 1-3 Text revised on 2-38 and 2-39; 3 copies 4 Acts 1 and 2 late drafts, carbon and typescript, Jan.-Mar. 1963; includes 2 versions of each act 5 Retyped pages and discards 6 "Odd pages; scene removed" (A12g) THE NAKED AND THE DEAD (project, 1948, based on novel by Norman Mailer) 7 The novel, with index tabs and handwritten notes 21 1 LH's outline of the novel 2 Outline and notes THE SEARCHING WIND (1944) 3-5 Research notes 6 Act 1, scene 2; act 2, scene 2 (A5a) 7 Act 1, scene 2, heavily revised (A5b) 8 Act 1, scene 1; act 1, scene 2?; act 2, scene 1 (A5c) 9 Act 2, scene 1, plus mixed drafts of act 1, scene 2 and other scenes (A5d) 10 Act 1, scene 1 "4th version" draft, plus a fair copy of same (A5e) 11 Acts 1-2, complete, "March 1, 1944" (A5f) 12 Acts 1-2, complete in 6 scenes (A5g) 13 Acts 1-2, complete in 6 scenes (A5h) 22 1 Acts 1-2, complete in 5 scenes (A5i) 2 Acts 1-2, complete in 5 scenes (A5j) 3 Acts 1-2, complete in 6 scenes (A5k) Film adaptation (1946) 4 "Picture script, 1st version" 5 "Movie script 1st draft with revisions 8/31/45" 6 Screenplay "5th temporary typed ... October 29, 1945" TOYS IN THE ATTIC (1960) 7 Notes, loose and in spiral notebook 8 Act 2, "new play, old mss" (A11a) 9 Complete, with revisions (A11b) 10 Acts 1-2, carbon and typescript; in folder with note "Drafts of final act I and act II ... my copy last draft" 11 Act 2 typescript; act 3 carbon (A11c) 12 Complete version, typescript and carbon (A11d) 13 Act 3, incomplete (A11e) 14 Act 1, carbon and typescript (A11f) 23 1 "1st act [and] 3rd act through pg.19"(A11g) 2 Acts 1-2 complete; "last copy original Oct 1959" (A11h) 3 Act 2 complete; "final Oct 28" (A11i) 4 "Random notes ... LH" (A11j) 5 Act 1 "final copy," carbon and typescript (A11k) 6 Act 3 "final ... from which mimeo was made" (A11l) 7 Act 2 carbon; "final Oct 28," in folder with note "2nd copy act II" (A11m) 8 Acts 1-3, carbon; in folder inscribed "4th copy" (A11n) 9 Acts 1-3, carbon; in folder inscribed "1st copy complete new play" (A11o) 10 Acts 1 and 2, miscellaneous pages (A11p) 11 Acts 1-3, miscellaneous pages (A11q) 12 "First mimeo no. 1, 11/5/1959," with revisions and note: "My corrections: script from which final rehearsal script was made" (A11r) 13 "Rehearsal script second mimeo no. 19, January 11, 1960" and added note: "With 1/21 corrections" (A11s) "Produced version [mimeo] February 25, 1960" 14 Copy no. 6 (A11t) 15 Copy no. 18, with Samuel French, Inc. title-page and forematter laid in 24 1 Copy no. 7, with note "Script cut down for Ann Arbor" 2 "Rehearsal script second mimeo no. 22" with extensive handwritten and typescript changes (A11u) 3 Mimeo with handwritten and typescript revisions; marked for printer (A11v) * Galley proofs, "Master set 4/1/60" (A11w) [*removed to galley files] 4 JOUETS DANS LE GRENIER, French translation WATCH ON THE RHINE (1941) Research notes 5-6 From large looseleaf notebook 25 1 From small looseleaf notebook 2 In spiral notebook (A4a) 3 Act 1 "Play no. 5 first draft with pencilled in corrrections" (A4b) 4 Act 1 carbon, early incomplete draft, p.1-38 5 Act 1 incomplete draft (A4c) 6 Act 2 incomplete draft (A4d) 7 "Act III=incomplete" (A4e) 8 "Early script without revisions"; carbon, with 3 leaves laid in (A4f) 9 Draft "revised 2/27/41," with final title written in at front 10 Mimeo, with a few marks (A4g) 11 Mimeo, with marks and note "Handwriting unknown LH" (A4h) 12 French translation, carbon Film adaptation (1943) 26 1 "Screen play by Lillian Hellman, May 20, 1942" (A4n [i.e. A4i]) 2 "Screen play by Dashiell Hammett [with] additional scenes and dialog by Lillian Hellman ... 5/25/42 final" THE COLLECTED PLAYS (1972) 3 Forematter Text 4 Through p. 162 5 p. 163-328 6 p. 329-520 7 p. 521-708 27 1 p. 709-889 2 p. 890-1099 3 p. 1100-1196 4 "Notes for collection of plays," not used 5 Revised scenes for 6 plays, 28 Oct. 1975
Cookbook, 1984
6 EATING TOGETHER (1984), outline and sample recipe
Films, 1935-76
7 THE BLESSING (c. 1952), "first script" carbon
THE CHASE (1966)
8 Notes and outline
9 "Notes & odd pages"
28 1 Notes, outlines, discarded pages
2 "Original script"
3 "Early version" script
4 Mimeo script, "Orig sent to Univ of Texas"
5 Mimeo "3rd draft, Nov. 6, 1964"
Mimeo "1st production draft, February 10, 1965"
6 "Shooting script" pencilled on cover
29 1 Copy with note from Sam Spiegel's
office, 5 Mar. 1965, laid in
