Harry Ransom CenterThe University of Texas at Austin

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Norman Mailer Papers

Folder List


Location	Description

Series I. Literary and Other Activities, 1939-2005

		Harvard
			Class work and writing
1.1-2.1				Engineering Sciences, handwritten and typed class notes
						and papers, 1939-1943
2.2-3.5				English A, handwritten and typed class papers, 1939-1940
3.6				Mathematics A, handwritten notes and assignments, 1939-1940
3.7-4.12			English A-1, handwritten and typed class papers, 1940-1941
4.13				Journal and notebooks, 1940-1942
4.14				Mathematics 2, handwritten notes and assignments, 1940-1941
4.15				Signet Society, handwritten draft speech and correspondence, 1941
4.16-5.6			English A-2, handwritten and typed class papers, 1941-1942
5.7-13				English A-3, handwritten and typed class papers, 1941-1942
5.14*				"Maybe Next Year," typed drafts and galley proofs, 1942
						(* galleys removed to galley folder)
5.15				Philosophy, handwritten notes, 1941-1942
5.16				The Laughing Boys and Girls (unpublished story),
						handwritten manuscript, 1941
				No Percentage (unpublished novel)
6.1-2					Notebooks, 1941
6.3					Handwritten draft, 1942
6.4-6					Typed draft fragments, 1942
6.7-7.1					Typed second draft, 1942
7.2-8.1					Bound typescripts, 1942
8.2				The Lock, (unpublished story), typed draft, 1942
8.3				The Darndest Thing Happened on Mars (unpublished
						story), handwritten draft, 1942
8.4				Psychology/Fine Arts, handwritten and typed class
						notes and assignments, 1942-1943
				A TRANSIT TO NARCISSUS (1978) (see also boxes 247-248)
8.5					The Naked and the Dead: A Play (unpublished basis
							for A TRANSIT TO NARCISSUS), typed draft, 1942
8.6-7*					Handwritten and typed notes, circa 1942-1943 (* note
							cards removed to box 964)
9.1					Notebooks, circa 1942-1943
9.2-10.3				Typed draft fragments, circa 1942-1943
10.4-6					Composite draft, circa 1943
10.7-8				English A-5, handwritten and typed class papers, circa 1942-1943
				"A Calculus at Heaven"
10.9					Notebook, 1942
11.1-2					Early typed drafts and fragments, 1942
11.3-5					Intermediate typed drafts and fragments, 1943
11.6-12.2				Late draft copies and fragments, circa 1943-44
12.3			Correspondence and grade reports, 1939-1942
			Publications and memorabilia
12.4				THE HARVARD ALUMNI BULLETIN, 1939-1941
12.5-6				Pamphlets, brochures and clippings, 1939-1943
12.7-31.1			THE HARVARD ADVOCATE, 1940-1943
13.2		Clippings, circa 1944
13.3		Army records, 1944-1946
13.4		Nostalgia, typed draft, 1945
		THE NAKED AND THE DEAD (1948)
13.5*			Handwritten note cards and notebook, 1946 (* note cards
					removed to box 968)
13.6-15.2		Composite drafts and fragments, circa 1946-1947
15.3			Author's pasteup of cut galley proofs, 1948
*			Galley and page proofs, 1948 (* galleys removed to galley folder)
15.4-16.3		Clippings and reviews, 1948
16.4-8			French translation by Jean Malaquais, typed drafts, circa 1949-1950
16.9			French reviews, 1950
16.10* 		Post-war stories, writing journal, typed drafts, and note cards,
				1946-1949 (*note cards removed to box 963)
17.1		Wallace campaign, press releases, pamphlets, correspondence,
				and clippings, 1948
17.2		"THE NAKED are Fanatics AND THE DEAD Don't Care," typed draft, 1948
17.3-4		"Do Professors Have Rights," clippings, press releases,
				pamphlets, typed notes and drafts, 1948
17.5*		Strike novel (unpublished), handwritten and typed notes and
				drafts, clippings, correspondence, 1948-1949 (* note
				cards removed to box 964)
17.6		Newspaper clippings, 1948-1961
17.7		Marx/Lenin, handwritten and typed notes, circa 1949
17.8		STORY: THE SHORT FICTION OF THE FORTIES, advertising flyer, 1949
18.1-2		Waldorf Conference, clippings, correspondence, conference
				literature and reports, 1949
18.3		Notes for the war seminar, typed draft, circa 1949-1950
18.4		"The Greatest Thing in the World" (1941), typed short
				story used for film proposals, circa 1949-1950
		Film treatments written with Jean Malaquais, circa 1949-1950
18.5			Our Different Lives, typed draft
18.6-7			Character of the Victim, typed draft
18.8			Retour de Manivelle, typed draft
			BARBARY SHORE (1951)
			Mrs. Guinevere
19.1				Typed first draft, 1949
19.2				Carbon of typed first draft, 1949
19.3				Typed second draft, 1949
19.4			Research material, circa 1950
19.5*			Handwritten notes and typed fragments, circa 1949 (* note
					cards removed to box 964)
19.6-20.1		Typed second draft, 1950
20.2-3			Typed third draft, 1950
20.4-5			Fair copy of typed late draft, 1950
21.1-2			Photocopy of typed late draft, 1950
21.3-4			Printer's copy of typed draft, 1951
21.5			Notes, correspondence, publicity, and book jacket art, circa 1950-1951
21.6		"Great in the Hay," typed drafts, circa 1950
21.7		"Talk with Norman Mailer," photocopied reprint, 1951
22.1*		"The Defense of the Compass," typed drafts and galley proofs,
				circa 1951 (* galleys removed to galley folder)
22.2		Short stories/writing: The Blood of the Blunt; The Bouquet
				of Victory; Bugger; Dr. Bulganoff and the Solitary Teste;
				Duet; Good to See You; Love-Buds; Mellie, Mellie, I
				Caught You; The One Night Stand; La Petite
				Bourgeoise; The Thalian Adventure; unidentified
				fragments, circa 1951
22.3		"Our Country and Our Culture: A Symposium," typed draft
				contribution, circa 1951-1952
22.4		Journal, typed, 1952
22.5		"The Dead Gook," typed drafts, 1952
22.6		"The Paper House," typed draft, 1952
22.7		Autobiographical sketch, typed draft and correspondence, 1952
		THE DEER PARK (1955)
*			Note cards, name file, and idea file, circa 1952 (* note
					cards removed to box 964 and 970)
22.8-9			Notebooks, circa 1952
22.10-11		Notes, handwritten and typed, circa 1952
23.1			"The Man Who Studied Yoga" (1956), typed drafts, 1952
23.2			Early notes and handwritten draft fragments, circa 1952
23.3-6			Early handwritten and typed draft fragments, circa 1952
23.7			Typed draft fragments, circa 1952
24.1-5			Composite drafts, circa 1952
24.6-25.5		Corrected typed drafts, 1952
25.6-7			Handwritten and typed journal entries, notes, and character
					sketches, 1953
26.1-2			Handwritten and typed second draft and notes, April-
					November 1953
26.3			Handwritten and typed third draft, circa 1953
26.4			Notebook with comments on second and third drafts, circa 1953
26.5-6			Typed carbon copy A, circa 1954
27.1-2			Typed carbon copy B, circa 1954
27.3-4			Typed mimeographed copy, circa 1954
27.5-28.1		Printer's copy, circa 1954
28.2-3			Rinehart page proofs,  1954
28.4-5*			Rinehart galley proofs, 1954 (* some galleys removed to
					galley folder)
*			Rinehart proof plates, 1955 (* removed to boxes 1011-1013)
*			Putnam galley proofs, 1955 (* removed to galley folder)
28.6			Promotional material, 1955-1956
29.1-2*			Draft fragments, readers' reports, notes, reviews, and
					correspondence, circa 1952-1955 (* note cards
					removed to box 969)
29.3		"Backstage with Esky," photocopy of tearsheets, 1953
29.4		"The Language of Men," typed drafts, 1953
29.5		"The Notebook," typed draft, 1953
29.6		Notebook on bullfighting, 1954
*		Handwritten Spanish vocabulary flashcards, circa 1954
				(* removed to box 958)
29.7		"The Meaning of 'Western Defense,'" handwritten and typed
				drafts, circa 1954
29.8		"In Re: Sidney Hook," typed drafts, 1954
29.9		"David Reisman Reconsidered," handwritten and typed drafts, circa 1954
1014.1-3	Lipton's journal, typed manuscript, photocopies, typed note
				card index, and handwritten notes, 1954-1955
29.10		"The Homosexual Villain," handwritten draft, circa 1955
29.11		"What I Think of Artistic Freedom," handwritten and typed drafts, 1955
29.12		"An Intimate Interview with Norman Mailer," tearsheets, 1955
29.13		P.E.N. Club speech, typed drafts, 1955
29.14		"The serious critical response?," handwritten and typed drafts, circa 1955
29.15		Clippings, 1955-1959
29.16		Notes for future books, circa 1955
29.17		Notes from women's prison, circa 1955
29.18-30.1*	VILLAGE VOICE columns, handwritten and typed drafts, and note cards,
				1955-1956 (* note cards removed to box 963)
30.2-3*		Note cards and notebooks, circa 1956 (* note cards removed to box 969)
30.4		The Necrophiliacs, typed draft fragment, circa 1956
30.5		Freud essay, handwritten and typed drafts, circa 1956
30.6		Review of GIOVANNI'S ROOM by James Baldwin, typed draft, 1956
30.7		City of God, handwritten and typed drafts, circa 1956-57
30.8		"The White Negro (Superficial Reflections on the Hipster),"
				handwritten and typed drafts, circa 1957
30.9		Styron's Style, handwritten notes and drawings, circa 1957
30.10		Letter Re: Ezra Pound, handwritten draft, circa 1957
		THE DEER PARK (play)
30.11			Author's marked copy of THE DEER PARK (1955), circa 1957
31.1			Early typed draft copy, circa 1957
31.2-3			Handwritten and typed notes and draft fragments, 1957-1967
		Unrealized epic novel
31.4			To Love and to Murder, typed drafts, circa 1957
31.5			Typed draft fragments, circa 1958
31.6			"Advertisement for Myself on the Way Out," typed draft
					and fragment, circa 1958
31.7-32.1		"The Time of Her Time," handwritten and typed notes and
					drafts, circa 	1958
		ADVERTISEMENTS FOR MYSELF (1959)
32.2			Handwritten and typed notes, circa 1958
32.3			Handwritten draft fragments, circa 1958
32.4			Handwritten and typed draft fragments, circa 1958
32.5			Handwritten and typed draft fragments and correspondence,
					circa 1958-1959
32.6-33.2		Handwritten and typed drafts, circa 1959
33.3			Poetry, handwritten drafts, circa 1959
33.4-5			"Sixty-nine Questions and Answers," composite draft of
					1955 interview transcript with Mailer's added comments.
					Includes unpublished portions, circa 1959
33.6			Paul Gregory essay, handwritten and typed drafts, circa 1959
33.7-34.1		Part Two, revised composite draft, circa 1959
34.2-4			Part Three, revised composite draft, circa 1959
34.5-35.1		Part Five, revised composite draft, circa 1959
35.2			Late draft fragments, typed, circa 1959
35.3*			Typed printer's copy, galley proofs, and draft fragments,
					circa 1959 (* galleys removed to galley folder)
35.4			Typed draft table of contents and book jacket art, circa 1959
35.5			Review clippings, 1959
35.6		"Who Said What," typed draft, 1959
35.7		"Ingenue," handwritten and typed drafts and correspondence, 1959
35.8		"From Surplus Value to the Mass-Media," typed drafts, 1959
35.9		"An Eye on Picasso," handwritten and typed notes and drafts, circa 1959
35.10		"Buddies, or the Hole in the Summit: An Apocryphal and Interrupted
				Transcript," handwritten draft, circa 1959
35.11		"The Mind of an Outlaw," typed draft, circa 1959
35.12-36.1	Notebooks, circa 1959
36.2*		Typed notes and note cards re: THE GOLDEN BOUGH, circa 1959
				(* note cards removed to box 963)
36.3		"A Program for the Nation," handwritten and typed drafts,
				tearsheets, correspondence, 1959-1960
36.4		Yiddish studies, handwritten notes, circa late 1950s
36.5		Unidentified or unpublished writings and drawings,
				handwritten and typed fragments, circa late 1950s
		THE DEER PARK (play)
36.6-37.5		Handwritten and typed playscript draft fragments, circa 1960
			Twelve scene version
37.6				Synopsis for Actors Studio workshop, 1960
37.7-10				Handwritten and typed production notes, essays, and
						draft fragments, circa 1960
38.1-3				Typed draft fragments, 1960
			Ten scene version
38.4				Corrected typed draft, 1960
38.5				Typed draft, 1960
38.6				Typed draft fragments and notes, 1960
			Four act version
39.1				Typed draft, circa 1960
39.2				Composite typed draft, circa 1960
39.3				Typed draft carbon, circa 1960
39.4				Mimeographed playscript, circa 1960
39.5		"Excerpts from THE DEER PARK" [used in THE BEATS],
				handwritten and typed drafts, 1960
40.1*		"Brooklyn Minority Report: 'She Thought the Russians Was
				Coming,'" handwritten and typed drafts, notes, and
				photographs, 1960 (* oversize photographs removed to box 1000)
40.2		"A Letter From Provincetown," handwritten and typed drafts,
				correspondence, clippings, 1960
40.3-4		"An Open Letter to Fidel Castro," handwritten and typed drafts, 1960
40.5-6		"Superman Comes to the Supermart," handwritten and typed drafts, 1960
40.7		Poems, handwritten and typed drafts of "The Harbors of the
				Moon," "Hunting," and one untitled poem, circa 1960
40.8		Camus essay, handwritten and typed fragments, circa 1960
40.9		Letter re: Edwin Fancher Review of THE BALCONY, handwritten and typed drafts, circa 1960
40.10		Theatre essays, handwritten and typed drafts, circa 1960
40.11		Bellevue stay, handwritten and typed notes, circa 1960
		Research files
41.1-3			Handwritten and typed notes and drafts, circa 1960
			Clippings
41.4*				General, 1960-1969 (* some clippings removed to box 972)
*				Styron, 1960 (* removed to box 973)
41.5		"A Farewell to His Honor," typed draft, 1961
41.6		Statement on Protest in City Hall Park of Civil Defense Drill,
				typed drafts and correspondence, 1961
41.7		"The Blacks," typed drafts, 1961
41.8		"Mailer to [Lorraine] Hansberry," handwritten and typed drafts, 1961
41.9		"Sex and Censorship in Literature and the Arts," typed drafts, 1961
41.10		"The First Day's Interview," handwritten and typed drafts and
				tearsheets, 1961
41.11		Untitled postscript to "The Time of Her Time," handwritten
				and typed drafts, 1961
		Fisher novel
41.12*			Handwritten notes and note cards, 1961 (* note cards
					removed to box 967)
41.13			Notebook, circa 1961
41.14			Handwritten and typed draft fragments, circa 1961
41.15		"An Interview with Norman Mailer," tearsheets, 1961
42.1		BBC interview with Colin MacInnes, typed transcript and
				correspondence, 1961
42.2		"Mailer Slashes at U.S. Apathy," newspaper article, 1961
42.3		"Norman Mailer in Austin," newspaper article, 1961
42.4		Foreword to VIEWS OF A NEARSIGHTED CANNONEER, by Seymour Krim, handwritten draft, 1961
42.5		Biographical statement, handwritten and typed drafts, circa 1961
42.6		Review of VALHALLA, handwritten and typed draft, circa 1961
		DEATHS FOR THE LADIES (AND OTHER DISASTERS) (1962)
42.7-8			Notebooks with handwritten draft poems, circa 1961
42.9-10			Handwritten draft poems, circa 1961
42.11-43.3		Handwritten and typed draft poems, circa 1961
43.4-44.2		Typed draft poems, circa 1961
44.3			Handwritten draft, 1961
44.4-45.1		Typed drafts, 1961
45.2			Typed printer's copy, circa 1961
45.3*			Handwritten draft poems, correspondence, jacket copy and
					galley proofs, circa 1961-1962 (* galleys removed to
					galley folder)
45.4-46.2		Paste-up, 1962
46.3			Blue proofs, 1962
46.4			Tearsheets, 1962
46.5			Promotional material, 1962
46.6		"Poem to the Book Review at TIME," handwritten and typed
				drafts and correspondence, 1962
		"The Metaphysics of the Belly"
46.7			Handwritten draft, 1962
46.8			Typed draft, 1962
		"An Evening with Jackie Kennedy: Being an Essay in Three Acts"
47.1			Handwritten notes and handwritten and typed drafts, 1962
47.2			Typed drafts and tearsheets, 1962
47.3		"Truth and Being; Nothing and Time," handwritten and typed
				drafts of the original, uncut version, 1962
47.4-7*		"The Real Meaning of the Right Wing in America: Opposing
				Statements on the Role of the Right Wing in America
				Today: A Conservative's View by William F. Buckley,
				Jr; A Liberal's View by Norman Mailer," handwritten
				and typed research notes and drafts, circa 1962 (* note
				cards removed to box 968)
48.1		Chicago poems and notebook, handwritten and typed drafts, 1962
48.2-3		Patterson-Liston fight in Chicago, press kit, magazines &
				clippings, 1962
		"Ten Thousand Words a Minute"
48.4-6			Handwritten and typed draft, circa 1962
48.7			Corrected typed drafts and page proofs, 1963
48.8		"The Big Bite" (ESQUIRE, November 1962), handwritten and
				typed drafts, 1962
48.9		"Sing the Ballad of the Sad Saint," tearsheet, 1962
48.10		"An Impolite Interview with Norman Mailer," typed preface
				and printed material, 1962
48.11		The Writer Speaks, typed interview transcript and
				correspondence, 1962
48.12		"The Big Bite," (ESQUIRE, December 1962) handwritten and
				typed drafts, 1962
48.13		"Responses and Reactions I" (COMMENTARY, December 1962),
				handwritten and typed drafts, and galley proof, 1962
48.14		"An Open Letter to JFK from Norman Mailer," handwritten
				and typed drafts, 1962
48.15		"The Big Bite" (ESQUIRE, January 1963), typed draft, 1962
48.16		"Norman Mailer's New Year's Message," typed interview
				transcript, 1962
48.17		Unidentified poetry anthology, typed draft, circa 1962
49.1		"The Big Bite" (ESQUIRE), handwritten and typed notes for
				columns, 1962-1963
49.2		Research file on Oswald and Cuba, clippings, 1962-1964
49.3		"Punching Papa," typed drafts, circa 1963
49.4*		"Responses and Reactions II" (COMMENTARY, February 1963),
				handwritten and typed drafts, galley proof, 1963 (*
				galleys removed to galley folder)
49.5		"The Big Bite" (ESQUIRE, March 1963), typed draft, 1963
49.6		"The Big Bite" (ESQUIRE, April 1963), handwritten and typed
				drafts, 1963
49.7		"Responses and Reactions III" (COMMENTARY, April 1963),
			 	handwritten and typed draft fragments, 1963
49.8		"The Big Bite" (ESQUIRE, May 1963), typed draft, 1963
49.9		Mailer-Brower interview, typed transcript, 1963
49.10		Carnegie Hall speech, notes, tearsheets, and clipping, 1963
49.11		DEATHS FOR THE LADIES, German reviews, 1963
49.12*		"Responses and Reactions IV" (COMMENTARY, June 1963),
				typed draft and galley proof, 1963 (* galleys removed to
				galley folder)
49.13		"Antidote," handwritten and typed drafts, 1963
		"Some Children of the Goddess?"
