Harry Ransom CenterThe University of Texas at Austin

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The Ransom Center will be closed on Thanksgiving Day.   See blog post


Exhibition poster

Mexico Modern: Art, Commerce, and Cultural Exchange, 1920–1945 September 11, 2017–January 1, 2018

Widely acknowledged as a critical chapter in the history of twentieth-century art, the rise of modernism in Mexico was activated by artists, museum curators, gallery owners, journalists, and publishers both in Mexico and the United States. These figures created and promoted an art that pioneered a synthesis of indigenous traditions, both ancient and contemporary, and international, modernist aesthetics.

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This exhibition explores two decades of dynamic cultural exchange between Mexico and the United States. It begins around 1920, when the conclusion of a long and bitter revolution in Mexico ushered in new cultural ideals and programs, and continues into the mid-1940s, when contemporary Mexican art entered the mainstream in the United States.

The exhibition underscores that art movements rarely conform to national borders; nor do they result from the efforts of artists alone. Transnational networks of individuals and institutions that seek, champion, and interpret great—often radically new—works of art are essential. Never has this been more the case than during the early twentieth century's "Mexican moment."

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Stories to Tell

Stories to Tell: Selections from the Harry Ransom Center Always on view

The Ransom Center's rich holdings highlight the struggles, the complexity, and the rewards of creative work in literature, print culture, art, photography, film, and the performing arts.

From Edgar Allan Poe's desk to a costume from Mad Men, visitors will always be able to view a changing display of collection materials.



Gutenberg Bible

The Gutenberg Bible

The Gutenberg Bible is the first substantial book printed from movable type on a printing press. The Ransom Center holds one of five complete copies in the United States.

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First Photograph

First Photograph

The First Photograph was taken by Joseph Nicéphore Niépce in 1826 or 1827. The image depicts the view from an upstairs window at Niépce's estate, Le Gras, in the Burgundy region of France.

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