2 With LH's revisions thoughout text
3 Mimeo "final script, March 30, 1965,"
with LH's revisions and her carbon
letter to Spiegel, 11 May 1965
4 DARK ANGEL (1935), mimeo screenplay by LH and
Mordaunt Shairp, 31 May 1935
5 THE LITTLE HOTEL, LH's outline of the novel,
1976
6 Negro picture; screenplay and correspondence
(project, 1942-43)
THE NORTH STAR (1943)
Research notes
30 1 Loose leaves
2 Small notebook
3 Script and story boards
4 "Younger Generation," sheet music for song by
Ira Gershwin and Aaron Copland
5 TENDER IS THE NIGHT (1962), script outlines
Interviews, 1945-84
6 "And now--an evening with Nichols and
Hellman," NEW YORK TIMES, 1970
7 "The Art of the Theatre I," interview with John
Marquand, PARIS REVIEW, 1965
8 "Articles of Faith," interview with Marsha
Norman, AMERICAN THEATRE, 1984
9 Critics and the Theatre, round table discussion on
The Open Mind, WNBC-TV, 1963
10 "How Has [Watergate] Affected Your Life?,"
a poll in NEW YORK MAGAZINE, 1973
11 Interview concerning CANDIDE, NEW YORK
TIMES, 1983, not published
12 Interview with Alice Glaser of ESQUIRE magazine,
1962
31 1 Interview with Barbara Walters, NBC-TV, 1976
2 Interview with Bill Moyers, WNET, 1974
* Interview with Eric Sevareid, CBS, 1945--*see
box 154
3 Interview with Fred Gardner, Behavioral Sound
Seminar, 1969
4 Interview with John Barber, THE DAILY
TELEGRAPH, 1980
5 Interview with Marilyn Berger, KERA, Channel 13,
1979
* Interview with Richard L. Coe, NPR, 1974--*see
folder 86.11
6 James Baldwin, Lillian Hellman, and Mike
Nichols in conversation, 1963?
7 "Lillian Hellman as Herself," interview with
Sylvie Drake, LOS ANGELES TIMES, 1981
8 "Lillian Hellman Reflects Upon the Changing
Theater," THE DRAMATISTS GUILD
QUARTERLY, 1970
9 "A Playwright Looks at the Theater Today," YALE
REPORTS, WTIC-Hartford, 1966
10 "Questioning Miss Hellman on Movies," NEW
YORK TIMES, 1970
11 Responses to questions of Misako Koike, 1979
"A Still Unfinished Woman," interview with
Christine Doudna, ROLLING STONE, 1977
12 Typescript and correspondence
* Galley proofs [*removed to galley files]
13 "Talking to Lillian Hellman," interview with
Katharine Balfour, FAMILY CIRCLE, 1976
14 "Trilling �Invitation' Charge Denied by Lillian
Hellman," NEW YORK TIMES, 1981
15 "Unfinished Woman," interview with Peter Adam,
THE LISTENER, 1979
16 "Where Are the Women Playwrights?," response to
question posed by Seymour Peck, NEW
YORK TIMES, 1973
Memoirs, 1969-80
MAYBE (1980)
* "Early pages," incomplete typescript with
extensive revisions [*removed to oversize
materials at 120.2]
17 "Corrected copy," incomplete photocopy
18 Typescript with revisions; "odd pages retyped"
19 "1st carbon uncorrected"
20 "New carbons uncorrected," early drafts
21 "Early version (2nd) xerox"
32 1 "Original mss"
2 "Extra xerox copy of orig mss"
3 "Final corrected xerox copy"
4 "Extra" photocopy with revisions
5 "Typesetter's copy," photocopy
6 "Corrected page proofs," early version
7 Page proofs, early version; marked
8 Page proofs, revised version
PENTIMENTO (1973)
33 1-2 "Bethe" drafts
3-4 "Willy" drafts
5-6 "Julia" drafts
34 1-2 "Theatre" drafts
3 "Arthur W. A. Cowan" drafts
4 " �Turtle' " drafts
5 "Pentimento" drafts
6 Final carbons (less "Willy" and "Pentimento")
35 1 "Extra xerox copy" (less "Theatre" and
"Pentimento")
Revised photocopy
2 Text through "Julia"
3 Text from "Theatre" to end
Photocopy marked for printer
4 p. 1-126
5 p. 127-254
* Galley proofs [*removed to galley files]
"Page proofs with author's correction"
6 To p. 175
7 p. 176-end
Page proofs, corrected
36 1 To p. 175
2 p. 176-end
Film adaptations
3 "Willy" screenplay by Eric Roth
"Julia" screenplay by Alvin Sargent
4 Second draft, 14 June 1976, t.p. only
with LH's comments
5 Revised Aug. 1976
6 Revised Sept. 1976
SCOUNDREL TIME (1976)
7 Correspondence
8 Notes and research queries
9 Research materials
37 1 Notebook
2 Draft fragment, carbon
5 " �Deer scene' drafts"
4 Garry Wills' introduction
5 "Loose early pages"
6 "2nd draft (not continuous pages)"
7 "Old zerox [sic]," some corrections
8 "Xerox--early version (mostly author's
corrections)"
9 "Extra xerox--not final"
38 1 "Xerox--only corrected script"
* Galley proofs [*removed to galley files]
2 "Page proofs--LH corrections"
THREE (1979)
3 Introductions; SCOUNDREL TIME afterword
4 UNFINISHED WOMAN afterwords
5 PENTIMENTO afterwords
AN UNFINISHED WOMAN (1969)
39 1 Research notes
2 Old pages and notes