49.14			Handwritten and typed drafts, 1963
49.15			Typed drafts and notes, 1963
		Liston-Patterson fight in Las Vegas
49.16			Clippings, 1963
50.1			Press kit with handwritten notes and Mailer's personal
					effects, 1963
50.2*		"The Big Bite" (ESQUIRE, July and August 1963), handwritten
				and typed drafts and galley proofs, 1963 (* galleys
				removed to galley folder)
50.3		"Responses and Reactions V" (COMMENTARY, August 1963),
				handwritten and typed drafts, 1963
50.4		"The Big Bite" (ESQUIRE, September 1963), handwritten and
				typed drafts, and page proofs, 1963
50.5		"The Talent and the Torment," tearsheets, 1963
50.6		"The Leading Man, or the Dark Ambiguities within Us All,"
				typed draft and clippings, 1963
50.7		"Norman Mailer: The Art of Fiction XXXII," typed draft, 1963
50.8		"Responses and Reactions VI" (COMMENTARY, October 1963),
				typed draft and page proof, 1963
50.9*		"The Big Bite" (ESQUIRE, October 1963), typed drafts, page
				proof, and galley proofs, 1963 (* galleys removed to
				galley folder)
50.10		"The Mary McCarthy Case," handwritten and typed drafts, and
				clippings, 1963
		THE PRESIDENTIAL PAPERS (1963)
50.11			Tearsheets, circa 1963
51.1-2			Handwritten and typed drafts, circa 1963
51.3-4			Composite draft fragments and add copy, financial
					information and book jacket art, circa 1963
51.5-52.1*		Printer's copy and galley proofs, 1963 (* galleys removed to
					galley folder)
52.2			Reviews, 1963
52.3		"The Big Bite" (ESQUIRE, November 1963), typed drafts and page proofs, 1963
52.4*		"The Big Bite" (ESQUIRE, December 1963), typed drafts and galley
				proofs, 1963 (* galleys removed to galley folder)
52.5		"The Fate of the Union: Kennedy and After," typed drafts
				and clipping, 1963
52.6		"The Last Night," handwritten and typed drafts, fragments, and
				page proofs, 1963
52.7		"Alimony Blues," handwritten draft, circa 1963
52.8		Book-of-the-Month Club, 1926-1962, mimeograph list, circa 1963
52.9		Research files on cancer, notes and printed materials, circa 1963
52.10		A Comment by Norman Mailer (letter re: Paul Goodman),
				handwritten and typed drafts, circa 1963
52.11		Picasso lecture, typed notes, circa 1963
52.12		Speeches on existentialism, clipping, flyers, and audience questions,
				circa 1963
52.13		William F. Buckley, Jr., notes, research materials, and draft
				fragments, circa 1963
		AN AMERICAN DREAM (1965)
53.1			Handwritten and typed notes and draft fragments, circa 1963
			ESQUIRE eight-part serialization
53.2-4				Part 1, handwritten and typed draft fragments, circa 1963
53.5-7				Part 2, handwritten and typed draft fragments, circa 1963
53.8-54.2*			Part 3, handwritten and typed drafts and galley proofs,
						circa 1963 (* galleys removed to galley folder)
54.3				Part 1, tearsheet with corrections by Malaquais, 1964
54.4				Part 3, tearsheet with corrections, 1964
54.5-8				Part 4, handwritten and typed drafts and fragments, 1964
54.9-55.3			Part 5, handwritten and typed drafts and note on
						astrology, 1964
55.4-5				Part 6, handwritten and typed drafts and fragments, 1964
55.6				Part 6, galley proofs and revisions, 1964
55.7-56.1			Part 7, handwritten and typed drafts and fragments, 1964
56.2-9				Part 8, handwritten and typed drafts and fragments, 1964
57.1				Part 8 and Epilogue, typed draft, 1964
57.2				Composite draft fragments, circa 1964
57.3-4				Part 2 page proof, draft fragments, and notes, circa 1964
			Novel
57.5-6				ESQUIRE tearsheets with typed comments, 1964
57.7-8				Notebook pasteup of tearsheets with handwritten
						corrections, 1964
57.9				Handwritten notes and draft fragments, 1964
58.1-8				Handwritten and typed draft fragments, 1964
58.9-10				Epilogue, author's note, and advertising blurbs,
						handwritten and typed drafts, 1964
59.1-2				Printer's copy, 1964
59.3*				Galley proofs and inserts, 1964 (* galleys removed to
						galley folder)
59.4				Critiques and readers notes, 1964
59.5				Reviews, typed draft, and clipping, circa 1965
59.6				German reviews, 1965-1969
59.7-60.2		Typed screenplay, circa 1965
60.3		"Mailer vs. Scully," typed drafts, clippings, correspondence,
				tearsheet, 1964
60.4		"The Killer," handwritten and typed drafts, 1964
60.5		"Special Preface to the Bantam Edition," THE PRESIDENTIAL PAPERS,
				handwritten and typed drafts, 1964
60.6		"The Executioner's Song" [poem], handwritten draft, 1964
60.7		"A Vote for Bobby K.--Possibility of a Hero," handwritten
				and typed drafts, 1964
		"In the Red Light: A History of the Republican Convention in 1964"
60.8			Pamphlets and research material, 1964
60.9-10*		Handwritten and typed notes and draft fragments, clippings,
				1964 (* note cards removed to box 964)
60.11			Handwritten draft, 1964
61.1			Typed drafts, 1964
61.2			Late typed draft and correspondence, 1964
61.3			Pasteup of cut galley proofs, 1964
61.4		"The Best Man, 1964: To Pick Him, We Must Choose between
				Nostalgic Extremism and Overwhelming Moderation,"
				handwritten and typed drafts, newspaper, 1964
61.5		"Talking of Violence," typed draft, 1964
61.6		Unidentified typed notes, fragments, and printed material, circa 1964
61.7		Artwork, including drawing, print, poster, postcards, clippings,
				and tearsheets, circa 1964
61.8		Essay on Naked Lunch, handwritten and typed draft
				fragments, 1965
61.9*		"Cities Higher than Mountains," typed drafts, galley proofs,
				clippings, correspondence and architectural drawings,
				circa 1965 (* galleys removed to galley folder)
61.10		Clay [Ali]-Liston fight in Lewiston, handwritten notes and
				correspondence, 1965
61.11		"Norman Mailer on LBJ," typed drafts, clippings, and
				correspondence, 1965
62.1		Research files on Vietnam, including notes, correspondence,
				and printed materials, 1965
62.2		"On Vietnam," handwritten and typed drafts, 1965
62.3		"Norman Mailer on Lindsay and the City," handwritten and
				typed drafts, 1965
62.4		Clay [Ali]-Patterson fight in Las Vegas, handwritten note,
				correspondence and press release, 1965
62.5		MLA piece, typed draft, 1965
		Research files
62.6			Alaska, typed draft essay, correspondence, and printed
					material, circa 1965
62.7			Cancer, handwritten note, circa 1965
62.8			Delivery room procedures, typed notes, circa 1965
62.9			Memoirs of X, typed notes, circa 1965
62.10			Notebook re: Tom Wolfe
		CANNIBALS AND CHRISTIANS (1966)
62.11-63.3		Draft fragments, 1965
			"The Political Economy of Time"
63.4				Handwritten and typed draft fragments, 1966
63.5				Typed draft fragments, 1966
63.6				Typed draft and editing notes, 1966
64.1-65.3		Composite draft, 1966
65.4-5			Page proofs, 1966
65.6-67.2		Rough dummy, 1966
67.3-5*			Galley proofs, printer's notes, handwritten and typed draft
					fragments, 1964 (* galleys removed to galley folder)
68.1			Book jackets, 1966
68.2			Publicity materials, 1966
68.3		Comment on IN COLD BLOOD, handwritten and typed drafts,
				correspondence, 1966
68.4		"Pearl or Jew?," typed draft, 1966
68.5		"Henry Miller," handwritten and typed drafts, memo, 1966
68.6		Comment on WELCOME TO HARD TIMES and BIG AS LIFE by E. L.
				Doctorow, typed drafts, 1966
68.7-8		"The Great American Mystery: A New Dissent on the Methods
				and Findings of the Warren Commission,"
				handwritten and typed drafts, tearsheets, 1966
68.9		Interview with Richard Poirier, typescripts, 1966
68.10		Civil Rights, notes and research materials for talk with Stokely
				Carmichael, 1966
68.11-12	Vietnam, scrapbook clippings, 1966
		WHY ARE WE IN VIETNAM? (1967)
68.13			Handwritten draft fragments, 1966
69.1-4			Handwritten and typed draft fragments, and notes, 1966
69.5-6			Typed draft and handwritten notes, 1966
69.7-8			Typed draft, 1966
70.1-3			Composite typed draft, 1966
70.4			Corrected typed draft, 1966
70.5*			Page proofs and galley proofs, 1966 (* galleys removed to
					galley folder)
71.1			Reviews, 1967-1968
71.2			Typed playscript draft, circa 1967
71.3		"Mr. Mailer Passes Out the Cigars," handwritten and typed
				notes and draft fragments, circa 1967
		THE DEER PARK: A PLAY (1967)
			Stage play
71.4				Final draft of playscript, circa 1967
71.5-7				Bound playscript (shorter version), circa 1967
72.1-2				Bound playscript (longer version), circa 1967
72.3				Reviews, notes, and program, 1967
			Book
72.4-73.3			Handwritten and typed notes, inserts, essays, and draft
						fragments, circa 1967
73.4-74.1			Typed draft fragments, circa 1967
74.2				Typed draft, scene 6, circa 1967
74.3				Typed draft, act I, circa 1967
74.4		"Playboy Interview: Norman Mailer," typed drafts and
				correspondence, 1967
		WILD 90
74.5-7			Handwritten and typed screenplay fragments and notes,
					circa 1967
75.1			Typed screenplay photocopy, circa 1967
75.2			Handwritten and typed editing notes, circa 1967
75.3			Publicity materials and correspondence, 1967-1968
		THE SHORT FICTION OF NORMAN MAILER (1967)
75.4			Handwritten and typed draft of introduction, tearsheets, 1967
75.5			Typed draft fragment, 1967
75.6			Composite draft and correspondence, 1967
75.7		"In Clay's Corner," handwritten draft fragment, 1967
75.8		"Mr. Mailer Interviews Himself," typed draft, 1967
		BEYOND THE LAW
75.9-76.1		Typed audio transcript, 1967-1968
76.2-3			Typed screenplay, circa 1968
76.4			Typed screenplay fragments, circa 1968
76.5			Poster concept art, clipping, 1968
76.6		"The Crazy One," typed draft and tear sheets, 1967
76.7		"Some Dirt in the Talk," handwritten and typed draft, draft
				fragments, tearsheets, 1967
		THE ARMIES OF THE NIGHT (1968)
77.1			Handwritten and typed notes and draft fragments, clippings,
					circa 1967
77.2-5			Handwritten draft, 1967-1968
77.6-78.4		Early typed draft, circa 1968
78.5-7			Typed draft, circa 1968
78.8			Composite typed draft, circa 1968
79.1-4*			Printer's copy and galley proofs, 1968 (* galleys removed to
					galley folder)
79.5-6		"The Steps of the Pentagon," readers' correspondence to
				HARPER'S magazine, 1968
80.1		Pulitzer Prize list, circa 1968
		THE IDOL AND THE OCTOPUS (1968)
80.2			Handwritten and typed notes and draft fragments (also
					contains architectural blue lines and fragments of THE
					DEER PARK: A PLAY) circa 1968
80.3			Typed drafts, tearsheets, and research material, circa 1968
		MAIDSTONE
80.4			Typed outline, circa 1968
80.5-7			Editing notes, circa 1968
80.8			Clippings, 1968-1984
80.9			Typed screenplay fragments, 1969, undated
80.10			Assistant's notes, 1969
		MIAMI AND THE SIEGE OF CHICAGO (1968)
81.1			Newspapers and clippings, 1968
81.2*			Handwritten and typed notes, draft fragments, and galley
					proof fragments, circa 1968 (* galleys removed to
					galley folder)
			Miami
81.3				Republican ephemera, 1968
81.4				Republican press kit with handwritten notes, 1968
81.5				Handwritten draft, circa 1968
81.6				Composite draft fragments, 1968
81.7-82.2			Typed carbon drafts, 1968
82.3				Typed draft fragments, 1968
			Chicago
82.4				Handwritten draft fragments and notes, 1968
82.5-6				Handwritten draft, 1968
82.7-8				Typed draft, 1968
82.9				Typed draft fragment, 1968
83.1		"Norman Mailer's Open Letter to Richard Nixon," handwritten
				and typed drafts, 1968
83.2		"Looking for the Meat and Potatoes--Thoughts on Black
				Power," handwritten and typed drafts, 1968
83.3		National Book Award acceptance speech, typed draft, 1969
		Mayoral campaign
83.4			Typed transcripts of speeches, 1969
83.5			Publicity materials and correspondence, 1969
83.6-8			Volunteer lists and correspondence, 1969
			Research files
84.1				Air pollution, 1969
84.2				City budget, 1969
84.3-4				Decentralization, 1969
84.5-6				General city and political, 1969
85.1				Housing, 1969
85.2				School, 1969
85.3				Transportation, 1969
85.4			Notes and clippings, 1968-1969
*			Photographs, circa 1969 (* oversize photographs removed
				to box 999)
85.5		"Why Are We in New York?," photocopy reprint titled "What
			 	Is Wrong with the City?," circa 1969
85.6		Statement on communism and October 15th moratorium, typed
				draft and correspondence, 1969
85.7		"Letter to the editor," WRITER'S DIGEST, typed correspondence, 1969
85.8		"Norman Mailer, Film Maker," photocopy tearsheet of
				interview, 1969
85.9-86.2	THE ARMIES OF THE NIGHT, German reviews, 1969-1970
		OF A FIRE ON THE MOON (1971)
			Research materials
86-88*				Technical manuals and reports, circa 1969 (* unfoldered)
88*				Books and pamphlets, circa 1969 (* unfoldered)
89.1-90.1			NASA mission commentary, 1969
90.2-92.5			NASA press releases and documents, 1969
93.1-3*				NASA photographs, 1969 (* 70mm film reel removed to
						box 1002)
93.4*				Clippings (* oversize clippings removed to boxes 988
						and 996)
93.5				Memorabilia, 1969
94.1-4				FIRST ON THE MOON, typed manuscript copy, 1969
			LIFE, three-part article
95.1-2*				Handwritten and typed notes and draft fragments, 1969
						(* note cards removed to box 962 and 964)
				"A Fire on the Moon"
95.3-4				Handwritten and typed drafts, 1969
95.5-96.2			Typed drafts, 1969
				"The Psychology of Astronauts"
96.3-4				Handwritten and typed draft fragments, 1969
96.5-7				Typed drafts, 1969
96.8				Computer printout proof
96.9-11				"A Dream of the Future's Face," handwritten and typed
						draft fragments, 1969
			Book
97.1-3				Handwritten and typed notes and draft fragments, circa 1969
97.4-98.1			Early typed draft fragments, circa 1970
98.2-99.9			Intermediate typed draft fragments, 1970
100.1-4				Late typed draft fragments, 1970
100.5-8				Composite typed draft, 1970
101.1-4				Photocopy typed draft, 1970
101.5-102.2			Printer's copy and galley proofs, 1970 (* galleys
						removed to galley folder)
102.3				Book jacket art, 1970
102.4				Correspondence and clippings, 1969-1971
102.5		Unidentified handwritten and typed notes and drafts, circa
				1960s
102.6		Letter to the editor, NEW YORK POST, handwritten draft, 1970
102.7		Letter to the editor, WOMEN'S WEAR DAILY, handwritten and
				typed drafts, correspondence, and clipping, 1970
102.8		Reflections on the Forms of the Coming Revolution, typed
				speech transcription, 1970
		"The Prisoner of Sex"
102.9*			Research notes and clippings, circa 1970 (* note cards
					removed to box 963)
102.10			Research material on D. H. Lawrence, circa 1970
102.11			Handwritten draft fragments, circa 1970
103.1-2			Early handwritten and typed draft fragments, circa 1970
103.3-7			Intermediate handwritten and typed draft fragments, circa 1971
104.1-2			Late typed draft and fragment, 1971
104.3-4*		Page proofs and galley proofs, 1971 (* galleys removed to
					galley folder)
104.5		WHY ARE WE IN VIETNAM?, German reviews, 1970-1971
104.6		OF A FIRE ON THE MOON, German reviews, 1971
104.7		"Ego," handwritten notes, typed drafts, computer printout
				proof, 1971
104.8		Statement on Charles Manson, handwritten draft, circa 1971
104.9		A Dialogue on Women's Liberation, typed transcript, publicity
			 	flyer, newspaper clipping, and correspondence, 1971
104.10		"My Mailer Problem," tearsheets, 1971
105.1-2		"A Course in Film-Making," handwritten and typed draft
				fragments, 1971
		MAIDSTONE: A MYSTERY (1971)
105.3			Typed pre-filming cast orientation, circa 1971
105.4			Handwritten and typed draft fragments, circa 1971
105.5			Typed first draft of screenplay, circa 1971
105.6			Typed screenplay, circa 1971
105.7			Typed screenplay with handwritten commentary, circa 1971
106.1			Composite second draft of epilogue, circa 1971
106.2			Typed draft carbon of epilogue, circa 1971
106.3			Handwritten and typed draft fragments, circa 1971
106.4-5			Late composite draft, circa 1971
106.6		"The Dick Cavett Show," Gore Vidal-Janet Flanner-Norman
				Mailer transcript, 1971
107.1		"Introduction to DEATHS FOR THE LADIES (AND OTHER DISASTERS),"
				typed drafts and clippings, 1971
107.2-3		EXISTENTIAL ERRANDS (1972), composite drafts, outlines, and
				notes, 1971-1972
		ANCIENT EVENINGS (1983)
*			Note cards (* removed to box 961, 965, 966, and 969)
107.4-5			Research, printed material, circa 1972-1982
107.6-8			Handwritten and typed notes, correspondence, circa 1972
			Book of the First-Born
108.1				Handwritten draft fragments, undated
108.2				Early typed draft fragments, undated
108.3				Early edited typed draft carbon, undated
108.4				Edited typed draft, undated
108.5				Typed draft photocopy, undated
108.6				Late typed draft, 1974
108.7				Late typed draft fair copy, circa 1974
108.8-115.3		Early working drafts, circa 1974
115.4-116.4		Corrected early draft, circa 1977
117.1-118.1		Corrected early draft carbons, circa 1977
118.2-119.2		Second draft fragments, 1980
119.3-4			Corrected second draft A, 1981
119.5-120.3		Corrected second draft B, 1981
120.4-121.2		Corrected second draft C, 1981
121.3-122.2		Corrected second draft D, 1981
122.3-123.2		Corrected second draft fragments and correspondence, 1981, 1992
123.3-4			Corrected second draft carbons, 1981
123.5-125.4		Typed third draft, 1982
125.5-127.2		Corrected third draft, 1982
127.3-128.2		Corrected third draft fragments, 1982
128.3-130.2		Corrected final draft, 1982
130.3-131.2		Corrected final draft fragments, 1982
131.3-132.4		Final draft, 1982
132.5-134.2		Printer's copy, 1982
134.3-5			Early galley proofs, set one, 1982
135.1-2			Early galley proofs, set two, 1982
135.3-5			Early galley proofs, set three, 1982
136.1-3			Late galley proofs, set one, 1982
136.4-5			Late galley proofs, set two, 1982
137.1-3			Late galley proofs, set three, 1982
137.4-6*		Page proofs, 1982 (* some page proofs removed to galley folder)
			PLAYBOY excerpt
138.1-3				Edited typed draft, 1982
138.4*				Correspondence and galley proofs, 1982 (* galleys
						removed to galley folder)
138.5			Bound proof and tearsheats, circa 1983
138.6			Correspondence, 1974-1986
138.7			Reviews and press, 1983-84
		ST. GEORGE AND THE GODFATHER (1972)
139.1-141.3		Research materials and clippings, 1972
141.4-6*		Handwritten notes and draft fragments, 1972 (* note cards
					removed to box 964)
142.1-144.1		Typed drafts and fragments, 1972
144.2			Review clippings, 1972
		"Mailer Finds Book Is No Advertisement for Himself,"
144.3				newspaper clipping, 1972
144.4		Mailer-Laing Dialogue, background materials, 1972
144.5		Apollo 17, clippings and publicity statements, 1972
144.6		"Moral Superiority," handwritten draft, 1972
144.7		THE PRISONER OF SEX, German reviews, 1972-1974
144.8		ST. GEORGE AND THE GODFATHER, German reviews, 1972-1974
		Fiftieth birthday party
145.1			Correspondence and clippings, 1973
145.2			Invitations, attendance list, 1973
		"The Morning After"
145.3			Handwritten and typed drafts, 1973
145.4			Typed drafts and note, 1973
		The Fifth Estate
145.5-6			Mailing lists, subscription requests, 1973
145.7			Speaking tour, correspondence and clippings, 1973
145.8			Publications, 1973-1975
145.9			Essay, typed drafts, 1975
145.10			Newsletter and reports, 1975
146.1-3			Correspondence, 1973-1976
146.4-147.3		Research material, 1972-1976
		"Mailer 'Misquoted' Self"
147.4			Handwritten draft, 1973
147.5			Typed draft, 1973
		"A Transit to Narcissus"
147.6			Typed drafts, 1973
148.1			Page proofs and correspondence, 1973
148.2			Research materials and notes, 1973
148.3			Handwritten draft, 1973
148.4			Handwritten and typed drafts, correspondence, 1973
148.5		Notebook on Watergate and Mike Wallace, circa 1973
*		Clippings on Watergate, 1973-1975 (* removed to boxes 973-984)
148.6		"The Capote Perplex: An Open Letter from Norman Mailer,"
				handwritten and typed drafts, clipping, 1973
148.7		Marilyn Monroe press release, typed drafts, notes, and research
				material, 1973
148.8		"The Jewish Princess," proofs, 1973
148.9		"Marilyn," typed drafts, 1973
		MARILYN: A BIOGRAPHY; PICTURES BY THE WORLD'S FOREMOST PHOTOGRAPHERS (1973)
148.10-11		Research material, circa 1973
149.1*			Notes, research materials, clippings, correspondence, and
					photographs, 1973 (* note cards removed to box 962)
149.2-3			Handwritten draft, circa 1973
149.4-150.1		Handwritten draft photocopy, circa 1973
150.2-3			Composite typed draft, 1973
150.4-151.1		Typed draft fragments, circa 1973
151.2-3			Typed late draft, 1973
151.4-5			Typed final draft, 1973
152.1			Page proofs, 1973
152.2*			Galley proofs, 1973 (* some galleys removed to galley
					folder)
152.3			Publication and publicity materials, 1973
152.4			Advertisement for MARILYN: A BIOGRAPHY, handwritten and
					typed drafts, clippings, layout, circa 1973
152.5			Clippings, 1973-1974
			Correspondence
152.6				Re: interviews, 1973
152.7-153.1			General, 1973-1976
153.2-5			German reviews, 1973-1976
153.6			Arthur Miller complaint, correspondence and Miller's
					corrections, 1973
153.7			Fred Lawrence Guiles complaint, correspondence and
					research documents, 1973
			Maurice Zolotow complaint
154.1-3				Correspondence, research and legal documents, 1974
				Research materials
154.4					Mailer's marked copy of MARILYN: A BIOGRAPHY, 1974
155.1					Zolotow books, 1974
155.2					Martin book, 1974
155.3		Newspaper clipping ("Prophets and Profits," by George F.
				Will), 1973
		"Mailer on Marriage and Women"
155.4			Typed interview transcript, 1973
155.5			Typed draft, 1973
155.6		"Existential Aesthetics: An Interview with Norman Mailer,"
				typed transcripts of interview by Laura Adams and of
				speech at Wright State University, 1973
		THE FAITH OF GRAFFITI (1974)
			Book
156.1				Research notes and information, circa 1973
156.2-3				Handwritten draft (and copy), circa 1973
156.4				Early typed drafts, circa 1973
156.5-6*			Typed drafts, galley proofs, and unbound gatherings,
						1974 (* galleys removed to galley folder)
*				Photographs only mock-up for British edition WATCHING
						MY NAME GO BY, 1974 (* removed to box 1004)
156.7				Publicity, reviews, and correspondence, 1974
156.8				Business and press-related correspondence and notes, 1974
			ESQUIRE
156.9*				Page proofs, galley proofs, and correspondence, 1974
						(* galleys removed to galley folder)
156.10				Tearsheets (partial), 1974
		Preface to THE JOKER by Jean Malaquais
157.1			Correspondence and research material, 1973-1974
157.2			Handwritten and typed drafts, 1973-1974
157.3-4		David Young interview, typed transcripts and correspondence,
				1973-1974
157.5		EXISTENTIAL ERRANDS and ST. GEORGE AND THE GODFATHER, German
				reviews, 1974
		"The ROLLING STONE Interview"
157.6			Typed drafts, correspondence, and clippings, 1974
157.7-158.2		Typed transcripts, 1974
		"The Talk of the Town: Notes and Comments"
158.3			Handwritten draft (and copy), 1974
158.4			Typed drafts, 1974
158.5		"Norman on Senator [Jacob] Javits," typed draft, clipping, and
				correspondence, 1974
158.6		"Gladiators: For Hemingway," handwritten and typed drafts
				and correspondence, 1974
158.7		BARBARY SHORE (play), programs, clippings, and
				correspondence, 1974
158.8		"Some Notables Name Their Bests," handwritten and typed
				drafts, clipping, 1974
158.9		Blurb for THE LIFE AND CURIOUS DEATH OF MARILYN MONROE by
				Robert Slatzer, typed draft, 1974
158.10		TV statement re: David Brudnoy/MARILYN, 1974
158.11		"Norman Mailer: 'The Time of Her Time'," (preface), typed
				draft, 1974
158.12		Blurb for THE AMERICAN CONDITION by Richard Goodwin, typed
				drafts, 1974
158.13		Blurb for NATURAL SELECTION [A GIRL LIKE ME?] by Sandy
				Harmon, handwritten and typed drafts, circa 1974
158.14		Blurb for LUCKY LUCIANO, typed drafts, 1974
158.15		"Expletive Restored," handwritten and typed drafts and
				correspondence, 1974
158.16		Untitled remarks re: William F. Buckley, circa 1974
158.17		Chinese poetry translation, photocopies with handwritten
				notations, circa 1974
158.18		Blurb for LENNY BRUCE by Frank Kofsky, typed draft, circa 1974
158.19		Newspaper advertisement re: contractor Florido Testa, typed
				draft, circa 1974
158.20		Blurb for University of Notre Dame, typed drafts, circa 1974
158.21		Research materials re: computers, circa 1974
158.22		Preface to FICTION WRITER'S HANDBOOK by Hallie and Whit
				Burnett, handwritten and typed drafts and correspondence, 1974-1975
		SOME HONORABLE MEN (1976)
158.23			Handwritten draft of preface, 1974
158.24			Typed drafts, 1974
159.1*			Typed drafts and galley proofs, 1974-1975 (* galleys
					removed to galley folder)
159.2-5			Printer's copy,  1976
		THE FIGHT (1975)
160.1-5			Press kit, clippings, research materials, and notes, 1974
160.6			Press pass, 1974
160.7			Notebooks, 1974
*			Note cards (* removed to box 963)
			Book
161.1				Handwritten draft, Part I, 1974
161.2				Handwritten draft, Part II, 1974
161.3				Handwritten draft, Part II, Chapter 1, 1974
161.4				Handwritten draft (copy), Part II, 1974
161.5-6				Handwritten draft fragments (copy), 1974
161.7-162.4			Early typed drafts, circa 1974
162.5				Handwritten and typed draft fragments, circa 1974
162.6-7				Typed drafts (copies), 1974-1975
163.1				Handwritten and typed draft fragments, 1974-1975
163.2-164.7			Typed draft fragments, circa 1975
164.8-165.1			Typed drafts, Part I, circa 1975
165.2-3				Typed drafts, Part II, circa 1975
165.4-6				Complete late typed draft (copy), 1975
166.1-3*			Printer's copy and galley proofs, 1975 (* galleys removed
						to galley folder)
			PLAYBOY
166.4				Early corrected typed draft, 1974
166.5-167.1			Typed draft, Part I, 1974-1975
167.2				Corrected typed draft, Part II, circa 1974
167.3*				Typed draft and galley proof, Part I, 1975 (* galleys
						removed to galley folder)
167.4				"Black Family Day," typed transcript, 1975
167.5			Reviews, 1975
167.6-7			German reviews, 1976
		GENIUS AND LUST: A JOURNEY THROUGH THE MAJOR WRITINGS OF HENRY MILLER (1976)
168.1			Research materials, circa 1975
168.2			Excerpts and quotes, circa 1975
168.3			Handwritten note cards, circa 1975
168.4-169.6		Handwritten and typed notes, draft fragments, clippings and
					correspondence, 1974-1977
169.7			Typed draft fragments (copy), 1975
169.8			Typed draft carbon, 1976
169.9-170.2		Corrected typed drafts, circa 1976
170.3			Pasteup pages, circa 1976
170.4-171.3*		Printer's copy and galley proofs, 1976 (* galleys removed to
					galley folder)
171.4			Correspondence regarding Bantam edition, 1977
171.5			Pages from Bantam edition, circa 1977
171.6		Horoscopes [in Italian], circa 1975
		Once Upon a Time in America (screenplay)
172.1			Working notes, 1975
172.2-6			Composite first draft, 1975
172.7-8			Typed first draft, 1975
173.1			Typed first draft A, Part I, 1975
173.2			Typed first draft A, Part II, 1975
173.3			Typed first draft B, Part I, 1975
173.4			Typed first draft B, Part II, 1975
173.5-174.3		Handwritten and typed draft fragments, 1975
174.4		Handwritten notes and notebook, 1975
174.5		"Two Letters from Frank Crowther," handwritten and typed
				drafts, correspondence, 1975-1976
174.6		From Poetry to Espionage (lecture), typed drafts, 1975
174.7-8		"Norman Mailer on Women, Love, Sex, Politics, and All
				That!," handwritten and typed drafts, and correspondence, 1975
174.9-10	"The Murder File," handwritten and typed drafts, research
				material, circa 1975
175.1		"Before He's Naked or Dead, Norman Mailer Goes for Broke:
				The Biggest Novel of All," monographs, tearsheets, and
				correspondence, 1975
175.2		Foreword to ST. PATRICK'S DAY WITH MAYOR DALEY, AND OTHER
				THINGS TOO GOOD TO MISS by Eugene Kennedy,
				handwritten and typed drafts, correspondence, 1975
175.3-4		"The Meaning of Vietnam," faxed handwritten and typed
				drafts, correspondence, 1975
175.5		Lecture at College of Marin, notes, research material, and typed
				draft, 1975
175.6		Prefaces for new Berkley editions, handwritten and typed
				drafts, correspondence, jacket dummies, 1976
175.7		"Letter to the editor," PEOPLE WEEKLY, handwritten draft, 1975
		"Trial of the Warlock"
175.8-176.1		Typed drafts, notes, 1975
176.2			Handwritten and typed draft fragments, 1975
176.3*			Late typed draft, galley proofs, and correspondence, 1975-
					1976 (* galleys removed to galley folder)
176.4-		Fitzgerald/Hemingway research materials, notes,
177.2*				correspondence and handwritten and typed drafts, circa
				1975 (* note cards removed to box 963)
		"A Harlot High and Low: Reconnoitering through the Secret
				Government"
177.3			Typed notes and quotations, 1975
177.4-178.1		Research materials, notes, and clippings 1975
178.2			Page proof, 1976
178.3-179.3		Typed draft fragments, 1976
179.4			Typed corrections, 1976
179.5			Final typed drafts, 1976
179.6			Handwritten draft, circa 1976
180.1		"Henry Miller: Celebrating a Cause Celebre," tearsheet, 1976
		"The Search for Carter"
180.2			Typed interview transcript, 1976
180.3			Early typed draft and notes, 1976
180.4			Typed draft fragments, 1976
180.5*			Late typed drafts and galley proofs, 1976 (* galleys
					removed to galley folder)
180.6			Clippings and correspondence, 1976
180.7		Viking project, correspondence and publicity materials, 1976
180.8		"Set Theory," handwritten and typed drafts, and
				correspondence, 1976
		"A Conversation between Norman Mailer and John
				Ehrlichman: The CIA and Watergate"
181.1			Typed drafts and notes, 1976
181.2			Proofs and correspondence, 1976
181.3			Typed interview transcript, 1976
181.4		Preface to PAPA: A PERSONAL MEMOIR by Gregory Hemingway,
				handwritten and typed drafts, correspondence, 1976
181.5		MARILYN, German reviews, 1976
181.6		Thoughts on Writing (speech at the 27th Annual National Book
				Awards), typed drafts, correspondence, and clipping, 1976
		Research files
181.7			CELEBRITY BULLETIN, 1976-1977
181.8			Cancer-related clippings and reports, 1976-1977
181.9		"Our Man at Harvard," typed drafts, correspondence, 1976-1977
		OF A SMALL AND MODEST MALIGNANCY, WICKED AND BRISTLING WITH
				DOTS (1980)
182.1			Page proofs and correspondence, 1976-1977
182.2			Typed draft fragments and research information, circa 1977
182.3-4			Handwritten and typed draft fragments, 1977
182.5			Corrected typed draft, 1977
183.1-2			Typed drafts, 1977
183.3			Late typed draft carbon, 1977
183.4			Typed draft carbon fragments, 1977
		THE EXECUTIONER'S SONG (1979)
			Book
				Source files, circa 1976-1978
184.1					Doug Adler
184.2					T. Aiken
184.3					Paul Akins
184.4					Bob Anderson
184.5					Wayne Anderson
184.6					Charles Baker
184.7					April Baker
184.8-185.2				Kathryne Baker