3 "Early version [typescript] may not be
complete"
"Early version [carbon] not corrected"
4 Chapters 1-12
5 Chapters 13-16
Revised typescript
40 1 Chapters 1-12
2 Chapters 13-16
Photocopy for printer
3 p. 1-140
4 p. 141-275
* Galley proofs [* removed to galley files]
Short Works, 1938-83
5 "American Styles of Dress," text for radio spots
6 "Dashiell Hammett: a Memoir," drafts and
photocopies of published article
7 Dorothy Parker died on June 7, 1967 ..., draft and
carbons
* "Drama and Propaganda," talk for BBC, 1947--*see
folder 47.8
8 "For Truth, Justice and the American Way" ("On
Jumping into Life"), drafts, article and
correspondence
9 Fred and Arthur, carbon of a comic sketch
10 I Knew Hollywood Very Well in the Thirties ...,
unfinished sketch
11 "Interlude in Budapest," drafts
"Introduction" to THE BIG KNOCKOVER:
SELECTED STORIES AND SHORT
NOVELS OF DASHIELL HAMMETT (1966)
12 Draft
* Galley proofs [*removed to galley files]
13 "Jews in the South, North, East and West," drafts
of a review of THE PROVINCIALS
"The Land that Holds the Legend of Our Lives"
41 1 Research notes
2 Drafts and article
3 "Lillian Hellman Asks a Little Respect for Her
Agony," drafts and article
"Martinique"
4 Notebook
5 Drafts and article
6 "Memoir of a New Orleans Boarding House,"
draft, article, and correspondence
7 Narrative fragments, blurbs, miscellany, 1945-83
8 "Plain Speaking with Mrs. Carter," notes, drafts,
article, and correspondence
9 "Reports on Yugoslavia," drafts and
correspondence
10 Richard Harding Davis, 1938, photocopy of draft
11 Russia, 1944-45, sketches and correspondence
42 1 "Scotch on the Rocks," drafts and article
"Sophronia's Grandson Goes to Washington"
2 Notebook
3 Drafts and article
4 "Theatre Pictures" and related PENTIMENTO
excerpts, drafts and article
5 "The Time of the Foxes," drafts
6 "Topics: the Baggage of a Political Exile," article
and correspondence
7 "Turtle," galleys, article, and correspondence
* Vietnam moratorium text for ESQUIRE, 1970--*see
folder 55.1
Speeches, 1948-84
8 Best Documentary Short, remarks for the
Academy Awards, 1977
9 Commencement address, Mount Holyoke College,
1976, drafts
10 Friends and contemporaries, statements, 1974-84
11 "From America," speech, 1949
12 Hammett funeral remarks, 1961
13 MacDowell Medal Award acceptance, 1976
14 National Book Award acceptance, 1970
15 Political statements, 1973-84
16 Remarks for Dorothy Parker's funeral, 1967
17 Senator Eugene McCarthy, 1968
Speeches for the Committee for Public Justice
18 26 Apr. 1975, drafts
19 22 Oct. 1978, drafts and related
20 Unknown dates, notes and drafts
Speeches, various
43 1 1950-52
2 1953-60
3 Statement to the Russian Writers Union, 1967
4 "They Will be Good, Strong Hands," speech to
Women for Wallace, 1948THE SELECTED LETTERS OF ANTON CHEKHOV (1955) 5 Notes; Drafts of forematter 6 "Biographical Notes" and "Translator's Note," drafts 7 General introduction, drafts 8 Section introductions, drafts Letters included, transcriptions 9 1885-1895 44 1 1896-1904 Duplicates of letters included 2 Typescripts 3 Carbons Letters not used 4 Typescripts 5 Carbons University Lectures and Seminars, 1961-67 6 Harvard University, 1961, drafts of lectures Yale University, 1967 7 Lecture outlines 8 Class discussions, pt. 1 45 1 Class discussions, pt. 2 2-3 Class discussions, carbons
4 ANTA, 1948-50 5 American Academy of Arts and Letters, 1961-82 American Play Company, foreign rights, 1945-54 6 Australia-Italy 7 Japan-Yugoslavia; general 46 1 THE AMERICAN SCHOLAR, 1972-78 ANOTHER PART OF THE FOREST 2 General correspondence and royalties, 1946-51 3 Correspondence, 1946-48 4 Wade suit, 1953-54 5 Anti-apartheid letter, 1963 6 Ashley-Steiner Associates, 1962-65 Authors' League of America 7 Correspondence, 1954-65 8 Press releases, 1952-53 THE AUTUMN GARDEN 9 Hammett interest, 1951-53 10 Receipts and royalties, 1951 11 Barbados house, correspondence with Marietta Tree, 1974-78 12 Behavioral Science Associates, correspondence re interview, 1968-72 13 Berkeley, teaching at the University of California, 1971 47 1 Blitzstein, Marc, correspondence re REGINA, 1952- 75 2 Marc Blitzstein Award, 1964-66 3 Marc Blitzstein Memorial Concert, 1964 4 Bloomgarden, Kermit, 1946-55 5 Boat, correspondence with Richard Goodwin, 1966-72 6 Books on Tape and the Library of Congress, 1981-82 7 Brandeis University, 1961-77 8 British Broadcasting Corporation, 