185.3					Rikki Baker
185.4					Sterling Baker
185.5					Sue Baker
185.6					Jay Baker
185.7					James Barrett
186.1					Basketball scores
186.2					Frank Blalm
186.3					Tony Borne
186.4					Mary Bernardie
186.5-187.2				Bessie Gilmore
187.3					Mildred Bigler
187.4					Dennis Boaz
187.5					Brenda
187.6					Mark Brown
187.7					Deborah Bushnell
187.8					Caffee & Dutson
187.9					Sheriff Cahoon
188.1-2					Cline Campbell
188.3					Camus
188.4					Vince Capitain
188.5					Carbons of interviews
188.6					Dr. Christiansen
188.7					Glade Christiansen
188.8					Rusty Christianson
188.9					Chronology, 1940-1977
188.10					Clippings, January 1977
188.11					Val Conlin
188.12					Corbridge
189.1-2					Mont Court
189.3					Mont Court, Brenda Nicole
189.4					Court chronology
189.5					Hoyt Cupp
189.6					Brenda Damico
189.7					Vern Damico
189.8					Vern, Ida & Brenda
189.9					Dedication
189.10					Mike Demar
189.11					Greg Dobbs
189.12					Carol Doran
190.1					Earl Dorius
190.2					Dramatis personae
190.3					Porter Dutson
190.4					Dynamite Shave
190.5					Leroy Earp
190.6					Esplin & Snyder
190.7					Barry Farrell
190.8					Richard Frazier
190.9					Bud Fuller
190.10					Duane Fulmer
191.1					Pete Galavan
191.2					Giaugues & Groh
191.3-4					Gibbs
					Gary Gilmore
191.5-192.4					Interviews, circa 1976
192.5						Favorite songs, circa 1976
192.6						Horoscope, circa 1976
192.7						Notes/General
192.8						Prison report
193.1					Judge Grow
193.2					Tony Gurney
193.3					Bob Hansen
193.4					Phil Hensen
193.5					D. & S. Hiblar
193.6					Sally Hibler
193.7					Mildred Hillman
193.8					Houdini
193.9					Robert J. Howell
193.10					Idaho Falls
193.11					Dr. Jarvis
193.12					Jensen
193.13					Colleen Jensen
193.14					Johnny & Brenda
193.15					Leads
					Letter narratives
193.16						August, 1976
193.17						August-September, 1976
194.1						September, 1976
194.2						October, 1976
194.3						November, 1976
194.4					Letters, salutations & signoffs
194.5					Judge Lewis
194.6					Tom Lyden
194.7					Kathy Maynard
194.8					Maps
194.9					Marion
194.10					Wayne McDonald
195.1					Grace McGinnis
195.2					Spencer McGrath
195.3					Chief McMann
195.4					Father Meersman
195.5					Harry Miller
195.6					John Mills
195.7					Milwaukee bishop
195.8					Pam Mitchell
195.9					Bob Moody
195.10					Moody, Stanger
195.11					Bill Newell
195.12					Sandy Newman
196.1					Gerald Neilsen
196.2					Andrew Newton
196.3-197.5				Nicole Baker (Barrett)
198.1-2					Nicole narrative carbons
198.3					Captain Nolan
198.4					Notes
198.5					Glen Overton
198.6					Lt. Peacock
198.7					Lily Pons
198.8					Prison bio & psychiatric information
198.9					Prison tour
199.1					Roe
199.2					Lawrence Satchenberger
199.3-4					Larry Schiller
199.5					Bishop Seely
199.6					Warden Sam Smith
199.7					Tamera Smith
199.8					Craig Snyder
199.9					Ron Stanger
200.1					Ron Stanger & Bob Moody
200.2					Linda Stokes
200.3					Frank Taylor
200.4					Craig Taylor
200.5					Used
200.6					Wadman
200.7					Judith Walback
200.8					Robert Watson
200.9-10				Dr. Wesley Weissert
200.11					Captain Whitley
200.12					Tolly Williams
200.13					Joe Winter
201.1					Woods
201.2					Noall Wooten
201.3					Tom Wyden
201.4					Mr. X
				Research files
201.5-203.5				Research documents, circa 1977
204.1					Calendar, April 4, 1976-January 29, 1977
					Research notebooks
204.2						July 23-August 3, 1976
204.3						August, 1976
204.4						August 1-12, 1976
204.5						August 13-27, 1976
204.6						August 28-31, 1976
204.7						September, 1976
204.8						September 1-12, 1976
204.9						September 13-23, 1976
205.1						September 24-30, 1976
205.2						October 1-4, 1976
205.3						October 5-6, 1976
205.4						October 7 [1976], Part I, trial transcript
205.5						October 7, Part II- October 16, 1976
205.6						October [1976] chronology
205.7						October 17-November 1, 1976
205.8						October 31-November 6, 1976
205.9						November 7-9, 1976
206.1						November 7-13, 1976
206.2						November 16, 1976
206.3						November 17-30, 1976
206.4						November 19-23, 1976
206.5						November 24-27, 1976
206.6						November 28-30, 1976
206.7						Schiller, Dorius in December 1976
206.8						December 1-4, 1976
207.1						December 1-31, 1976
207.2						December 5-11, 1976
207.3						December 12-18, 1976
207.4						December 18-25, 1976
207.5						December 26-31, 1976
207.6						January [1977] index by person
207.7						January 1-8, 1977
208.1						January 1-17, 1977
208.2						January 9-12, 1977
208.3						January 13-14, 1977
208.4						January 15, 1977
208.5						January 16, 1977 (to 7 PM)
208.6						January 16 (7 PM)- January 17, 1977 (1 AM)
208.7						January 17, 1977 (4-8 AM)
209.1						January 17, 1977 (8-9 AM)
209.2-3						Legal material, January 16 (6 PM)- January 17,
								1977 (7:30 AM)
209.4						January 17, 1977 (9 AM on)
209.5						Schiller interviews, circa 1977
209.6						Gibbs interview and typed notes, circa 1977
209.7						Epilogue, circa 1977
210.1				Incomplete interview chronology, handwritten and
						typed notes, circa 1977
210.2-3				Timeline and notes, circa 1977
				Photocopied correspondence, circa 1977
210.4-7					Between Gilmore and Nicole Baker (Barrett)
211.1-2					From Gilmore to Nicole Baker (Barrett)
211.3					Incoming to Gilmore
211.4				Gibbs manuscript, circa 1977
211.5				Notes to be typed, circa 1977
211.6-228.5*		Working notes and draft fragments, circa 1978
					(* note cards removed to box 961 and 965)
228.6			Working typescript draft fragments, circa 1978
228.7			Early corrected typed draft fragment, circa 1978
229.1-3			Early incomplete edited typed draft, circa 1978
229.4-6			Corrected typed draft fragment, circa 1978
229.7-230.1		Incomplete edited typed draft, circa 1978
230.2-231.6		Edited typed draft, circa 1978
232.1-233.4		Corrected typed draft, circa 1978
233.5-235.3		Typed fair copy, circa 1979
235.4-236.6		Incomplete typed fair copy, circa 1979
237.1-4			Revised typed pages, circa 1979
237.5-239.4		Copy edited typed draft, 1979
			Galley proofs
239.5-240.3			Corrected fragments, 1979
240.4-7				Uncorrected, incomplete duplicate set, 1979
240.8-241.4			Uncorrected page proofs, 1979
241.5			Cover concept art and type-related correspondence, 1979
241.6			Composition order for mass market paperback edition, 1979
			Correspondence
241.7				Business, 1977-1979
241.8				Legal and financial, 1976-1979
241.9				Publicity, 1979
241.10				Schiller, 1977-1979
241.11				Interviews, 1978
242.1				Errors, 1979-1981
242.2				Social, 1977-1980
242.3-4			Phone logs and date books, circa 1977-1978
242.5			Review clippings, 1979
		PLAYBOY excerpts
242.6			Correspondence, 1979
			October issue
242.7				Edited draft and handwritten notes, 1979
242.8*				Galley proofs edited for PLAYBOY excerpt, 1979
						(* some galleys removed to galley folder)
242.9				Page proof, 1979
242.10-11		November issue, galley proofs edited for PLAYBOY excerpt, 1979
		Film version
242.12			Budget, 1979
			Screenplay
242.13-243.1			Working notes, circa 1980
2243.2				Pasteup working draft, circa 1980
243.3-5				Working draft fragments, circa 1980
243.6-244.6			Typed draft fragments, circa 1981
244.7				Typed first draft fragment with handwritten notes, circa 1981
244.8-9				Composite first draft, circa 1981
245.1-3				Typed first draft, 1981
245.4-246.1			Typed second draft, 1981
246.2-5				Pre-production drafts with revised pages, 1981
247.1-3				Principal photography drafts, 1981
247.4		Comment on the Select Committee on Assassinations,
				handwritten and typed drafts, circa 1977
247.5		Ray Bonetry film treatment, 1977
247.6		"The Dick Cavett Show" [with Mailer, Janet Flanner, and Gore Vidal],
				transcripts, clippings, and correspondence, 1977-1978
		A TRANSIT TO NARCISSUS (1978) [see also boxes 8-10]
247.7-248.1		Typescript, circa 1943
248*			Bound second typescript, circa 1943 (* unfoldered)
248.2			Typed draft introduction, circa 1978
249.1		"Novelist Shelved," handwritten and typed drafts, clipping, 1979
249.2		"An Interview with Norman Mailer," typed drafts and
				correspondence, 1979
*		General clippings and research material, circa 1970s (*
				removed to box 971, 973, and 974)
249.3		Unidentified handwritten and typed notes and drafts,
				circa 1970s
		OF WOMEN AND THEIR ELEGANCE (1980)
249.4			Correspondence, 1978-1980
			Research
249.5-8				Interviews, 1979
250.1				Script: THE PRINCE AND THE SHOWGIRL, 1979
250.2				Notes, clippings, 1979
250.3			Photographs, late 1970s
250.4			Photograph notes, 1979
250.5			Handwritten draft, circa 1979
250.6			Handwritten draft fragments, circa 1980
250.7			Fair copy typed draft carbon, circa 1980
250.8			Incomplete, corrected typed draft, circa 1980
251.1-2			Revised and rejected typed fragments, circa 1980
251.3-5			Typed draft fragments, circa 1980
251.6			Late typed draft photocopy, circa 1980
252.1-2			Clean typed draft, 1980
252.3			Handwritten and typed drafts of afterword, circa 1980
252.4			Revised galley proofs, circa 1980
252.5			Page proofs for LADIES' HOME JOURNAL excerpt, 1980
252.6			Pasteup samples, 1980
252.7			Advertising copy, circa 1980
252.8			Pre-publication unbound promotional copy, 1980
252.9			Publicity itinerary, 1980
252.10			Review clippings, 1981
253.1		Essay on Jimmy Carter, 1980
253.2-3		"Before the Literary Bar," handwritten and typed drafts and
				fragments, 1980
253.4		"Mailer on Ragtime," handwritten and typed drafts, 1980
		"Cousins"
253.5			Handwritten and typed drafts, 1980
253.6			Illustration by Norris Church Mailer, 1980
253.7		Introduction to SOON TO BE A MAJOR MOTION PICTURE by Abbie
				Hoffman, handwritten and typed drafts, 1980
		RAGTIME
253.8			Bound screenplay, 1980
253.9			Call sheets and production lists, 1980
		"Until Dead: Thoughts on Capital Punishment"
253.10			Handwritten and typed drafts, correspondence, 1981
253.11			Research material, 1981
253.12		"A Sinister Occupation," handwritten and typed drafts, 1981
254.1		THE EXECUTIONER'S SONG (book), French reviews, 1981
254.2		Jack Abbott, handwritten and typed comments and clippings, 1981
254.3		"Norman Mailer: The Interview," typed interview transcripts, 1981
		PIECES AND PONTIFICATIONS (1982)
254.4			Correspondence and memo of agreement, 1981
254.5			Typed draft of Lennon's introduction and working draft
					fragments, circa 1982
254.6			Lennon's typed notes, circa 1982
254.7			Handwritten and typed draft fragments, tear sheets,
					circa 1982
254.8-255.1		Edited interviews, circa 1982
255.2			Typed drafts of David Young interview, circa 1982
255.3			Typed, edited essays, circa 1982
255.4-5			Photocopied essays and interviews, handwritten and typed
					drafts and fragments, circa 1982
256.1			Handwritten and typed draft fragments, clippings, notes, and
					correspondence, circa 1982
256.2-4			Printer's copy, circa 1982
256.5			Galley proofs, circa 1982
256.6			Uncorrected advance proof, 1982
		STRAWHEAD
257.1			Correspondence, 1981-1986
257.2			Legal and financial materials, 1981-1986
257.3			Handwritten notes, undated
257.4			Early handwritten and typed notes and draft fragments,
					circa 1981
257.5			Early corrected partial draft, circa 1984
257.6			Handwritten and typed drafts of script preface, circa 1984
257.7-8			Incomplete typed drafts with notes and corrections,
					circa 1984
257.9			Typed draft A of earlier version, photocopy with notes,
					circa 1984
257.10 			Typed draft B of earlier version, photocopy with notes,
					circa 1984
257.11			Typed draft with handwritten note, circa 1984
258.1			Typed draft with notes and stage directions, circa 1984
258.2-259.1		Handwritten and typed draft fragments, circa 1985
259.2-6			Typed drafts with corrections, circa 1985
260.1-2			Late typed drafts, circa 1985
260.3			Bound playscripts, circa 1985
260.4			Photocopied playscript, circa 1985
260.5			Rehearsal schedules and notes, 1985-1986
260.6			Clippings, 1986
260.7			Galley proof for VANITY FAIR excerpt, 1986
261.1		"The Dick Cavett Show," transcripts, 1982
261.2		Comment on "One from the Heart," typed draft, circa 1982
261.3		Foreword to DEAR MUFFO: 35 YEARS IN THE FAST LANE by Harold
				Conrad, handwritten and typed drafts, clipping, 1982
261.4		Pappas Fellowship, correspondence, schedules, and booklets, 1983
		"The Poor American in London: The British Elections as Seen
				through the Trained Eye of an Innocent Abroad"
261.5			Notes and research material, 1983
261.6-7			Handwritten and typed drafts, 1983
		"All the Pirates and People: Norman Mailer Discovers the Man
				Who Is Clint Eastwood"
261.8			Research material, 1983
261.9			Handwritten and typed drafts, 1983
261.10			Photocopy page proofs and correspondence, 1983
262.1		"Dwight McDonald: 1906-1982," handwritten and typed drafts,
				correspondence, 1983
		Foreword to OSWALD'S GAME by Jean Davison
262.2			Handwritten and typed drafts, 1983
262.3-4			Copy of Davison manuscript, 1983
262.4-6		Norman Mailer: Selected Criticism, composite draft, 1983
		Rosy Crucifixion (screenplay)
			Research
262.7-263.3			Tearsheets from TROPIC OF CAPRICORN, SEXUS, and PLEXUS,
						notes, circa 1983
263.4-5				Marked copies of Miller books, circa 1983
264.1			Handwritten and typed draft fragments, circa 1983
264.2			Early draft fragment with notes, circa 1983
264.3			Typed first draft with corrections, circa 1983
264.4			Typed first draft (copy), circa 1983
264.5			Typed first draft carbon, circa 1983
264.6			Typed second draft with corrections, circa 1983
264.7			Typed second draft (copy), circa 1983
265.1			Typed second draft carbon, circa 1983
265.2			Typed late draft, circa 1983
265.3			Typed late draft with corrections, circa 1983
265.4			Typed late draft (copy), circa 1983
265.5			Typed late draft carbon and fragments, circa 1983
		TOUGH GUYS DON'T DANCE (1984)
266.1*			Handwritten and typed notes and draft fragments, 1983 (*
					note cards removed to box 961 and 969)
266.2-3			Early composite draft, 1983
266.4			Handwritten and typed draft fragments, 1983
266.5-267.1		Typed draft fragments, 1983
267.2			Incomplete composite draft, 1983
267.3-4			Incomplete corrected typed draft, 1983
267.5-268.1		Early clean typed draft, 1983
268.2			Incomplete typed draft, 1983
268.3-5			Complete typed first draft with corrections, 1983
268.6-269.2		Typed second draft carbon, 1983
269.3			Handwritten and typed rejected/reworked pages and notes,
					circa 1983
269.4			Judith McNally's handwritten and typed reading notes,
					circa 1983
269.5			Early galley proof, 1984
269.6			Master galley proof, first set, 1984
270.1			Master galley proof, second set, 1984
270.2			Late galley proof, first set, 1984
270.3			Late galley proof, second set, 1984
270.4			Final galley proof, 1984
271.1			Uncorrected proof, circa 1984
271.2-3			Text reproduction, 1984
271.4			Flap copy, 1984
271.5			Blue proofs, 1984
271.6			British publicity materials, 1984
271.7			Clippings, 1983-1984
271.8			Page and galley proofs for VANITY FAIR excerpt, 1984
271.9			Book reviews, 1984
271.10			Handwritten and typed drafts of preface for Franklin Mint
					edition, circa 1984
271.11			German reviews, 1985-1986
		P.E.N.
272.1			Annual report, 1983-1984
272.2			Meeting minutes and membership information, 1983-1993
272.3			Financial and fundraising materials, 1983-1985
272.4			Executive Committee meeting (June 20), 1984
272.5			P.E.N. American Center publications and projects, circa 1984
272.6			Correspondence, 1984
272.7			Clippings, 1984-1986
272.8			Non-P.E.N. printed materials, 1984
273.1			Correspondence, 1985-1987, undated
			48th International P.E.N. Congress
273.2				Program, clippings, and correspondence, 1986
273.3				Handwritten and typed drafts of keynote speech,
						circa 1986
273.4		"Jackie: The Prisoner of Celebrity," typed drafts and tearsheets, 1983
273.5		Mercy College speech, handwritten notes, 1984
		"A Country, Not a Scenario"
273.6*			Handwritten and typed drafts, galley proofs, 1984 (* galleys
					removed to galley folder)
273.7			Correspondence, 1984
273.8		"Huckleberry Finn, Alive at 100," handwritten and typed drafts,
				research material, clippings, and tearsheets, 1984
273.9		Space Bridge proposal, correspondence, photographs, and
				printed material, 1984
273.10		"Face the Press," typed transcript, 1984
273.11		Hazards and Sources--Some Thoughts on Writing,
				handwritten and typed drafts, 1984
273.12		Kill the News-Hawks, typed transcripts of Mailer's comments
				to the Connecticut College Writer's Conference, 1985
273.13		Introduction to new edition of AFTER THE LOST GENERATION: A
				CRITICAL STUDY OF THE WRITERS OF TWO WARS by John
				Aldridge, handwritten and typed drafts, 1985
273.14		Comment on Tennessee Williams biography, handwritten
				fragment, circa 1985
		KING LEAR
274.1			Contracts and correspondence, 1985-1986
274.2			Research material, 1986
274.3			Typed draft fragments, 1986
274.4-5			Typed drafts, 1986
		HARLOT'S GHOST (1991)
			Research
274.6-7*			Note cards, undated (some cards removed to boxes, 958,
						959, 960, 961, and 969)
				CIA, notes and tearsheets, undated
275.1					Angleton-Bagby
275.2					Barker-Bissell
275.3					Blake-Conien
275.4					Cubela-Fensterwald
275.5					Fitzgerald-Harvey
276.1					Helms-Hunt
276.2					Hunt
276.3					Kirkpatrick-Martinez
276.4					McCord
276.5					Mullen-Philby
277.1					Phillips-Wisner
277.2-278.2	 		General research materials, circa 1985-90
278.3				Handwritten notes, bound volume, circa 1987
278.4				Chuck Pfeifer, typed interview transcript, 1989
278.5				THE FISH IS RED, photocopy, undated
278.6				Russia, photocopies, tearsheets and pamphlets, undated
*				Mailer's marked copy of STRANGE GROUND: AMERICANS IN
						VIETNAM, 1945-1975, AN ORAL HISTORY and
						WIDOWS: FOUR AMERICAN SPIES, THE WIVES THEY
						LEFT BEHIND, AND THE KGB'S CRIPPLING OF AMERICAN
						INTELLIGENCE (* transferred to Library)
278.7			Handwritten character timeline charts, undated
279.1-283.1		Early handwritten and typed draft fragments, circa 1986
283.2-284.4		Fair copy typed draft fragments, undated
284.5-288.2		Typed draft fragments with corrections, undated
288.3-291.2		Typed draft fragments with corrections photocopy, undated
291.3-300.2		Intermediate handwritten and typed draft fragments, undated
300.3-303.2		Intermediate handwritten and typed draft fragments, 1990
303.3-305.4		Faxes of typed draft fragments with corrections, 1990
305.5-306.3		Partial composite draft with corrections, circa 1990
306.4			Incomplete typed draft with corrections, circa 1990
306.5-307.2		Retyped draft fragments, circa 1990
307.3-308.5		Incomplete composite draft, circa 1990
308.6-310.3		Incomplete typed draft with corrections, circa 1990
310.4-311.5		Complete typed draft A, circa 1990
311.6-313.1		Complete typed draft B, circa 1990
313.2-316.4		Draft fragments from 1990 revisions, 1990
316.5			Correspondence and copy editor's notes, circa 1990
316.6-319.1		Copyedited draft, 1990
319.2-4			Incomplete printer's copy with corrections, circa 1990
319.5-322.4		Printer's copy with corrections, 1990
322.5			Copy editor's comments, 1990
322.6			Composition samples, 1991
322.7			Author's note, typed drafts, 1991
322.8			Back matter, typed drafts, 1991
322.9-323.2		Readers' comments, 1991
323.3			Judith Exner comparison, draft fragment, circa 1991
323.4			Publisher's correspondence and editorial changes, 1991
323.5-324.2		Old galley proofs, 25-6 February 1991
324.3-5			Uncorrected galley proofs, partial, 24 May 1991
324.6-326.1		Galley proofs, 24 May 1991 and 19 June 1991
326.2			Galley proofs, 20 August 1991
326.3-327.4		Galley proofs, August 1991
327.5			Camera ready pages, August 1991
327.6-329.3		Late camera-ready proofs, August 1991
329.4			Galley proof inserts, 1991
329.5			Publication party invitation list, 1991
329.6			Publicity materials, 1991
329.7			Paperback edition, jacket dummies, correspondence and
					corrections, 1991-1992
330			Author's marked copy [edited for abridgement?] circa 1991
		Havana (screenplay)
330.1			Early typed draft, circa 1986
330.2-3			Early composite draft, circa 1986
331.1-6			Handwritten and typed draft fragments, circa 1986
331.7			Final draft with revisions, circa 1986
332.1			Typed fair copy draft, 1986
		TOUGH GUYS DON'T DANCE (film)
332.2-3			Edited pasteup of novel, circa 1986
332.4*			Script notes, circa 1986 (* note cards removed to box 961,
					and 968)
332.5			Early composite draft and notes, circa 1986
333.1			Early annotated draft, circa 1986
333.2			Original first draft, circa 1986
333.3			Final first draft, circa 1986
333.4			Screenplay and correspondence, 1986
333.5-334.2		Script revisions, circa 1986
334.3			Director's production binder, 1986
334.4			Scene schedule, drawings, circa 1986
335.1			Daily production reports, 1986
335.2			Story day summary, breakdowns, 1986
335.3			Starter kit (contact list, schedule, memo), 1986
335.4			Budget, 1986
335.5			Call sheets, 1986
335.6			Breakdown sheets, 1986
335.7			Schedules, 1986
335.8-336.1		Prop notes, 1986
336.2-3			Cast and crew information, correspondence, 1986
336.4-5			Correspondence, clippings, photos, notes, circa 1987
336.6-337.1		Audience surveys and comments, 1987
337.2-3			Publicity materials and photographs, 1987
337.4			Reviews, notes, correspondence, 1987-1994
337.5			Independent Spirit Awards, Feature Project/West,
					1987-1988
*		Two timeline/story boards for HARLOT'S GHOST, TOUGH GUYS
				DON'T DANCE (film), and Havana (screenplay), circa 1986
				(* removed to flat file)
338.1		"Letter to the editor," PEOPLE MAGAZINE, handwritten and typed
				drafts, tearsheet, 1987
338.2		"Fury, Fear, Philosophy: Understanding Mike Tyson,"
				handwritten and typed drafts, 1988
338.3		"The Norman Conquest," tearsheets, 1988
338.4		"Jackson Is a Friend of Life's Victims," handwritten and typed
				drafts, 1988
338.5		"Lipton's," typed drafts and photocopies, 1988
338.6		"The Changing of the Guard," typed drafts and correspondence,
				1988
338.7		Nat Halpern memorial speech, typed draft, 1988
338.8		Foreword for IT'S THE JOY THAT KILLS US, handwritten and typed
				drafts, book proof, circa 1989
338.9		Salman Rushdie materials, handwritten and typed statement
				and press releases, tearsheets, 1989
338.10		Emerson-Thoreau Medal ceremony, typed transcripts, 1989
338.1		Foreword to PRESENCES: PHOTOGRAPHS OF HEATON HALL by
				Beverly Anoux Pabst, typed drafts, 1989
338.12		"Cosmic Ventures: A Meditation of God at War," typed drafts,
				correspondence, and galley proof, 1989
338.13		Homage to Beckett, handwritten draft, circa 1989
*		General clippings and research material, circa 1980s (*
				removed to box 972)
338.14		Unidentified or unpublished writings, handwritten and typed
				fragments, circa 1980s
338.15		What's Wrong with America, typed draft essay, circa 1990
338.16		"A Doctor Is No Better than His Patient: An Interview with
				Norman Mailer," typed drafts and correspondence, 1990
		"Children of the Pied Piper"
339.1			Research materials, notes, handwritten and typed drafts, 1991
339.2			Typed drafts, 1991
339.3		"Mailer Likes That Dangling Participle in His New Novel,"
				handwritten and typed drafts, 1991
339.4		"Norman Mailer: Harlot's Ghost," typed draft fragments and
				correspondence, 1991
340.1		"Harlot's Lady," correspondence and proof, 1991
340.2		"The Espionage Lesson," proofs and correspondence, 1991
340.3		"Footfalls in the Crypt," handwritten and typed drafts, 1991
340.4-5		"The Warren Report," typed draft fragments, correspondence,
				photograph, 1991
340.6		How the Wimp Won the War, research, handwritten and
				typed drafts, galley proofs, 1991
341.1		"Mailer's America," typed draft interview, 1991
341.2		"A Critic with Balance: A Letter from Norman Mailer,"
				handwritten and typed drafts, correspondence, 1991
		PORTRAIT OF PICASSO AS A YOUNG MAN: AN INTERPRETIVE BIOGRAPHY (1995)
341.3-345.1		Research materials and notes, 1991-1992
345.2-4			Early handwritten and typed draft fragments, 1991
345.5			Early typed draft with corrections, 1991
345.6-347.2		Intermediate handwritten and typed draft fragments, 1992
347.3-348.1		Intermediate handwritten and typed draft, 1992
348.2-349.1		Intermediate typed draft, 1992
349.2-5			Intermediate typed draft fragments, 1992
349.6-350.2		Intermediate typed draft with images, 1992
350.3-351.2		Late typed draft, 1992
351.3-5 		Late typed draft fragments, 1992
352.1-4			Final typed draft, 1993
352.5-353.3		Incomplete final typed draft, 1993
353.4-6 		Final corrected typed draft, 1993
354.1			Images, circa 1993
354.2			Art permissions, 1993
354.3			Correspondence, 1993-1995
354.4			Legal materials, 1993-1995
354.5-355.3		Copyedited draft, 1994
355.4-356.2		Final pass typed draft, 1995
356.3			Typed draft preface, circa 1995
356.4			Typed draft afterword and endnotes, circa 1995
356.5-357.4		Printer's copy, 1995
358.1-2			Page proofs, 1995
358.3			Book jacket art, 1995
358.4			Advance proof, 1995
358.5			Tear sheets, 1995
358.6			Lecture outline and notes, 1995
358.7			Reviews, 1996
359.1		VANITY FAIR research material, 1992
359.2		Comment on Al Wasserman, typed draft, circa 1992
359.3		Comment on THE MAN WHO KNEW TOO MUCH by Dick Russell,
				handwritten draft, circa 1992
359.4		Letter to Salman Rushdie, typed draft, 1992
		"Earl & Lyndon: An Imaginary Conversation"
359.5			Research material and handwritten and typed drafts, 1992
359.6			Typed drafts and galley proofs, 1992
		"By Heaven Inspired: Republican Convention Revisited"
359.7			Research materials, 1992
359.8-361.2		Handwritten and typed notes and drafts, 1992
361.3			Handwritten notes, typed drafts, page proofs, 1992
361.4-6		Act One of the Religious Wars, handwritten and typed drafts
				and correspondence, 1992
362*		(* see entry at box 464 "How the Pharaoh Beat Bogey," 1996)
		OSWALD'S TALE: AN AMERICAN MYSTERY (1995)
363.1-3			Contracts and correspondence, 1992-1995
			Research
363.4				Research expenses, 1992-1993
363.5*				Handwritten notes and Russian vocabulary flashcards,
						1992-1993 (* flashcards removed to box 958)
363.6-370.5			Interview transcripts, 1993
371.1-384.5			Research materials, circa 1993
385*				THE DEATH OF IVAN ILYICH by Leo Tolstoy, and MARINA &
						LEE by Priscilla Johnson McMillan, author's
						marked copies (* unfoldered)
385.1-389.3		Early handwritten and typed drafts, research materials, circa
					1993
389.4-391.4		Early typed drafts, 1993
391.5			Early typed draft fragment, 1993
391.6-393.3		Early handwritten and typed draft fragments, 1994
393.4-398.4		Intermediate typed draft fragments, 1994
399.1			Reader's comments, 1994
399.2-400.2		Late typed draft fragments, 1995
400.3-401.1		Incomplete late typed draft A, 1995
401.2-3 		Incomplete late typed draft B, 1995
401.4-403.1		Printer's copy, 1995
403.2-404.2		Galley proofs, 1995
404.3-405.3		Page proofs, 1995
405.4			Front and back matter, typed drafts, 1995
406.1			Dust jacket, cover art, correspondence, art dummies,
					1995-1996
406.2			Publicity, 1995
406.3			French and British reviews and clippings, 1995
406.4			Correspondence and clippings, 1995
406.5-407.1		Typed audio script (rejected), 1995
407.2-3			Typed audio script (recorded), 1995
407.4		"Norman Mailer: Le prophète qui passe l'Amérique à la
				moulinette," LE FIGARO, interview clipping, 1993
		"Like a Lady"
408.1-4			Research material, handwritten and typed drafts, 1993
408.5-409.1		Typed draft fragments, 1993
409.2			Correspondence and clippings, 1994
409.3		"Don Juan in Hell," by George Bernard Shaw, marked
				playscripts and correspondence, 1993
409.4-5		"The Best Move Lies Very Close to the Worst," handwritten
				and typed drafts, correspondence, 1993
409.6		Comment on THE PHILBY FILES by Genrikh Borovik, typed draft
				and correspondence, 1994
		The Temporary Insanity of Dan Sickles (screenplay)
409.7			Typed draft fragments, 1994
409.8			Typed draft outlines, 1994
409.9			Typed first draft, 1994
410.1			Typed second draft, 1994
410.2			Typed draft screenplay A, 1994
410.3			Typed draft screenplay B, 1994
410.4			Typed second version, 1994
410.5			Typed third version, 1994
410.6			Incomplete working draft, 1994
410.7			Typed outline, screenplay, correspondence, 1994
		THE TIME OF OUR TIME (1998)
411.1			J. Michael Lennon's proposals and initial selections, 1994-1997
411.2-5			Organizational and financial correspondence, receipts,
					1997-1999
411.6-417.3		Original selections, circa 1997
417.4			Original selections (Hemingway packet), circa 1997
417.5-418.1		Original selections (literature), circa 1997
418.2-5			Reconsidered excerpts, 1997
418.6			Poetry selections, circa 1997
418.7			Rejected poetry selections, circa 1997
419.1-7			Rejected selections, circa 1997
420.1-423.1		Edited, photocopied excerpts, 1997
423.2			Catalog of pieces, handwritten organizational notes, 1997
423.3			Notebook, 1997
423.4-5			Table of contents, handwritten and typed drafts, 1997
423.6			Typed drafts of table of contents, preface and
					acknowledgements, correspondence, 1997
423.7			Preface, edited drafts, 1997
424.1			Acknowledgements and appreciations, edited drafts, 1997
424.2			Edited fragments, circa 1997
424.3-5			Early composite draft, 1997
424.6-425.3		Edited drafts and fragments, 1997
425.4			Retyped pages, 1997
425.5			Outtakes, 1997
425.6			"The Shadow of the Crime," drafts, 1997-1998
425.7-427.3		Photocopied composite draft for design department, 1997
427.4-428.5		Printer's copy, 1997
428.6-430.2		Page proofs with printer's marks, 1997
430.3-431.3		Page proofs, 1997
431.4-433.1		First pass galleys, 1997
433.2-4			Foul matter, circa 1997
433.5-435.2		Design/setting copy, 1998
435.3-436.5		Second pass galleys, 1998
436.6			Late corrections, 1998
437.1			Correspondence, 1998
437.2			Edited drafts and fragments, 1998
437.3			Sources and permissions, drafts, 1998
437.4			Permissions, 1998
437.5			Jacket copy and bio, typed drafts, 1998
437.6			Final queries, 1998
437.7			Cover proofs, circa 1998
437.8			Publication party guest lists, 1998
437.9			Gift book list, 1998
437.10			Publicity tour schedule, 1998
437.11			Table of contents for French edition, 1998
437.12-13		Reviews, 1998-1999
437.14			Excerpts for readings, circa 1998-2001
437.15			Appendix for paperback edition, typed draft, 1999
437.16		"Oswald in the U.S.S.R.: Annals of Surveillance," galley proofs
				and correspondence, 1995
437.17		Adam Gopnik article for the NEW YORKER, handwritten and
				typed drafts, correspondence, tearsheets, 1995
		THE GOSPEL ACCORDING TO THE SON (1997)
			Research
438*				Author's marked Bible (* unfoldered)
438.1-4				Annotated pasteup Bible pages, circa 1995
439.1-2				Unused OLD TESTAMENT material, circa 1995
439.3*				Notes, circa 1995 (* note cards removed to box 963)
439.4				Source files, circa 1995
439.5			Correspondence, 1995-1997