1947-82 9 BROUHAHA (Tabori play), reviews, 1958 California residence 10 Correspondence, 1982-83 11 Expenses, 1982-83 12 Talli Wyler, 1983-84 CANDIDE Correspondence, general 48 1 1954-65 2 1966-70 3 1971-76 4 Reiner-Latouche contract, 1954-56 5 Royalty and box-office statements, 1955-57 6 Columbia and Schirmer royalties, 1956-79 49 1 Random House contracts and royalties, 1956-60 2 Concert tour, 1957-59 3 London production, 1957-59 4 Avon Books reprint, 1968 5 Reviews, 1971 6 City Center production, 1982 7 Car companies and rentals, 1977-84 8 Cars owned, 1944-70 9 THE CHASE, correspondence and residuals, 1964-71 10 Chase Manhattan Bank, 1964-70 Chekhov, Anton. SELECTED LETTERS Correspondence, general 50 1 1949-53 2 1955 3 Farrar, Straus & Giroux, 1949-84 THE CHILDREN'S HOUR Correspondence, 1934-77 4 Letters, 1934-36 5 Telegrams, 1934-36 6 General, 1942-77 51 1 Royalty statements, 1942-75 2 Correspondence and royalties, 1951-53 3 Revival, 1952 4 Mirisch Company, 1960-67 5 Random House, 1962 6 BBC performance, 1971 7 City Bank, 1973-80 8 COLLECTED PLAYS, Macmillan, 1972 9 College requests for appearances, 1980-84 Committee for Public Justice 10 "In Celebration of Lillian Hellman," 1975 11 Statements of purpose and biographical sketches Congdon, Don (literary agent) 12 1971-76 52 1 1977-80 2 1981-83 3 Contributions, 1968-83 4 Cookery and recipes 5 Cornell University, projected talk, 1975-76 6 Crank (unanswered) mail, 1980-81 7 Cranston for President, 1983-84 DAYS TO COME 8 Opening-night telegrams and letters, 1936 9 WPA Theatre production, 1978 Diary [of Anne Frank] Company earnings statements 10 1954-June 1957 53 1 July 1957-1970 2 A DOLL'S HOUSE, proposed film, 1951 Dramatists Guild 3 Correspondence, 1944-70 4 Authors' League of America correspondence, 1939-82 5 Agreements (printed forms) Dramatists Play Service 6 Correspondence, 1943-72 Royalty statements 54 1 1952-59 2 1960-66 3 1967-71, 1981 4 Duo, M. Girosi film project, 1954 5 Ehrman, Carlotta Simons (LH outgoing only), 1972 6 Douglas L. Elliman & Co., re 630 Park Ave., 1970-84 7 English royalties for various plays, 1953-54 8 English Theatre Guild, correspondence and royalties, 1947-83 55 1 ESQUIRE, Vietnam moratorium piece, 1970 European trip correspondence (LH to her secretaries) 2 Lange, Sophia, 1951 3-4 Fritsch, Lois, 1953-54 Fan mail, 1943-84 5 General, 1943-48 UNFINISHED WOMAN 6 1969, General 7 1969, Friends and others PENTIMENTO 8 1973, A-H 56 1 1973, I-Y 2 1973, Friends and others 3 1974, A-L 4 1974, M 5 1974, N-Z 6 1974, A-K [second group] 57 1 1974, L-Z [second group] General 2 1975-76 3 1975-76, Friends and others 4 1976 5 1976-77 1977 6 A-Q 58 1 R-W 1978 2 A-N 3 O-Z 4 A-Z [second group] 1980 5 A-H 6 J-Z 59 1 Autograph requests 2 Get-well cards 1981 3 A-P 4 B-W [second group] 1981-83 5 A-K 60 1 L-Y 2-3 Autograph requests 1981-84 4 A-F 5 G-Mac 6 M-Q 61 1 R-W 2 Farrar, Straus and Cudahy, 1955-61 3 Flanner, Janet, LH's tribute, 1978-79 4 Ford, Ambassador Robert, re projected China trip, 1971-82 5 Foreign editions and anthology rights, 1945-56 6 FOUR PLAYS, Random House royalties, 1946-55 7 Franklin and Marshall College, commencement address, 1975 8 French literary agents, 1951-55 9 Samuel French, Inc., 1960-78 10 Fur storage 11 Graham Agency, performance rights, 1977-84 12-13 Guarantees, memberships, yearly services Hammett, Dashiell 62 1 Letters to LH, 1931-50 Biographies of 2 Coppola and Wenders film projects, 1975-79 3 LH's "Dashiell Hammett, a Memoir," 1965-69 Johnson, D. DASHIELL HAMMETT, A LIFE 4 Correspondence, 1978-84 5 Notes and related material Marcus, S. 6 CONTINENTAL OP introduction by, 1972-74 7 Projected biography, 1974-78 8 Talbot, S. "The Case of Dashiell Hammett," 1982-83 9 Tuska, J. THE DETECTIVE IN HOLLYWOOD, 1980-81 Contracts and contractual matters 63 1 CONTINENTAL OP, 1972-76 2 Warner Bros., 1964 Editions and adaptations 3 Cassell and Co., 1966-76 4 Knopf, 1942-77 5 MGM, THE BIG KNOCKOVER, 1966-77 6 NANA Radio, "The Fat Man," 1963-66 7 P.E.A. Films Inc., "The House in Turk St.," 1975-78 8 Random House, THE BIG KNOCKOVER, 1961-76 9 Rastar, THE MALTESE FALCON, 1960-75 10 Weinstein, H., projected TV series, 1966 11 Yale Repertory Theatre, "Fly Paper," 1970 Permissions, 1963-84 64 1 B-H 2 J-Y 3 Lantz, R. Royalties 4 General, 1964-78 5 THE BIG KNOCKOVER, 1966-82 6 THE DAIN CURSE, 1974-80 7 THE MALTESE FALCON, Rastar, 1968-83 Hardscrabble Farm 65 1 Sale, 1951-52 2 Legal documents Harvard University 3 1960-61 4 1962-77 5 Haydn, Hiram, interview of LH, 1972 6 THE HEART'S A WONDER, correspondence re an American production, 1958-60 Hellman, Max B. (correspondence by and re) 7 1947 8 1948, Jan.-May 66 1 1948, June-Dec. 2 1949, Jan.-June 3 1949, July-Dec. 4 1950-51, and documents * Hellman-Newhouse engagement and wedding, 1904 [*removed to 119.4-6] House and household 63 East 82nd Street 5 Mortgage and title insurance 6 Purchase and alterations, 1944-46 7 Sale, 1969 8 Sale of contents, 1969-70 9 Sarasota, Fla., rental, 1974 Household employees 67 1 General correspondence, 1973-84 2 Applicants, 1978-84 House Un-American Activities Committee 3 LH's press statement and open letter; related correspondence 4 Correspondence re LH's HUAC appearance, 1952 5 Correspondence and related material, 1953-75 68 1 Transcriptions, photocopies, and related 2 Hunter College, 1972-73 Insurance 3 Current, 1959-63 4 Martha's Vineyard, 1962-84 5 Medical, 1959-78 Medical reimbursements 6 1972-82, pt. 1 69 1 1972-82, pt. 2 2 Medicare/Blue Shield reimbursements, 1972-80 3 Medicare reimbursements, 1982-84 4 New York, 1981-84 5 Social Security 70 1-2 Special homeowner's, 1963-80 3 Workers' compensation, 1977-84 Insurance claims 4 Dunlap, Dolores, injury, 1965 5 Jewelry, 1981 6 Material lost by Mrs. Connors, 1964 7 Robbery and water damage, 1972 8 Inter-American Foundation for the Arts, 1963-68 9 International Creative Management, 1977-79 10 International Drama Conference, Edinburgh, 1963 Investments 11 Authors' Investment Pool, 1949-74 12 BALLAD OF THE SAD CAFÉ, 1963-64 13 DEATH OF A SALESMAN, 1951-70 71 1 Dramatists Play Service, 1955-74 2 INHERIT THE WIND, 1955-59 3 THE LARK, 1956-57 4 LEONARD BERNSTEIN'S THEATRE SONGS, 1965 5 Phoenix Theatre, 1954-57 6 Second Play Company (THE CRUCIBLE), 1957- 70 7 VIEW FROM THE BRIDGE Company, 1955-70 8 THE WALL, 1960-61 9 WISH YOU WERE HERE, 1952-78 JULIA (film, 1977) 10 Correspondence, 1974-80 11 Contracts, 1974 12 KERA Dallas/Ft. Worth interview, 1978-81 72 1 Keogh Retirement Plan 2 Jack H. Klein & Co. (accountants), 1972-84 3 Alfred A. Knopf, Inc., 1979-83 LADIES' HOME JOURNAL 4 Correspondence, general, 1963-75 5 Washington March, 1963-64 Lantz, Robert 6 1961-72 7 1982-84 THE LARK Correspondence 8 1954-74 73 1 1977-80 2 Box office and royalty statements, 1955-56 3 Random House royalties, 1955-71 4 Lazar, Irving, 1948-50 5 Lederer, Katherine, 1966-81 Little, Brown, and Company 6 COLLECTED PLAYS, 1969-72 PENTIMENTO 7 Correspondence, 1970-81 8 Macmillan & Co., 1972-80 74 1 Press party, 1973 2 "Willy" film (projected), 1973-74 New American Library 3 Correspondence, 1974-77 4 Contracts, 1973-78 5 Excerpts in periodicals SCOUNDREL TIME 6 Research and correspondence, 1975-78 7 Bantam Books, 1976 8 Macmillan, 1976-78 9 Trilling, Diana, 1976-77 10 Fan mail, 1976 11 THREE and SCOUNDREL TIME, 1976-83 UNFINISHED WOMAN 12 Correspondence, 1969-84 75 1 Macmillan & Co., 1969-79 2 ATLANTIC MONTHLY, 1969 3 Deborah Rogers Ltd., 1970-71 4 Bantam Books, 1971-73 5 Hellman-Poirier series (projected), 1977 6 Royalty statements, 1966-84 THE LITTLE FOXES 7 Congratulatory correspondence, 1939-41 8 Royalty record, 1939 9 Correspondence and royalty statements, 1942-60 10 Paris revival, 1962 76 1 Correspondence, 1966-82 Revival, 1967 2 Correspondence, 1966-68 3 Casting notes 4 Reviews and fan mail 5 Receipts and royalty statements 6 Milwaukee revival, 1973 Revival, 1981 7 Correspondence and notes, 1980-82 8 Frankfurt, Garbus, Klein & Selz, 1981-82 77 1 Ticket information and requests, 1981 2 Financial statements 3 Box office statements, 1982 4 Italian revival, 1983 5 Loan to the Wilburs, 1956-61 6 Loans, 1938-78 7 London, Ephraim, 1973-83 8 London Weekend Television Ltd., 1976-77 9 M general correspondence, 1975-83 MCA Artists, Ltd. 78 1 Correspondence, 1954-62 2 Contracts, 1954-63 3 MCCALL'S, 1965-70 McCarthy, Mary, lawsuit correspondence 4 Legal, and related, 1980-83 5 General, and clippings, 1980-83 6 Macmillan London Ltd., 1980-82 7 Magazine subscriptions, 1956-82 Martha's Vineyard Correspondence, 1966-84 79 1 A-House 2 Household-Nolin 3 North-Vineyard 4 Fullerton lawsuit, 1970-74 5 Gay Head property, 1958-84 80 1 Mill House documents, 1955-62 New house, 1962-63 2 Correspondence, general 3 Correspondence with architect 4 Bills and related 5 Deeds and blueprints 