439.6-8			Early typed draft, corrections, rejected pages, notes, 1995
440.1-2			Draft 7, typed with handwritten additions and corrections, 1995
440.3			Judith McNally's reading notes, 1995
440.4			J. Michael Lennon's reading notes, 1995
440.5-441.1		Corrected typed draft and edited fragments, 1995
441.2-3			Composite draft with corrections, 1995
441.4-5			Lightly edited typed draft, 1995
441.6-442.1		Clean and complete typed draft, 1995
442.2			Typed draft fragments with corrections, 1995-1996
442.3-4			Copy of revised typed draft with handwritten notes, 1996
442.5-443.1		Draft 10, typed draft with corrections, 1996
443.2			Partial typed draft with handwritten comments, 1996
443.3-4			Draft 12, typed draft with corrections, 1996
443.5			Draft 12, incomplete typed draft with corrections, 1996
443.6			Draft 12, clean, incomplete typed draft, 1996
444.1-2			Incomplete composite draft with corrections, 1996
444.3			Typed fragment with Jason Epstein's corrections, 1996
444.4			Incomplete typed draft edited by Judith McNally, 1996
444.5			Partial typed draft with corrections and notes, 1996
444.6-7			Typed draft fragments, 1996
444.8-445.1		Typed draft with corrections (A), 1996
445.2-3			Typed draft with corrections (B), 1996
445.4-5			Final revised draft, 1996
445.6			Bound typed draft, 1996
445.7			Reader's notes, 1996
446.1			Acknowledgements and dedication, typed drafts and
					correspondence, 1996
446.2			Typed draft fragments with corrections, 1996
446.3			Typed draft with proofreader questions, 1997
446.4-5			Corrected proofs, 1997
			Proofs
446.6-7				Master set of first pass, 1997
446.8-9				Master set of second pass, 1997
447.1-2				Clean set, 1997
447.3				Pages, 1997
447.4-5			Printer's copy, 1997
447.6			Excerpt for reading, 1997
447.7			Marketing notes and correspondence, 1997
447.8			Flap copy drafts, correspondence, 1997
447.9			Publisher information, 1997
447.10			Book jackets, 1997
447.11			European press, 1998
447.12			French reviews, 1998
447.13			German publicity information, 1998
		AMERICAN TRAGEDY
448.1			Correspondence and clippings, 1995-2000
			Research
448.2				Photocopy of Simpson manuscript, circa 1995
448.3-450.1			Photocopy of Schiller manuscript, circa 1996
450.2-4			Early typed draft fragments, circa 1996
450.5			Handwritten notes, circa 1998
450.6			Intermediate typed draft fragments, 1998
450.7-451.1		Incomplete typed intermediate draft, 1998
451.2-452.3		Typed intermediate draft, 1998
452.4			Research: PERFECT MURDER, PERFECT TOWN screenplays by
					Tom Topor, 1999
452.5-455.2		Late typed draft fragments, 2000
455.3-456.1		Late typed drafts, 2000
456.2-3			Typed drafts and photocopies for paperback edition, 2000
456.4			Production breakdown and script changes, 2000
457.1-3			Shooting script, 2000
457.4			Late typed screenplay draft, 2000
457.5			Autographed screenplay, 2000
		The Last Night (screenplay)
458.1			Incomplete typed screenplay draft, 1995
458.2			Contracts and correspondence, 1996-1997
458.3			Research material and notes, 1996
458.4			Handwritten and typed draft fragments, 1996
458.5-6			Typed draft, 1996
458.7-459.1		Typed draft fragments, 1996-1997
459.2-5			Typed drafts, 1997
459.6			Revised typed draft, 1997
		"Searching for Deliverance"
460.1			Handwritten notes, typed interview transcript, and
					correspondence, 1996
460.2-4			Early handwritten and typed drafts, 1996
460.5-461.1		Intermediate typed drafts, 1996
461.2			Late typed drafts, 1996
461.3			Draft fragments, clipping, memo, 1996
461.4			Final typed draft, tearsheets, clippings, 1996
461.5		Mena airport research: correspondence, clippings,
				photographs, 1996
462.1-6		"1958-1967: Rounding Camelot," typed drafts and
				correspondence, 1996
		"War of the Oxymorons"
463.1-4			Handwritten and typed notes and research, 1996
463.5-464.2		Handwritten and typed early drafts, 1996
464.3-4			Late typed drafts, 1996
464.5			"Why I Write," typed draft and correspondence, 1996
		"How the Pharaoh Beat Bogey"
362.1			Research material, 1996
362.2-3			Handwritten and typed notes, draft fragments, 1996
362.4			Early handwritten draft, 1996
362.5			Intermediate typed drafts, 1996
464.6			Late typed drafts, 1996
464.7			Proofreader's copy, 1996
465.1			Pasteup page proofs, clippings, and correspondence, 1996
465.2		"Mailer's America," typed transcript and correspondence, 1996-1997
465.3		Harlot's Ghost II, correspondence and notes, 1996-1998
465.4-5		"Mailer Goes to the Mountain," typed drafts, 1997
465.6		THE FIGHT, cover for reprint edition, circa 1997
465.7		BARBARY SHORE, photocopy of cover for reprint edition, circa 1997
465.8		THE EXECUTIONER'S SONG, covers for reprint edition, circa 1997
465.9		THE NAKED AND THE DEAD, introduction for reprint edition, 1998
465.10		PORTRAIT OF PICASSO AS A YOUNG MAN, French and Spanish
				reviews, 1998
465.11		"Rounding Sex-Gate," typed drafts, 1998
465.12		DETAILS magazine interview, edited typed transcript, 1998
		"A Man Half Full"
465.13			Early handwritten and typed drafts, 1998
466.1			Early typed drafts, 1998
466.2			Research material and clippings, 1998
466.3-4			Handwritten and typed drafts, 1998
466.5		Interview regarding Lillian Hellman, typed transcript, 1998
466.6		THE FIGHT, Brazilian reviews, 1998-1999
466.7		A Tribute to Jean Malaquais, typed drafts, 1999
466.8		Audacity project, handwritten and typed drafts, 1999
466.9		"The Wisdom of a Serious Redneck: Norman Mailer
				Remembers Jones at the 1999 JJLS Symposium,"
				newsletter article, 1999
466.10		"Miloševic and Clinton," handwritten and typed drafts and
				clippings, 1999
466.11		"Just the Factoids," Letter to the Editor, NEW YORK TIMES BOOK
				REVIEW, typed draft and correspondence, 1999
466.12		Blurb for SONG OF THE EXILE by Kiana Davenport, handwritten
				draft, circa 1999
*		General clippings and research material, circa 1990s (*
				removed to box 972)
467.1		"Talking Heads: Cartoons by Norman Mailer," clippings and
				memo, 2000
467.2		"The Norman Conquests," clipping of Ginny Dougary
				interview, 2000
467.3		Forbes piece, handwritten notes and correspondence, 2000
467.4		DER SPIEGEL interview, typed transcript and correspondence,
				2000
467.5		MAILER ON MAILER, publicity materials, 2000
467.6		"Great in the Hay," typed draft fragments, 2000
467.7		Preface to THE GOOD, THE BAD, AND THE DOLCE VITA: THE
				ADVENTURES OF AN ACTOR IN HOLLYWOOD, PARIS, AND ROME,
				by Mickey Knox, handwritten and typed drafts, memos,
				2000
467.8		New Year greeting (message and drawing), 2001
467.9		Interview with Gilles Boulanger, typed transcript and
				correspondence, 2001
467.10		Paris trip, schedules, clippings, and correspondence, 2001
467.11		Foreword to UNHOLY ALLIANCE: A HISTORY OF THE NAZI
				INVOLVEMENT WITH THE OCCULT by Peter Levenda,
				handwritten notes and typed drafts, 2001
467.12		THE DEER PARK, correspondence and photocopied playscript,
				2001
467.13		"An Evening with Norman Mailer" (Novello Festival of
				Reading), typed transcript, 2001
467.14		Statement on the Artyom Borovik Foundation, typed draft,
				2001
467.15		Crossing Border Festival talk, typed transcript, 2001
467.16		Ten Seconds to Answer, handwritten and typed drafts, 2001
467.17		THE NEW REPUBLIC Online, lawsuit, printouts, and
				correspondence, 2001-2002
		MASTER SPY: THE ROBERT HANSSEN STORY
468.1			Correspondence, 2001-2002
			Research
468.2-470.4			Research materials and notes, 2001
471.1				Dead drop file, 2001
471.2-477.2			Interviews, 2001
477.3-5				Knox College, 2001
478.1-479.2			Rejects, 2001
479.3-4				Timelines, 2001
479.5			Audiotapes, circa 2001
479.6-482.3		Early typed draft fragments, 2001
482.4-483.3		Early incomplete typed drafts, 2001
483.4-5			Early typed draft, circa 2001
483.6			Typed first draft, 2001
484.1-485.2		Late typed draft fragments, 2002
485.3-4			Incomplete late typed draft, 2002
485.5-6			Late typed draft, 2002
485.7			Pre-production screenplay, 2002
486.1			Pre-production screenplay revisions, 2002
486.2			Revised pre-production screenplay, 2002
486.3			Production draft screenplay, 2002
486.4-487.1		Production draft screenplay revisions, 2002
487.2-3			Script inserts, 2002
487.4-5			Scene notes, 2002
487.6			Filming schedule, 2002
487.7			THE BUREAU AND THE MOLE, page proofs, 2002
			INTO THE MIRROR
488.1-2				Typed draft, 2002
488.3				Typed draft fragment, circa 2002
488.4				Bound galley proof, 2002
488.5			Publicity materials and reviews, 2002
488.6-7		Iraq research material and handwritten notes, 2001-2003,
				undated
		THE SPOOKY ART: SOME THOUGHTS ON WRITING (2003)
489.1			J. Michael Lennon's original book proposal, 2002
489.2			Correspondence, 2002-2003
			Suffolk University talk
489.3				Lennon's notes, 2002
489.4				Typed drafts, 2002
489.5				Revised transcripts, 2002
489.6			London class interview, revised typed draft and handwritten
					notes, 2002
489.7-9			Composite first draft, 2002
490.1-494.3			Handwritten and typed draft fragments, 2002
494.4-495.2			Retyped and deleted fragments, 2002
495.3			Endnotes (by J. Michael Lennon), typed drafts, 2002
495.4-6			Early corrected proofs, 2002
495.7-496.1		Incomplete corrected proof, 2002
496.2-3			Complete, clean late proof, 2002
496.4			Acknowledgements, 2002
496.5			Dummy, circa 2002
496.6			Excerpts for publication, 2002
496.7			Promotional material, 2002
496.8			Recipient lists for gift copies and party invitations, 2002-2003
496.9			Interviews, 2002-2003
496.10			Pull quotes for blurbs, 2003
496.11			Jacket copy for paperback edition, 2003
496.12			Book jackets for paperback edition, 2003
497.1			Reviews, 2003
497.2-3			Kakutani review debacle, 2003
		"Birds and Lions: Writing from the Inside Out"
497.4			Corrected typed draft fragments and correspondence, 2002
497.5-6			Typed draft fragments, 2002
497.7			Corrected typed drafts, 2002
498.1			Proof fragments, 2002
		"On Reading POETRY MAGAZINE'S 90th Anniversary Issue"
498.2			Typed drafts and correspondence, 2002
498.3			Handwritten and typed drafts, 2002
498.4		"Zelda, Scott and Ernest"/Berlin trip, schedules and
				promotional material, 2002
498.5		"A Founding Father Expresses Outrage," typed draft, 2002
498.6		"The Charlie Rose Show," typed transcript, 2002
		"I Am Not for World Empire"
498.7			Research materials, 2002
498.8			Typed draft interview transcripts, 2002
498.9			Handwritten notes and typed drafts, 2002
498.10-11	"The Mailer Verdict," typed drafts, 2002
499.1		DON JUAN IN HELL, press release and printout playscript, 2002
499.2		"For Whom the Will Toils," handwritten and typed drafts,
				correspondence, 2002
499.3		NORMAN MAILER: MY LIFE, filmed interview transcript and
				correspondence, 2002-2003
499.4		Lawrence Shainberg interview, typed drafts and
				correspondence, 2002-2003
499.5		Norman Mailer Society, organizational material and
				correspondence, 2002-2003
499.6		Bush/Iraq research, clippings and notes, 2002-2005
		"Mailer Erupts: Bush Needs a War Because America Needs an
				Empire," Address to the Commonwealth Club
499.7			Correspondence and typed draft, 2002-2003
499.8			Handwritten and typed drafts, 2003
499.9		"Only in America," printout, 2003
499.10		"A Riff on Hemingway," proof, 2003
499.11		DER SPIEGEL interview, typed transcript of translation with
				handwritten notes, 2003
499.12		OUTSIDER: THE LAST AUTEUR, project proposal with handwritten
				notes, circa 2003
		MODEST GIFTS: POEMS AND DRAWINGS (2003)
500.1-2			Selections from DEATHS FOR THE LADIES and CANNIBALS AND
					CHRISTIANS, 2003
500.3			Rejected selections, 2003
500.4			Typed draft fragments, 2003
500.5			Draft poems and drawings, 2003
500.6-501.3		Early composite drafts, 2003
501.4-502.2		Late composite drafts, 2003
502.3-7			Proofs, 2003
502.8			Proof fragments, 2003
502.9			Jacket art dummies, 2003
502.10			Clippings, 2003
502.11		Manso, research material, 2003
503.1-2		"We Went to War to Boost the White Male Ego," handwritten
				and typed drafts, correspondence, tearsheets, 2003
		WHY ARE WE AT WAR? (2003)
503.3			Early composite draft, 2003
503.4			Page proofs, 2003
503.5			Handwritten and typed draft fragments, 2003
504.1-4			Typed draft fragments, 2003
505.1			Jacket concept art and clippings, 2003
505.2			Publicity interview for L'EXPRESS, typed draft and
					correspondence, 2003
		LONG DAY'S JOURNEY INTO NIGHT
505.3			Publicity notice, typed drafts of introduction, 2003
505.4-5			Production scripts with notes, 2003
		"Immodest Proposals"
505.6			Research and notes, 2003
505.7			Correspondence, 2003
505.8			First draft fragments and notes, 2003
506.1			Complete typed drafts, 2003
506.2-507.3		Handwritten and typed draft fragments, 2003
507.4			Proofs, 2003
507.5		"One Idea," handwritten and typed drafts, galleys, rejected
			research, correspondence, 2004
507.6		Comment on José Torres: Tribeca Citizen of the Year,
				handwritten and typed drafts, 2004
507.7-508.3	"Father to Son: What I've Learned about Rage," typed drafts,
				galleys, correspondence, 2004
508.4		Pennsylvania Writers Conference, program, clippings,
				correspondence, 2004
508.5		Lighthouse Chamber Players concert, press release, program
				and promotional materials, 2004
508.6		HIGH TIMES interview, typed drafts and research, 2004
508.7		PLAYBOY interview (with John Buffalo Mailer), typed draft,
				draft fragment, and galleys, 2004
508.8		Bloomsday interview (with John Whalen-Bridge), 2004
508.9		Comment on the passing of George Plimpton, typed draft, 2004
508.10		"Notes from the Legal Underground: Are You Open-Minded
				Enough for Norman Mailer on Iraq?," interview printout,
				2004
509.1-4		The Art of the Epigram (unpublished book), corrected typed
				draft fragments and handwritten notes, 2004
509.5		A Bit of Doggerel for President Bush, handwritten draft, circa 2004
510.1		"If Poetry Is the Food of the Soul," page proof and
				correspondence, 2004
510.2		"The Election and America's Future," typed draft, 2004
510.3-4		Speech for the Nieman Conference on Narrative Journalism,
				handwritten and typed drafts, 2004
510.5		American Jewish Committee, research information and
				correspondence, 2005
510.6		THE HUFFINGTON POST, typed drafts and printouts, 2005
510.7		"On Sartre's God Problem," correspondence and faxed proof,
				2005
510.8		"Norman Mailer: The Last Buccaneer Looks Back,"
				correspondence, drafts, notes, 2005
510.9		Blurb for SYMPTOMS OF WITHDRAWAL : A MEMOIR OF SNAPSHOTS
				AND REDEMPTION by Christopher Kennedy Lawford,
				handwritten and typed drafts, 2005
510.10		Tribute to José Torres, handwritten and typed drafts, 2005
510.11		Roast for Peter [Olsen] and Alice [O'Neil], handwritten draft,
				2005
510.12		THE BIG EMPTY: DIALOGUES ON POLITICS, SEX, GOD, BOXING,
				MORALITY, MYTH, POKER AND BAD CONSCIENCE IN AMERICA
				(2006), cover and typed draft outline, 2005
*		General clippings and research material, circa 2000s (*
				removed to box 972)

Series II. Correspondence, 1939-2005

511.1		1939, General
511.2		1940, General
511.3 		1941, General
511.4-5 	1942, General
511.6		1943, General
512.1		1943-1946, William Morris Agency re: A TRANSIT TO NARCISSUS
		1944
512.2-6			Family
513.1-8			Incoming from Bea Silverman Mailer
513.9-11		Outgoing to Bea Silverman Mailer
513.12			Correspondence and notes used by Mailer for THE NAKED
					AND THE DEAD [identified by Robert Lucid and
					including Lucid's notes]
513.13		1944-1945, General
		1945
514.1-6			Family
514.7-517.4		Incoming from Bea Silverman Mailer
517.5-518.3		Outgoing to Bea Silverman Mailer
518.4			Incoming and outgoing with Bea Silverman Mailer
518.5		1945-1946, Outgoing to Bea Silverman Mailer [selected by
				Norman Mailer for use in the writing of THE NAKED AND
				THE DEAD]