6 Mortgage 7 Tax receipts, 1955-84 8 Water problem, 1978-83 81 1 "Martinique," article for TRAVEL & LEISURE, 1973-81 Massachusetts Institute of Technology 2 Correspondence, 1969-75 3 Class notes and related, 1970-71 4 MAYBE, correspondence and reviews, 1980 Medical 5 Correspondence, 1980-82 6 Bills and related, 1980-83 Melby, John (LH outgoing only) 7 1945-53 8 1953-78 82 1 Mondadori Publishing Company, 1966-67 MONTSERRAT 2 Correspondence, 1948-82 3 Casting notes and first-night correspondence 4 Business correspondence, 1949-66 5 Road appointments, 1949 6 London production, 1952 (clippings) 7 Barbizon-Plaza production, 1954 8 Lewis Freedman TV production, 1970 Morgan Guaranty Trust Company 9 1971-79 83 1 1980-81 2 1982 3 1983-84 4 Mortgages, 1953-63 5 Movie offers, Swanson & Rollitts, 1947-59 MY MOTHER, MY FATHER AND ME 6 Correspondence, 1963 7 Opening, Boston and New York, cards and notes 8 Advertising, 1963 9 Assignment of profits, 1963-70 10 San Anselmo, Calif., production, 1966 84 1 WPA Theatre production, 1979 2 N general correspondence 3 THE NAKED AND THE DEAD, clippings, 1948 4 National Book Committee, 1970-71 5 National Institute of Arts and Letters, 1945-65 6 National Public Radio, 1974-75 7 New Theatre Workshop, 1965-66 8 NEW YORK TIMES, 1974-82 9 THE NORTH STAR, 1942-70 10 November Company (Hannah Weinstein), 1956-57 11 Parke-Bernet Galleries, 1961-62 Parker, Dorothy 12 Correspondence re Picasso painting, 1962-64 LH's correspondence re specific works 13 CONSTANT READER (anthology), 1969-71 14 Keats, John. YOU MIGHT AS WELL LIVE, 1967-72 15 Wilson, Sandy. "As Dorothy Parker Once Said," 1967-70 16 Reviews, 1970-71 LH's correspondence re Parker estate 85 1 1967-71 2 1972-76 3 Passports, expired 4 Patterson, Flynn, and Johnson, rug purchase, 1964 5 Poetry Center of the 92nd Street YM-YWHA, talk, 1970 6 Princeton University, 1968-77 7 Pritchett, V. S. (LH outgoing only), 1974-84 8 Purdue University, talk, 1957 9 Radcliffe Institute for Independent Study, 1961-64 10 Radio and TV, requests and rights, 1946-50 11 Random House, UNFINISHED WOMAN project, 1966 Bernard Reis Inc. (accountant) 86 1 1943-48 2 1949-51 3 Rutgers University, 1963-65 4 Safe deposit box, First Federal Savings Bank, 1974-80 5 Savoy Art and Auction Galleries, consignments, 1964-65 THE SEARCHING WIND 6 Correspondence with Wallis studio, 1944-52 7 Financial correspondence, 1944-49 8 Shumlin, Herman, 1942-76 9 Sigerist, Henry E. (LH outgoing only), 1951-67 10 Smith College, honorary degree, 1974 11 Smithsonian Institution, 1974-82 Soviet Union Correspondence, general 12 1944-46 1966-72 87 1 A-L 2 M-S 3 W and outgoing 4 Eisenstein and Solzhenitsyn, 1958-70 5 INOSTRANNAIA LITERATURA, etc., 1957-65 6 Past and present royalties, 1955-81 THE SPANISH EARTH (documentary film, 1937) 7 Correspondence, 1936-84 8 Earnings reports, 1970-84 9 Spanish Refugee Appeal, 1954-69 10 Starhill Studios, loan to George Bergen, 1948-50 11 Stead, Christina, correspondence re, 1981-83 12 Television appearances and interviews, 1963-78 88 1 TENDER IS THE NIGHT, Selznick correspondence, 1959 2 Thrift Shop of Irvington House, charitable donations, 1963-76 3 Town Hall, New York, "Interlude" lecture series, 1974 4 A TOWN LIKE ALICE, projected film, 1952 TOYS IN THE ATTIC Correspondence, 1959-79 5 A-L 6 M-Y and unidentified 7 Opening, Boston and New York, cards and notes 8 Random House, 1959-66 9 Publicity, 1960 10 Mirisch Company, 1960-71 11 Czech royalties, 1968-72 12 Unauthorized performance, 1978 Travel, 1972-83 13 Correspondence and notes 89 1 Tickets and receipts Travel vouchers 2 1954-74 3 1975-78 4 Travelling needs (itemized checklists) 5 Trip to Egypt, 1976 Trust fund, Newhouse Correspondence 6 1941-57 7 1958-72 90 1 1973-75 2 1976-82 and notes on Marx and Newhouse families 3 Trusteeship documents 4 Tulane University, talk and honorary degree, 1977 5 UMBERTO D, correspondence re film, 1954 6 Universal Pictures, projected film based on memoirs, 1976-77 7 University of Arizona, 1977-80 8 University of California, San Diego, projected seminar, 1973 9 University of California, Santa Barbara, 1975-82 10 University of Pennsylvania, talk, 1972 11 University of Wisconsin, evaluation of LH's papers, 1960-61 91 1 V general correspondence 2 Viking Press, royalty statements, 1952-81 3 Wallet lost or stolen, 1973 and 1978 WATCH ON THE RHINE 4 Business correspondence, 1941-44 5 Unlicensed readings, 1941-43 6 English productions, 1942-46 7 Correspondence and statements, 1943-55 8 Tax matters, 1951 9 New York revival, 1979 10 Weinstein, Dina, 1981-82 11 Wheaton College, honorary degree, 1960 Writers Guild of America, West 12 Correspondence, 1960-82 92 1 Statements, 1960-77 2 X-Y-Z general correspondence 3 Yale University, 1963-74
4 1960-70
LH personal and biographical 5 General, 1940-51 6 Henry Wallace and the 1948 election 7 NCASP world peace conference, 1949 8 TIME MAGAZINE, 1949-52 9 General, 1952-54 10 "Odd and various," 1955-64 93 1 General, 1963-69 2 General, 1971-77 3 From friends, 1977-82 4 General, 1978-84 LH works 5 ANOTHER PART OF THE FOREST, 1946-72 6 THE AUTUMN GARDEN, 1951-77 7 CANDIDE, 1950-73; THE CHASE, 1966 8 THE CHILDREN'S HOUR, 1936-78 9 JULIA (film), 1977-78 10 THE LARK, 1954-57 THE LITTLE FOXES 11 Various productions, 1950-79 12 Vienna, 1963 Elizabeth Taylor production, 1981 94 1 General 2-3 From Fred Nathan, publicist 4 Los Angeles and Tacoma productions, 1981 5 Programs, 1962-83 6 MAYBE, 1980 7 MONTSERRAT, 1954; MY MOTHER, MY FATHER AND ME, 1966-80 8-9 PENTIMENTO, 1973-74 95 1 REGINA, 1949-84 2-3 SCOUNDREL TIME, 1976-77 4 THE SEARCHING WIND, 1944 5 THREE, 1979; TOYS IN THE ATTIC, 1963 6 AN UNFINISHED WOMAN, 1969-70 WATCH ON THE RHINE 7 General, 1979-80 8 Programs, 1947-80 Other subjects Dashiell Hammett Personal and biographical 9 1950-18 July 1951 96 1 18 July-December 1951 2 1951, columnists and miscellaneous 3 1952-59 4 1932-62, obituaries and notes about 5 1973-82 Works 6 Novels, 1965-66 7 THE BIG KNOCKOVER, 1966-67 8 THE CONTINENTAL OP, 1974-75 9 Dorothy Parker, 1970-71; Diana Trilling, 1976-77
97 1 1922-24 2 Diary and commonplace book, 1950-60 3 1956 4-5 1957, large and small 6 1958 7 1959 8 1960, New York 98 1 1960, London 2 1961, large and small 3 1962 4 1963 5 1964 6-7 1965, large and small 99 1 1966 2 1967 3 1968 4 1969 5 1970 6 1971 7 1973 100 1 1974 2 1975 3-4 1976, large and small 5 1978 6 1979 101 1 1980 2 1981 3 1982 4 1983 5 1983 and 1984, California 6 1984
American politics, Washington, 1964 102 1 Large notebook 2 Small notebook 3 "California 1980 Feb. 1-March" 4 East European trip, spring 1967 5 "Europe notes, Oct. 1966-May 1967" 6 European trip, April 1950 7 European trip, 1951 8 European trip, 1968 9 European trip, October 1980 10 French grammar and vocabulary, 1930s 11 Housekeeping notes and notes on art, 1970s? 12 LH's memoirs, 1960s? 13 "London 1973" 103 1 "Mexican trip," 1965 2 Notes on Russian trip, 1944/45, large and small notebooks 3 "Notes on Russian trip," transcription from 1944/45 notebooks 4 To do lists, 1981 5 Trip to Holy Land, Dec. 1963-Jan. 1964 6 "Vineyard notes 1979" 7 "Vineyard notes 1981" 8 "Yugoslav-London trip Oct. 1948"
Hammett, Dashiell * 1929-46 [*removed to oversize, box 121] * 1946-50 [*removed to oversize, box 122] Hellman, Lillian Works * ANOTHER PART OF THE FOREST, 1946-57 [*removed to oversize, box 123] * THE AUTUMN GARDEN, 1950-56 [*removed to oversize, box 124] * CANDIDE, 1954-59 [*removed to oversize, box 125] THE CHILDREN'S HOUR * 1934 [*removed to oversize, box 126] * 1934-37 [*removed to oversize, boxes 127-128] * 1936-37 (including DAYS TO COME) [*removed to oversize, box 129] * 1952-56 [*removed to oversize, box 130] * THE LARK, 1955-57 [*removed to oversize, boxes 131-132] THE LITTLE FOXES * 1938-62 [*removed to oversize, boxes 133-135] * 1967 [*removed to oversize, box 136] * 1981 [*removed to oversize, box 137] * MAYBE, 1980 [*removed to oversize, box 138] * MONTSERRAT, 1949-61 [*removed to oversize, box 139] * MY MOTHER, MY FATHER AND ME, 1963 [*removed to oversize, box 140] * THE NORTH STAR, 1942-44 [*removed to oversize, box 141] * PENTIMENTO (including JULIA), 1973-77 [*removed to oversize, box 142] * SCOUNDREL TIME, 1976-77 [*removed to oversize, box 143-144] * THE SEARCHING WIND, 1944-46 [*removed to oversize, box 145] * THESE THREE, 1936-37 [*removed to oversize, box 146] * THREE, 1979-80 [*removed to oversize, box 147] * TOYS IN THE ATTIC, 1960-63 [*removed to oversize, box 148] * AN UNFINISHED WOMAN, 1969 [*removed to oversize, boxes 149-150] * WATCH ON THE RHINE, 1941-49 [*removed to oversize, boxes 151-153] Soviet Union, 1944-45 * Photographs, notes, cards, clippings, and other ephemera [*removed to oversize, box 154] * Album of signed portraits and other photographs of LH and her hosts at VOKS [*removed to oversize, box 155] Miscellaneous * 1947-49 [*removed to oversize, box 156] * 1957-69 (including AN UNFINISHED WOMAN) [*removed to oversize, box 157]