		1946
518.6-8			Family
518.9-519.3		Incoming from Bea Silverman Mailer
519.4-7			Outgoing to Bea Silverman Mailer
519.8		1946-1947, Little Brown and Company
519.9		1946-1948, Rinehart
		1947
519.10-11		Family
519.12			General
519.13			Gwaltney
		1948
520.1			Milly and Harvey Anhalt
520.2			Bea  [Silverman Mailer]
520.3			Business
520.4-7			Family
520.8			Friends
521.1-2			General correspondence
521.3			Fig Gwaltney
521.4			Berta Kaslow
521.5			Malaquais
521.6			Speeches
521.7			Phyllis Starrels
521.8		1948-1950, Hollywood correspondence
		1949
521.9			André Deutsch (Allan Wingate)
521.10-11		Family
522.1			Fan mail
522.2			Friends
522.3-4			Miscellaneous correspondence
522.5			Polier, Rembar & Midonick
523.1			Publishing companies, business
523.2			Rinehart
523.3			Rinehart, foreign editions
		1950
523.4			Business blurbs, etc.
523.5			Curtis Brown, Ltd.
523.6			Deutsch (Allan Wingate)
523.7			Charlie Devlin
523.8			Mary Guggenheim Ewalt
523.9			Family
523.10			Fan mail
523.11			Friends, general
523.12			Fig Gwaltney
523.13			Dave Kessler
523.14			Mickey Knox
523.15			George Landy
523.16			Mark and Alice Linenthal
523.17			Adeline Naiman
523.18			Organizations
524.1			Polier, Rembar, Midonick
524.2			Rinehart
524.3			Calder Willingham
524.4			Allan Wingate
524.5			Eiichi Yamanishi
		1951
524.6			BARBARY SHORE
524.7			Bills, receipts, etc.
524.8			Vance Bourjaily
524.9			Curtis Brown, Ltd.
524.10			Charlie Devlin
524.11			Raya Dunayevskaya
524.12			Sam Elkin
524.13			Family
524.14			Fan mail
524.15			Friends
524.16			General miscellaneous
524.17			Fig Gwaltney
525.1			Harold Hecht
525.2			Lillian Hellman
525.3			Walter Kahnert
525.4			Betsy Kelly
525.5			Mickey Knox
525.6			George Landy
525.7			Ruth McGray
525.8			Malaquais
525.9			Betty Martin
525.10			Daisy Miller [Lois Wilson]
525.11			Adeline Naiman
525.12			New American Library
525.13			Joseph Peter Papaleo
525.14			Real estate, rentals, etc.
525.15			Cy Rembar
525.16			Sylvia Richmond
525.17			Rinehart
525.18			Norman Rosten
525.19			Ullstein & Company
525.20			Calder Willingham
525.21			Allan Wingate
525.22			Writing business, speaking engagements, etc.
525.23			Eiichi Yamanishi
		1952
525.24			Chester Aaron
525.25			Bills, receipts, etc.
525.26			Betsy Blair
526.1			Leona Blankopf
526.2			Vance Bourjaily
526.3			David Cunniff
526.4			Curtis Brown, Ltd.
526.5			Natalie d'Arbeloff
526.6			Charlie Devlin
526.7			Family
526.8			Fan mail
526.9			Five Arts Award
526.10			Friends
526.11			General, miscellaneous
526.12			Fig Gwaltney
526.13			H. W. Wilson Co.
526.14			Jonathan Cape, Ltd.
526.15			Walter Kahnert
526.16			Mickey Knox
526.17			Bob Lindner
526.18			Ruth McGray
526.19			Hans Meyerhoff
526.20			Adeline Naiman
526.21			Carlos O'Brian
526.22			Rinehart
527.1			Lillian Ross
527.2			Budd Schulberg
527.3			Calder Willingham
527.4			Writing business, speaking engagements, etc.
527.5			Eiichi Yamanishi
		1953
527.6			Chester Aaron
527.7			Alfred Knopf (Harold Strauss)
527.8			Lewis Allen and Bette Ford
527.9			Barbara and Larry Alson
527.10			Bills, receipts, etc.
527.11			Leona Blankopf
527.12			Vance Bourjaily
527.13			Business offers, discussions, inquiries
527.14			Berenice Cortelle
527.15			Curtis Brown and Jonathan Cape
527.16			Charlie and Jill Devlin
527.17			Family
527.18			Friends
527.19			General, miscellaneous
527.20			Fig Gwaltney
527.21			Nat Halper
527.22			Dick Hayman
527.23			Irving Howe, DISSENT
527.24			Robert Lindner
527.25			Walter Kahnert
528.1			Mickey Knox
528.2			Levine and Rembar
528.3			Bob Loomis
528.4			Ruth McGray
528.5			Malaquais
528.6			Adeline Naiman
528.7			Joe and Kay Predisik
528.8			Rinehart
528.9			Bea and Steve Sanchez
528.10			Students, readers, fans, etc.
528.11			William Styron
528.12			Eiichi Yamanishi
		1954
528.13			Chester Aaron
528.14			Adele
528.15			Lew Allen
528.16			Berenice Cortelle
528.17			Bills, receipts, etc.
528.18			Vance Bourjaily
528.19			Jeanne Brown
528.20			Business inquiries, details
528.21			Curtis Brown, Ltd.
528.22			Charlie Devlin
528.23			DISSENT
528.24			Family
528.25			Friends
528.26			General, miscellaneous
528.27			Fig Gwaltney
528.28			Handwriting
529.1			Irving Howe
529.2			Mickey Knox
529.3			Heinz Kronen
529.4			Levine and Rembar
529.5			Robert Lindner
529.6			Ruth McGray
529.7			Daisy Miller [Lois Wilson]
529.8			Adeline Naiman
529.9			ONE
529.10			Joe Predisik
529.11			Rent
529.12			Mordecai Richler
529.13			Rinehart
529.14			Bea Sanchez
529.15			Phyllis Sift
529.16			Dick Stern
529.17			Students, readers, fans, etc.
529.18			William Styron
529.19			Writing business, offers, discussions, etc.
529.20			Eiichi Yamanishi
		1955
529.21			Chester Aaron
529.22			Luther Allen
530.1			Bills, receipts, etc.
530.2			Vance Bourjaily
530.3			John Breon
530.4			Curtis Brown, Ltd.
530.5			Family
530.6			Fan mail
530.7			Friends
530.8			James Fugate
530.9			General
530.10			Fig Gwaltney
530.11			Lowney Handy
530.12			Irving Howe
530.13			James Jones
530.14			Walter Kahnert
530.15			Dr. Kinsey
530.16			Mickey Knox
530.17			Chas Laughton
530.18			Levine and Rembar
530.19			Robert Lindner
530.20			Jean Malaquais
530.21			Moravia
530.22			Adeline Naiman
530.23			ONE
530.24			PARTISAN REVIEW (Phillip Rahv)
530.25			Joe Predisik
530.26			Publishing houses
531.1			Dachine Ranier
531.2			Sylvia Richmond
531.3			Rinehart
531.4			Norman Rosten
531.5			John Walsh
531.6			Eiichi Yamanishi
		1956
531.7			Chester Aaron
531.8			Lew Allen
531.9			Luther Allen
531.10			James Baldwin
531.11			Lawrence Barth
531.12			Joanie Batch
531.13			Cata[lina] Brava
531.14			John Breon
531.15			Jeanne Browne
531.16			Family
531.17			Fan mail
531.18			Friends
531.19			General
531.20			Lowney Handy
531.21			Alan Kapelner
531.22			Mickey Knox
531.23			Robert Lindner
531.24			Ruth McGray
532.1			Magazines
532.2			Jean Malaquais
532.3			Publishing houses
532.4			Dachine Ranier
532.5			Charles Rembar
532.6			Sylvia Richmond
532.7			Norman Rosten
532.8			Muriel Rukeyser
532.9			Students, fans
532.10			Jerry Tschappat
532.11			John Walsh
532.12			Bill Weaver
532.13			Leila Mae Wilson
532.14			Lois Wilson
532.15			Allan Wingate
532.16			Philip Wylie
532.17			Eiichi Yamanishi
		1957
532.18			Chester Aaron
532.19			Jeanne Arenberg
532.20			Lawrence Barth
532.21			Bills, receipts, etc.
532.22			Vance Bourjaily
532.23			Chandler Brossard
532.24			Business enquiries
532.25			Charlie Devlin
532.26			Family
532.27			Friends, general
533.1			General, miscellaneous
533.2			Fig Gwaltney
533.3			Lillian Hellman
533.4			Irving Howe
533.5			Aldous Huxley
533.6			Alan Kapelner
533.7			Mickey Knox
533.8			Levine and Rembar
533.9			Jean Malaquais
533.10			Stanley Plastrik
533.11			Publishing houses, magazines
533.12			Norman Rosten
533.13			Lyle Stuart
533.14			Students, fans, etc.
533.15			TV, radio, movies
533.16			Gerald Tesch
533.17			Writers, general
533.18			Eiichi Yamanishi
		1958
533.19			Steve Allen
533.20			Bills, receipts, etc.
533.21			Vance Bourjaily
533.22			Business, inquiries
533.23			Colleges, schools
533.24			Donna and John Cox
533.25			Charlie Devlin
533.26			DISSENT
533.27			Family
534.1			Howard Fertig
534.2			Friends
534.3			James Gahagan
534.4			General
534.5			George and Ryna Golden
534.6			Jack Green
534.7			Conrad Jones
534.8			Alan Kapelner
534.9			Mickey Knox
534.10			Magazines
534.11			Jean Malaquais
534.12			Howard Morrow
534.13			Laurence Olivier
534.14			William Phillips
534.15			Publishing houses
534.16			G. P. Putnams
534.17			Readers, fans, general
534.18			Arthur Steig
534.19			Dick Stern
534.20			Television, radio, movies, interviews
534.21			VILLAGE VOICE
534.22			Arthur Weiss
534.23			Eiichi Yamanishi
		1959
535.1			A
535.2			ADVERTISEMENTS FOR MYSELF
535.3			Steve Allen
535.4			B
535.5			Bills, receipts, etc.
535.6			Vance Bourjaily
535.7			C
535.8			Truman Capote
535.9			Colleges, students
535.10			D
535.11			DEER PARK: THE PLAY
535.12			Elbert
535.13			F
535.14			Family
535.15			Fan mail
535.16			Ed Fancher
535.17			Foreign publication
535.18			William Fury
535.19			G
535.20			H
535.21			Barbara Harrison
535.22			Interview requests
535.23			J
535.24			K
535.25			R. Klann
535.26			Mickey Knox
535.27			L
535.28			George Lea
536.1			Lecture requests
536.2			Johnnie Lindner
536.3			Bob Lucid
536.4			M
536.5			Michael McClure
536.6			Magazines
536.7			Miscellaneous
536.8			Munich
536.9			N-O
536.10			P
536.11			Periodical requests
536.12			Publishing houses
536.13			R
536.14			Real estate
536.15			Rejection slips
536.16			Reviews
536.17			S
536.18			Sanchez
536.19			Speaking/interview requests
536.20			T
536.21			"The Time of Her Time" letter
536.22			Joyce Trebilcot
536.23			U-V
536.24			W
536.25			"White Negro"
536.26			Lois Wilson
536.27			Y
536.28			Eiichi Yamanishi
		1960
537.1-7			General
538.1			A
538.2			Chester Aaron
538.3			Steve Allen
538.4			André Deutsch, Ltd.
538.5			B
538.6-7			Bellevue mail
538.8			Bills, receipts, etc.
538.9			Stella Brooks
538.10			Chandler Brossard
538.11			Business inquiries, offers, discussions, etc.
538.12			C
538.13			Don Carpenter
538.14			Caryl Chessman
538.15			Hedy Cohen
538.16			D
538.17			DISSENT
538.18			E/F
538.19			Family
538.20			Friends
538.21			William Fury
538.22			G
538.23			General, miscellaneous
538.24			Stanley Gould
538.25			H
538.26			Mark Harris
538.27			J
539.1			K-L
539.2			Walter Kahnert
539.3			Mickey Knox
539.4			Seymour Krim
539.5			Lectures and interviews
539.6			Johnnie Lindner
539.7			M
539.8			Magazines, general
539.9			Jean Malaquais
539.10			Mayoralty campaign
539.11			Miscellaneous
539.12			N
539.13			P
539.14			Periodical requests
539.15			Personal and business
539.16			Plays (THE DEER PARK)
539.17			Ned Polsky
539.18			Publishing companies
539.19			R
539.20-21		Readers, fans, students
540.1			Real estate, rentals, houses, etc.
540.2			Reprints
540.3			Requests, personal
540.4			Requests, recommendations (radio, TV)
540.5			S
540.6			Stanley Salzman
540.7			Bea Sanchez
540.8			Speaking requests
540.9			Dick Stern
540.10			T
540.11			Diana Trilling
540.12			W-Y
540.13			L[ois Wilson]
540.14			Eiichi Yamanishi
		Correspondence used for NORMAN MAILER'S LETTERS ON AN
				AMERICAN DREAM, 1963-1969 (2004), edited by J.