David L. Babson & Co. 9 Investment correspondence, 1964-80 Investment summaries 104 1 1965-68 2 1969-71 3 1972-73 4 1974-75 5 1976-78 105 1 1979-80 2 E.F. Hutton & Co., investment summaries, 1965-84 Jack H. Klein & Co. 3 Tax correspondence, 1972-82 Tax returns 4 1971-75 5 1976-79 6 1980-82 O'Dwyer & Bernstien (law firm) General legal files 7 Cooperative apartment, 630 Park Ave., 1969-70 106 1 14 Seventh Ave. Corporation v. Joanne Ward, 1965-66 2 Elna Friedman against Milton Friedman, 1968 3 Gelfand, Harold, mortgage on 77 East 80th St., 1952-62 4 Independent Productions Corporation and IPC Distributors, Inc. against Loew's Incorporated, 1962 5 Miscellaneous documents, 1977 6 Miscellaneous file, 1962-68 7 Richard Nixon v. Administrator of General Services, et al. : brief for intervenor- appellees, Lillian Hellman, et al., 1976 8 O'Dwyer & Bernstien v. Kassover, 1963-66 9 Real estate and insurance (miscellaneous documents), 1958-70 10 KEAN, play by Sartre, correspondence and documents re film version, 1961-68 Zimmerman, Theodore, interest in 63 East East 82nd St. 11 Sale, 1969-71 107 1 Mortgage, 1968-73 Hammett, Dashiell, personal and literary estate Copyrights and permissions MALTESE FALCON 2 Contracts, 1929-72 3 Correspondence, 1959-73 4 Notes and printed matter Other works 5 Contracts, 1928-74 6 Correspondence, 1949-74 Correspondence 7 General, 1960-62 108 1 General, 1963-65 2 Mexican, 1964-67 3 Weinstein, Hannah, TV adaptation, 1966 Correspondence 4 1950-61 5 1962 6 1963-65 Documents 7 Army, Veterans Administration, Social Security 8 Will, death certificate & related 9-10 LH as executrix 109 1 Suits against, 1952-64 2 Notes 3 Printed forms, envelopes, etc. Hellman, Lillian, literary works 4 Cowan, Hammett & LH's autobiography, 1962-67 5 LADIES' HOME JOURNAL, Washington march lawsuit, 1964 6 Permissions, miscellaneous, 1966-70 Present, Theodore, CPA 7 Correspondence, 1962-70 Statements of financial condition 8 1962-65 110 1 1966-70 L.F. Rothschild, Unterberg, Towbin 2 Investment correspondence, 1980-84 Investment summaries 3 1980-84 4 1982-84 5 Buy/sell orders, 1980-84 6 Miscellaneous material
111 1 Income receipts and statements, 1942-76 Paid bills, 1971-84 Martha's Vineyard, 1971-84 2 A-C 3 California, 1984 only 4 D-G 5 H-I 6 J 112 1 K-L 2 M-O 3 Massachusetts General Hospital, 1982 only 4 New England Telephone 5-6 Nurses 113 1 P and R 2 S-T 3 U-W, Y New York City, 1971-84 4 A 5 B 114 1 C-D 2 E-J 3 K-L 4-5 M 115 1 N 2 New York Telephone 3 O-P, R 4 S 116 1 T-W, X-Z
* Cavander, Kenneth. Fly Paper, 1970 [*shelved at 63.11] 2 Feiffer, Jules. New Dramatists luncheon honoring LH, 16 May 1980 3 Fuentes, Carlos. On reading and writing myself, 1982 Hammett, Dashiell. THE CONTINENTAL OP, 1974 * Galley proofs [*removed to galley files] 4 1st page proofs, uncorrected pages only 5 1st page proofs, pages with additional corrections 6 2nd corrected page proofs and blue lines Hersey, John 7 "Henry Luce's China Dream," 1983 8 "Lillian Hellman," 1976 * Huberman, Leo. "Lillian Hellman Never Heard ...," 1952 [*shelved at 79.5] 117 1 Johnson, Diane. DASHIELL HAMMETT, A LIFE, 1983 2 Luce, William. LILLIAN, A ONE-WOMAN PLAY, 1984 Parker, Dorothy 3 Correspondence, 1963-67 Works 4 Four stories, one essay, and two poems, 1934-64 5 Norman Mailer is forty-four years old, [1967?] Adaptations of Parker works 118 1 Bell, Gail. One Perfect Rose, an evening with Dorothy Parker, 1966 2 Tarver, John B. The Sexes, adapted and arranged for the stage, 1964 3 Wilson, Sandy. AS DOROTHY PARKER ONCE SAID, 1969 4 Sigerist, Henry E. Letters from Pura, 1950 5 Solt, Andrew. Methinks the lady, 1949 6 Story, Ralph. "Lillian Hellman, a Tiny Tigress ...," 1969 7 Styron, William. Sketch re LH for DOUBLE EXPOSURE, 1966 United States Government, reports and documents re LH from various agencies, 1940-75 Federal Bureau of Investigation 8 Boston and Los Angeles offices 9 File 100-25858 119 1 File 100-28760 2 Enclosure C 3 CIA, Department of Justice, etc. 120-157 Oversize materials
| Lillian Hellman Papers Finding Aid | |||||
| Title Page | Biographical Sketch |
Scope and Contents |
Series Descriptions |
Folder List | Index of Correspondents |
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