				Michael Lennon
541.1			Ab-Ak, 1962-1966
541.2			Al-Ap, 1962-1966
541.3			Ar-Az, 1962-1966
541.4			Ba-Ban, 1963-1966
541.5			Mary Bancroft, 1964-1965
541.6			Bar-Bay, 1965-1966
541.7			Richard W. and Virginia Baron, 1963-1966
541.8			Anne M. Barry, 1963-1965, undated
541.9			Be-Bh, 1962-1966
541.10			Bi-Bn, 1961-1969
541.11			Lester Blackiston, 1962-1963
541.12			Peter Blake, 1963
541.13			Bo-Bq, 1962-1966
541.14			Vance and Tina Bourjaily, 1962-1965
541.15			Br, 1961-1966
542.1			Harvey Breit, 1963-1965
542.2			Bu-Bz, 1962-1966
542.3			William F. and Patsy Buckley, 1962-1966
542.4			Ca, 1962-1966
542.5			Don Carpenter, 1963-1966
542.6			Ce, 1965-1966
542.7			Ch, 1961-1966
542.8			Ci, 1965
542.9			Cl, 1963-1966
542.10			Co, 1962-1966
542.11			Arthur and Hennig Cohen
			Hedy Cohen
543.1				1960-1962
543.2				1962-1964
543.3				1965-1966
543.4-544.1			James R. Cortez, 1961-1963
544.2			Cr, 1962-1966
544.3			Cu, 1964-1966
544.4			Jonathan Culler, 1965-1966
544.5			Richard Curtis, 1965-1966, undated
544.6			Da, 1962-1966
544.7			De, 1962-1966
544.8			Oscar Deliso, 1963-1965
544.9			Edward DeGrazia, 1965
544.10			Shirley Derifield, 1966
			André Deutsch
544.11				1962-1964
544.12				1965-1966
544.13			Di, 1963-1966
544.14			Do, 1963-1966
544.15			Pierre Dommergues, 1965-1966
544.16			Dr, 1963-1966
544.17			Du, 1962-1966
544.18			Ea, 1965
544.19			Alan Earney, 1963-1965
544.20			Ec-Ei, 1963-1966
544.21			John and Delores Elbert, 1965
545.1			Joseph Elder (Scott Meredith), 1965
545.2			Ef-El, 1963-1966
545.3			Em-Er, 1963-1966
545.4			Es-Et, 1963-1966
545.5			Fa, 1963-1966
545.6			Ed Fancher (VILLAGE VOICE), 1963-1966
545.7			Fe, 1963-1966
545.8			Howard Fertig, 1963-1966
545.9			Fi, 1963-1966
545.10			Don Fine (Dell Books), 1964-1966
545.11			Fl, 1961-1965
545.12			Fo, 1963-1965
545.13			Fr, 1962-1966
545.14			John Fry, 1964-1965
545.15			Fu, 1964-1966
545.16			Richard Fulton, 1963-1967
545.17			Betty Furness, 1961
545.18			Ga, 1964-1966
545.19			Dick Gardner, 1965
545.20			Ge, 1965-1966
545.21			Richard Gehman, 1963-1965
545.22			Gi, 1964-1966
545.23			Charlotte Gilbertson, 1966
545.24			Ralph Ginzberg, 1963-1965
545.25			Gl, 1965
545.26			Bob Glenn, 1964
545.27			Erwin Glikes, 1964
545.28			Go, 1962-1966
545.29			Madeleine Gobeil, 1962-1964
545.30			Richard Goodwin, 1966
545.31			Gr, 1963-1966
			Harry Grant
545.32				1961-1963
545.33				1963-1966
546.1			Graham Greene, 1962
546.2			Gu, 1963-1965
546.3			Robert Gutwillig, 1963-1966
546.4			Francis (Fig) Gwaltney, 1964-1965
546.5			Ha-Ham, 1962-1966
546.6			Pete Hamill, 1964-1965
546.7			Han-Har, 1962-1965
546.8			Hav-Haz, 1963-1966
546.9			Harold Hayes (ESQUIRE), 1963-1966
546.10			He, 1963-1966
546.11			Morrie Helitzer, 1966
546.12			Lillian Hellman, 1966
546.13			Hi, 1962-1966
546.14			Hoc-Hon, 1964-1966
546.15			Hoo-Hoy, 1962-1966
546.16			Irving Howe, 1964-1966
546.17			Hu, 1962-1965
546.18			Robert Hughes, 1964
546.19			I-Ip, 1965
546.20			Is-Iv, 1963-1964
546.21			Ja, 1962-1965
546.22			Paul Jacobs, 1965
546.23			Marc Jaffe (Bantam Books), 1963-1964
546.24			Je, 1964-1966
546.25			Jo, 1963-1966
546.26			Fred Jordan (Evergreen Press), 1962-1966
547.1			K, 1960-1963
547.2			Ka, 1961-1966
547.3			Ke, 1964-1966
547.4			Kemp, Arnold, 1962-1964
547.5			Ki, 1963-1966
547.6			Kl, 1961-1966
547.7			Knapp (Campbell divorce), 1963
547.8			Mickey Knox, 1963-1966
547.9			Ko, 1963-1966
547.10			Kr, 1963-1966
547.11			Paul Krassner, 1962-1963
547.12			Ku, 1963-1965
547.13			Kw, 1964
547.14			La, 1962-1965
547.15			Le, 1962-1966
547.16			Barry Leeds, 1964
547.17			Robert Levin, undated
547.18			Li, 1962-1965
547.19			John Lindsay, 1965
547.20			Lo, 1964-1966
548.1			Barbara Long, 1966
548.2			Lu, 1964-1966
548.3			Robert Lucid, 1962-1966
548.4			Ly, 1964-1966
548.5			Ma, 1963
548.6			Mac, 1962-1966
548.7			Mad, 1962-1966
548.8			Mag-Maj, 1962-1964
548.9			Jean Malaquais, 1963
548.10			Jean, Galy, and Elizabeth Malaquais, 1962-1966
548.11			Man, 1960-1966
548.12			Virginia Mangrum, 1964-1965
548.13			Mar, 1962-1966
548.14			Charles Marowitz, 1964-1965
548.15			Mat, 1964-1966
548.16			Mau-May, 1962-1966
548.17			McA-McB, 1964-1965
548.18			McC, 1965-1966
548.19			Michael McClure, 1964-1966
548.20			McD, 1962-1966
548.21			McG, 1966
548.22			Tom McGrath, 1964
548.23			Ruth McGray, 1962-1964
548.24			McL, 1962
548.25			Bill McLaughlin, 1964-1966
548.26			McN-McW, 1965-1966
548.27			Me, 1964-1966
548.28			Meixner, 1964-1965
548.29			Scott and Sydney Meredith, 1963-1966
549.1			Mi-Mil, 1962-1966
549.2			Min, 1964-1966
549.3			Walter Minton, 1962-1966
549.4			Mir-Mit, 1965-1966
549.5			Mo, 1962-1965
549.6			Willie Morris, 1965-1966
549.7			Mu, 1963-1966
549.8			Na, 1964
549.9			Adeline Naiman, 1962-1966
549.10			Vic Navasky, 1963
549.11			Ne, 1962-1965
549.12			Donald Newlove, 1964-1966
549.13			Ni, 1965
549.14			No, 1964-1966
549.15			G. E. Norton, 1963-1964
549.16			Ny, 1965
549.17			O-Od, 1963-1966
549.18			Makoto Oda, 1966
549.19			Og-Or, 1963-1966
549.20			Pa, 1962-1965
549.21			Floyd Patterson, 1966
549.22			Pe, 1964-1966
549.23			Ph, 1965
549.24			William Phillips (PARTISAN REVIEW), 1964-1965
549.25			Pi, 1964-1966
549.26			Pl, 1963-1964
549.27			Stanley Plastrik (DISSENT), 1964-1965
549.28			George Plimpton, 1963-1965
549.29			Po, 1964-1966
549.30			Norman Podhoretz, 1965
549.31			Richard Poirier, 1966
550.1			Pr-Pu, 1961-1966
550.2			Q, 1965-1966
550.3			Ra, 1964-1966
550.4			Xenia [Zinaide] Rachevsky, 1964
550.5			Re, 1963-1966
550.6			Charles Rembar, 1962-1966
550.7			Ri, 1963-1966
550.8			Ro, 1962-1966
550.9			Selden Rodman, 1962-1965
550.10			Lillian Ross, 1962-1965
550.11			Barney Rosset (Grove Press), 1963
550.12			Ru, 1962-1966
550.13			Ry, 1964-1966
550.14			Sa, 1963-1965
550.15			Ron Savage, 1964
550.16			Sc, 1962-1966
550.17			Don Schlitten, 1962-1963
550.18			Se, 1963-1966
551.1			Sh, 1962-1966
551.2			Mary Jane Shoultz, 1962-1964
551.3			Si, 1961-1966
551.4			James Silberman, 1963-1966
551.5			R. B. Sivers, 1962-1966
551.6			Sk, 1964-1966
551.7			Sl, 1965
551.8			Sm, 1962-1964
551.9			Sandra Smith, 1966
551.10			Sn, 1964-1966
551.11			So, 1964-1966
551.12			Sp, 1962-1966
551.13			Sta, 1963-1966
551.14			Ste, 1962-1966
551.15			Sandy Sternlight, 1963-1965
551.16			Sti, 1964
551.17			Sto, 1963-1966
551.18			STORY magazine, 1963
551.19			Str, 1962-1966
551.20			Stu, 1962-1964
551.21			Su, 1962-1964
551.22			Sw, 1963-1965
551.23			Sy, 1964
551.24			Ta, 1962-1966
551.25			Te, 1963-1966
551.26			Th, 1963-1965
552.1			Ti, 1963-1964
552.2			To, 1964
552.3			Tr-Tu, 1963-1966
552.4			Diana and Lionel Trilling, 1964-1966
552.5			U, 1965-1966
552.6			Dorothy Upham, 1966
552.7			V, 1962-1966
552.8			Stephen Vizenczey, 1962-1963
552.9			Wa-Wai, 1962-1966
552.10			Wal, 1962-1966
552.11			William Walker, 1963-1966
552.12			Wan, 1963
552.13			William Wantling, 1963-1964
552.14			War, 1963-1966
552.15			Anneke Warren, 1966
552.16			Was-Wau, 1963-1966
552.17			We, 1963-1965
552.18			Nancy Weber, 1966
552.19			Wei, 1963-1966
552.20			Wel, 1964-1966
552.21			William Wells, 1963-1964
552.22			Wh, 1962-1966
552.23			Wi, 1963-1966
552.24			Jeff Williams, 1962-1966
553.1			Robert Wilson, 1962-1965
553.2			Win-Wit, 1962-1966
553.3			Wo, 1962-1966
553.4			Wr-Wy, 1962-1966
			Eiichi Yamanishi
553.5				1962-1963
553.6				1964
553.7				1965
553.8				1966
553.9			Ye-Yo, 1964-1966
553.10			Z, 1963-1965
553.11			Unidentified, circa mid 1960s
		1961
554.1-2			General
554.3			A-B
554.4			Bellevue people
554.5			C
554.6-555.3		Cranks, crackpots and interesting people
555.4			D-E
555.5			DISSENT, business letters
555.6			EROS
555.7			ESQUIRE
555.8			EXCHANGE
556.1			Family
556.2-3			Fan mail
			Friends
556.4				A-D
556.5				E-L
556.6				M-P
557.1-2				R-Z
557.3			G-H
557.4			Harry Grant
557.5			K-L
557.6			Arnold Kemp
557.7			Lectures and interviews
557.8-9			London
558.1			M-N
558.2			Magazines
558.3			Miscellaneous
558.4			NEW YORKER
558.5			PLAYBOY
558.6			P. R.
558.7			Publishing companies
558.8			Putnam's
558.9			R-T
558.10			Cy Rembar
558.11			Requests, misc.
558.12			Secretaries
558.13			Ray and Mary Jane Shoults
558.14			Speaking requests
558.15			VILLAGE VOICE
558.16			W-Y
		1962
558.17			A-L
559.1			Actors Studio
559.2			Mary Angus
559.3			Babes
559.4			Bills, receipts, etc.
559.5			Cata Bravo
559.6			Sonia Brownell
559.7			Don Carpenter
559.8			Ray Carter
559.9			Chicago, Liston/Patterson fight
559.10			Chicago debate (September 22, 1962)
559.11			Hedy Cohen
559.12			James Cortez
559.13			Cheryl Crawford
559.14			Cuba
559.15			Dick Dabney
559.16			André Deutsch
559.17			DISSENT
559.18			John and Delores Elbert
559.19			Helen Elliott
559.20			Emerson College
559.21			EROS (Ralph Ginzburg)
559.22			ESQUIRE
559.23			ESQUIRE, letters about Jackie Kennedy article
560.1			EXCHANGE
560.2			Family
			Friends
560.3				A-E
560.4				F-J
560.5				K-M
560.6				N-P
560.7				Q-S
560.8				T-Z
560.9			G. P. Putnam's
560.10			Harry Grant
560.11			Grove Press
560.12			Fig Gwaltney
560.13			Pete Hamill
560.14			HARPER'S BAZAAR
560.15			HOLIDAY
560.16			Homosexuality, newspapers, pamphlets, etc.
560.17			Invitations
560.18			John Golden Productions, Inc.
560.19			Alan Kapelner
561.1			Arnold Kemp
561.2			Mickey Knox
561.3			Jay Landesman
561.4			George Lea
561.5			Lincoln Center
561.6			Johnnie Lindner
561.7			LOOK
561.8			M-Z
561.9			Magazines-general
561.10			Jean Malaquais
561.11			Walt May
561.12			Ruth McGray
561.13			Daniel F. McNeil
561.14			Michael Maddison
561.15			Miscellaneous correspondence
561.16			Adeline Naiman
561.17			NEW STATESMAN (Karl Miller)
561.18			NEW YORKER
561.19			NUGGET
561.20			Jane O'Dell
562.1			PARTISAN REVIEW
562.2			P.E.N. Club
562.3			Photographs, Black Star
562.4			Picasso clippings
562.5			PLAYBOY
562.6			Publishing companies, general
			Readers, fans, cranks, etc.
562.7				A-E
562.8				F-J
562.9				K-M
562.10				N-Q
562.11				R-T
563.1				U-Z
563.2			REALIST
563.3			Cy Rembar
563.4			Requests, permissions, offers, etc.
563.5			Research by A. Barry
563.6			Ron Rice
563.7			Selden Rodman
563.8			John Roeburt
563.9			ROGUE
563.10			[Norman] Rosten
563.11			Claire Russell
563.12			Billie Satterfield
563.13			Mary Jane Shoultz
563.14			Speaking requests
563.15			Dick Stern
563.16			Television, radio
563.17			Harry Thomas
563.18			Irene Thomas
563.19			Diana Trilling
563.20			VILLAGE VOICE
563.21			William Walker
563.22			Dick Walton
564.1			Jeff Williams
564.2			Bob Wilson (School of Living)
564.3			Charlie Wright
564.4			Eiichi Yamanishi
		1963
564.5			General
564.6			A
564.7			Actors Studio
564.8			Al Aronowitz
564.9			B
564.10			Bills and receipts
564.11			John Bleibtreu
564.12			Vance Bourjaily
564.13			Harvey Breit
564.14			William F. Buckley, Jr. (NATIONAL REVIEW)
564.15			C
564.16			Celebrity Service Newsletter
564.17			Julian Claman
565.1			D
565.2			Dick Dabney
565.3			André Deutsch
565.4			Charley Devlin
565.5			E
565.6			John and Delores Elbert
565.7			ESQUIRE essay
565.8			F
565.9			Family
565.10			Irene Fornes
565.11			Richard Fulton
565.12			G
565.13			G. P. Putnam's Sons
565.14			Dick Gehman
566.1-2			General
566.3			Harry Grant
566.4			Fig Gwaltney
566.5			H
566.6			Harvard University
566.7			Geoffrey Hazard
566.8			J. K. Hobbs
566.9			HOLIDAY
566.10			Marilyn Houglan
566.11			Invitations
566.12			J
566.13			K
566.14			Walter Kahnert
566.15			Alan Kapelner
567.1			Mickey Knox
567.2			L
567.3			Jay Landesman
567.4			Robert Lantz
567.5			[Alice and Felix] Linenthal
567.6			Robert Lowell
567.7			M
567.8			Dwight MacDonald
567.9			Steve Marcus
567.10			Dan Masser
567.11			Walt May
567.12			Gordon McAdoo
567.13			Mike McClure
567.14			Louise (Lou) McDermott
567.15			Ruth McGray
567.16			N
567.17			Adeline Naiman
567.18			NEW STATESMAN
567.19			G. E. Norton
567.20			O
567.21			Bill Olive
567.22			P
567.23			PLAYBOY
567.24			George Plimpton
567.25			K. W. Quante
567.26			R
567.27			Murray Reiss
567.28			Ron Rice
567.29			John Roeburt
567.30			[Mrs.] Rosoff
567.31			[Norman] Rosten
568.1			Louis Rowan
568.2			S
568.3			Ron Savage
568.4			Jo-Ellen Schwed
568.5			Scott Meredith, Inc.
568.6			Mary Jane Shoultz
568.7			Ed Skellings
568.8			T
568.9			U
568.10			V
568.11			W

		1964
568.12			Bibliography
568.13			Family
568.14			General
568.15			Invitations
568.16			Ruth McGray (ski house)
568.17			G. E. Norton
		1965
569.1			Dial and Dell
569.2			Family
569.3-4			General
569.5			Invitations
569.6			Notes
569.7			Readers, fans (AN AMERICAN DREAM)
569.8			Vietnam info
		1966
569.9			Lionel Abel
569.10			Act IV
569.11			John Aldridge
569.12			Aspekt Film AB
569.13			ATLANTIC MONTHLY
569.14			Anne Barry
569.15			Beacon Press
569.16			Madeline Belkin
569.17			Book ordering
569.18			Vance/Tina Bourjaily
569.19			Shirley Broughton
569.20			Harvey Breit
569.21			Helenka Brice
569.22			Buckley/Mailer (debate)
570.1			Cancer
570.2			CANNIBALS AND CHRISTIANS
570.3			Don Carpenter
570.4			Paul Carroll
570.5			Celebrity file
570.6			Eldridge Cleaver
570.7			Clippings
570.8			Expenses
570.9			Family
			Friends
570.10				A-F
570.11				G-M
570.12				N-Z
570.13			General
570.14			Invitations
571.1			Karate
571.2			NY TIMES drama piece
571.3			Party, February 19, 1966
571.4			P.E.N
571.5			Sinyavsky/Daniel petition
571.6			Vietnam
		1967
571.7			Susan Elizabeth Abrams
571.8			Gail Anderson
571.9			Anne Barry
571.10			Madeline Belkin
571.11-13		Bills (Provincetown)
572.1			Books ordered
572.2			C.A.P.E.S.
572.3			Don Carpenter
572.4			Paul Carroll
572.5			Hedy Cohen
572.6			Corvette
			THE DEER PARK
572.7				General
572.8				Dial Press
572.9				Party and reviews
572.10				Brownstone Associates, advertising
572.11				Notes, workpapers, changes
572.12			Deutsch
573.1			Dial-Dell
573.2			Employee services
573.3			Family
573.4			Financial
			Friends
573.5				A-D
573.6				E-L
573.7				M-S
573.8				T-Z
573.9			General
573.10			Harry Grant
573.11			Harper and Row
573.12			Harvard
574.1			Howe, DISSENT
574.2			Interviews
574.3			Invitations
574.4			Jottings and drawings
574.5			Arnold Kemp
574.6			Mickey Knox
574.7			Lorca translation
574.8			Robert Lucid
574.9			Jean and Eliz[abeth] Malaquais
574.10			Mayo Clinic diet
574.11			Michael McClure
574.12			Meredith
574.13			Miscellaneous
574.14			Misc[ellaneous] published pieces
574.15			Adeline Naiman
574.16			Nat[iona]l Inst[itute] of Arts and Letters
575.1			New American Library
575.2			NYT, Mailer/Mailer interview (Mr. Mailer interviews himself)
575.3			Permissions
575.4			PLAYBOY interview
575.5			James Proctor
575.6			Projects pending
575.7			Pub. house book review requests, blurbs, etc.
575.8			Putnam
575.9			Radio-TV
575.10-11		Readers
575.12			Rembar
575.13			Requests
575.14			Jack Shaw
575.15			Social invitations
576.1			Southern Methodist University
576.2			Speaking requests accepted
576.3			Theatre information
576.4			José Torres
576.5			Transcripts/rejoinders
576.6			Kenneth Tynan
576.7			Universities
576.8			Vietnam
576.9			VILLAGE VOICE
576.10			Bill Walker
576.11			WHY ARE WE IN VIETNAM
577.1			WILD 90, ESQUIRE article
577.2			Eiichi Yamanishi
		1968
577.3			THE ARMIES OF THE NIGHT
577.4			Aspiring authors
577.5			BEYOND THE LAW
577.6			Bills paid, N.Y.
578.1			Bills paid, P[rovince] T[own]
578.2			Black Power piece for PARTISAN REVIEW
578.3			Books ordered, book clubs
578.4			[William F.] Buckley [Jr.]
578.5			Contributions
578.6			Convention pieces
578.7			Conventions, Republican and Democrat
578.8			"Democracy Has/Hasn't a Future...a Present," transcript
578.9			André Deutsch
579.1			Employees
579.2			Family
			Fans
579.3				A-F
579.4				G-M
579.5				N-R
579.6				S-Z
579.7			James T. Farrell
			Friends
580.1				A-C
580.2				D-F
580.3-4				G-M
581.1				N-R
581.2				S-Z
581.3			General
581.4			Handwriting
581.5			HARPER'S
581.6			Harvard
581.7			Interview requests
581.8			Invitations
581.9			John F. Kennedy
581.10			Robert Kennedy
581.11			Mickey Knox
582.1			L[ong] I[sland] movie
582.2			LOOK
582.3			Scott Meredith
582.4			Misc. correspondence
582.5			Misc. published pieces
582.6			Mondadori Publishing
582.7			Movie piece, SEP
582.8			Movies, general
582.9			NAL
582.10			News clips
582.11			NEWSWEEK, TIME cover stories
582.12			Notes & bits,  writings
582.13			Permanent papers
582.14			Permissions
582.15			Petty cash & checking account, S. S.
582.16			Podhoretz reviews
583.1			Protests, petitions, etc. signed
583.2			Publishers, requests for blurbs
583.3			Putnam
583.4			Real Great Society
583.5			Requests for writings
583.6			Rembar
583.7			Nena Riegger
583.8			Screen Actors Guild
583.9			Joe Shaw
583.10			Speaking engagements accepted
583.11-12		Speaking requests
			Supreme Mix
583.13				Accounting
583.14				BEYOND THE LAW
584.1			V[iet] N[am] war project
584.2			Weidenfeld & Nicolson
584.3			Wide World Lecture Bureau
584.4			WILD 90
584.5			Eiichi Yamanishi
		1968-1969
584.6			"Black Power"
584.7			Robert F. Lucid
584.8			Yippies
		1969
584.9			AFTRA
584.10			Aspiring writers
584.11			Awards, honors
585.1			Checks issued
585.2			Citizens Union, urban problem
585.3			CONTRAPUNTA
585.4			Correspondence, general
585.5			Family, miscellaneous
			Fans
585.6-7				A-F
585.8-9				G-M
586.1				N-R
586.2				S-Z
			Friends
586.3-4				A-C
586.5				D-F
586.6-587.2			G-M
587.3				N-R
587.4-5				S-Z
587.6			Grove Press
587.7			Pete Hamill
588.1			Harvard
588.2			Interviews
588.3-4			Invitations to speak
588.5			Beverly Mailer
588.6			Mr. & Mrs. I. B. Mailer
588.7			Susan Mailer
			Mayorality
588.8				Appearances
588.9				Campaign film; Dick Fontaine
589.1				Fact file
589.2				Fans
589.3				Friends
589.4				Miscellaneous
589.5				Party; fund-raising
589.6				Position papers
590.1				Speeches, articles, etc.
590.2				Volunteers and contributions
590.3			Miscellaneous clippings
590.4			Miscellaneous correspondence
590.5			Miscellaneous requests
591.1			NAL
591.2			National Book Award, THE ARMIES OF THE NIGHT
591.3			National Institute of the Arts & Letters
591.4			Norman, personal business
591.5			OF A FIRE ON THE MOON
591.6			P.E.N.
591.7			Permissions
591.8			Petty cash expenditures
591.9			Pulitzer Prize
591.10			Requests for autographs, etc.
591.11			Requests for book reviews
591.12			Requests for interviews
592.1			Requests for TV appearances
592.2-4			Requests from colleges & universities
592.5			Requests from foundations & charities
592.6			Requests to petition, protest, etc.
592.7			Requests to write
593.1			RUNNING AGAINST THE MACHINE
593.2			Scott Meredith Agency
593.3			Social invitations (accepted)
593.4			Social invitations (declined)
59